{"slug": "allein-gott-in-der-hoh", "name": "ALLEIN GOTT IN DER H\u00d6H", "alt_name": "ALLEIN GOTT", "meter_label": "8.7.8.7.8.8.7", "meter": {"pattern": [8, 7, 8, 7, 8, 8, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "nicolaus-decius", "composer_date": "1539", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "allein-gott-in-der-hoh-bwv260", "provenance": {"layer": "tune", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune ALLEIN GOTT IN DER H\u00d6H (Zahn 4457), the proper tune for the German Gloria \"Allein Gott in der H\u00f6h sei Ehr\": Nicolaus Decius, 1539, adapted from the Gloria of the plainchant Easter mass (\"Lux et origo\"), first published in Geistliche Lieder (Leipzig, 1539). The melody is carried here in J. S. Bach's chorale harmonization BWV 260 (Breitkopf 371-chorale collection no. 249, publ. 1784\u201387), encoded from the music21 corpus MusicXML and verified against the independent KernScores encoding. All components pre-1931.", "pd_jurisdictions": {"US": true}, "hymnary_ids": {"tune_auth": "allein_gott_in_der_hoh_decius"}}, "harmonization": {"slug": "allein-gott-in-der-hoh-bwv260", "tune": "allein-gott-in-der-hoh", "music_file": "allein-gott-in-der-hoh-bwv260.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [20, 40, 57], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "Harmonization: J. S. Bach (BWV 260), publ. Breitkopf, 1784\u201387. Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "J. S. Bach's four-part chorale harmonization BWV 260 of ALLEIN GOTT IN DER H\u00d6H (Bach d. 1750), first published in the Breitkopf collection of Bach's four-part chorales (Leipzig, 1784\u201387), no. 249. Encoded from the music21 corpus MusicXML bwv260 (MuseData-derived encoding of the Breitkopf 371) via tools/mxl2ly.py, with the stollen repeat written out; verified note-for-note against the source MusicXML and against the independent KernScores/craigsapp encoding of Breitkopf no. 249 (one inner-voice variant between the two encodings documented in the .ly header). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 corpus MusicXML bwv260 (MuseData-derived, Breitkopf 371 no. 249), converted with tools/mxl2ly.py; cross-checked against KernScores chor249.krn", "encoding_license": "BSD-3-Clause (music21 corpus)"}, "music_ly": "%% ALLEIN GOTT IN DER H\u00d6H (8.7.8.7.8.8.7) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% J. S. Bach's four-part chorale harmonization BWV 260 of ALLEIN GOTT IN DER H\u00d6H\n%% (Nicolaus Decius, 1539, adapted from the Gloria of the plainchant Easter mass;\n%% Zahn 4457). Converted from the music21 corpus MusicXML bwv260 (MuseData-derived\n%% encoding of the Breitkopf 371-chorale collection, no. 249, publ. 1784-87) with\n%% tools/mxl2ly.py; the stollen repeat is written out in full (the corpus has no\n%% volta support). Voices verified note-for-note against the source MusicXML AND\n%% against the independent KernScores/craigsapp encoding (chor249.krn): the two\n%% encodings agree on every pitch and duration except one inner-voice detail (the\n%% syncopated tenor under soprano notes 42-45, this edition's e'8 f'4 e'8 vs the\n%% Kern's e'8 f'8 f'8 e'8 re-strike; the MusicXML reading is kept). The alto's\n%% striking a'8-a8 octave drop under soprano notes 44-45 is confirmed by both\n%% encodings. G major, 4/4, eighth-note-pair pickup (\\partial 4). MELISMATIC:\n%% 67 soprano notes for 53 syllables (8.7.8.7.8.8.7); the melisma continuations\n%% are held with '_' every stanza (verse_variable_melisma) at soprano notes\n%% 2, 13, 15, 18-19 (first stollen), 22, 33, 35, 38-39 (repeated stollen), and\n%% 47, 62, 65-66 (abgesang); the soprano melisma spans carry slurs. Fermatas in\n%% the source mark the seven phrase ends (soprano notes 9, 20, 29, 40, 49, 57,\n%% 67); they are not encoded. The BGA editorial German underlay carried by the\n%% encoding (the exact melisma map) is kept below for provenance:\n%%   v1: Al- _ lein Gott in der H\u00f6h' sei Ehr' und Dank f\u00fcr _ sei- _ ne Gna- _ _ de,\n%%       (repeat) Al- _ lein Gott in der H\u00f6h' sei Ehr' und Dank f\u00fcr _ sei- _ ne Gna- _ _ de,\n%%   v2: da- _ rum, dass nun und nim- mer- mehr uns r\u00fch- ren _ kann _ kein Scha- _ _ de!\n%%       (repeat), Ein Wohl- ge- fall'n Gott an _ uns hat, nun ist gross Fried ohn'\n%%       Un- ter- lass, all' Fehd' hat nun _ ein En- _ _ de.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  g'8( a'8) |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 b'4 |\n  b'4 a'8( b'8) c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4 g'8( a'8) |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 b'4 |\n  b'4 a'8( b'8) c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4 g'4 |\n  a'4 b'4 c''4 b'4 |\n  a'8.( b'16) b'4 a'4 a'4 |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 g'4 |\n  a'4 b'4 c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4\n}\n\nalto = {\n  d'4 |\n  g'4 g'4 fis'4 e'8 fis'8 |\n  g'8 fis'8 e'4 dis'4 e'4 |\n  d'8 e'8 fis'4 g'4. fis'8 |\n  g'4 d'4 d'4 d'4 |\n  g'4 g'4 fis'4 e'8 fis'8 |\n  g'8 fis'8 e'4 dis'4 e'4 |\n  d'8 e'8 fis'4 g'4. fis'8 |\n  g'4 d'4 d'4 d'8 e'8 |\n  fis'4 gis'4 a'8 a8 d'8 e'8 |\n  a8 a'4 gis'8 e'4 d'4 |\n  d'4 g'4 fis'8 gis'8 a'4 |\n  g'8 fis'8 e'4 dis'4 b8 cis'8 |\n  d'8 e'8 fis'4 e'4. d'16 c'16 |\n  g'4 d'4 d'4\n}\n\ntenor = {\n  b8 c'8 |\n  d'4 e'8 g8 a8 b8 c'8 d'8 |\n  e'8 b8 c'4 fis4 g8 a8 |\n  b8 c'8 d'4 e'4. d'16 c'16 |\n  d'8 c'16 b16 a4 b4 b8 c'8 |\n  d'4 e'8 g8 a8 b8 c'8 d'8 |\n  e'8 b8 c'4 fis4 g8 a8 |\n  b8 c'8 d'4 e'4. d'16 c'16 |\n  d'8 c'16 b16 a4 b4 b4 |\n  a4 d'4 e'8 f'4 e'8 |\n  e'16 d'16 e'8 f'8 e'16 d'16 c'4 a4 |\n  g4 g8 a8 b4 e4 |\n  e'8 b8 c'4 fis4 g4 |\n  fis4 b8 a8 g4. fis8 |\n  d'8 c'16 b16 a4 b4\n}\n\nbass = {\n  g,4 |\n  g8 fis8 e4 d4 a,4 |\n  e8 d8 c4 b,4 e8 fis8 |\n  g4 fis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4 g,4 |\n  g8 fis8 e4 d4 a,4 |\n  e8 d8 c4 b,4 e8 fis8 |\n  g4 fis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4 g4 |\n  d8 d'8 c'8 b8 a4 g4 |\n  f8 c8 d8 e8 a,4 fis4 |\n  g8 fis8 e4 b,4 c8 d8 |\n  e8 d8 c4 b,4 e4 |\n  d4 dis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4\n}\n"}, "harmonizations": [{"slug": "allein-gott-in-der-hoh-bwv260", "tune": "allein-gott-in-der-hoh", "music_file": "allein-gott-in-der-hoh-bwv260.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [20, 40, 57], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "Harmonization: J. S. Bach (BWV 260), publ. Breitkopf, 1784\u201387. Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "J. S. Bach's four-part chorale harmonization BWV 260 of ALLEIN GOTT IN DER H\u00d6H (Bach d. 1750), first published in the Breitkopf collection of Bach's four-part chorales (Leipzig, 1784\u201387), no. 249. Encoded from the music21 corpus MusicXML bwv260 (MuseData-derived encoding of the Breitkopf 371) via tools/mxl2ly.py, with the stollen repeat written out; verified note-for-note against the source MusicXML and against the independent KernScores/craigsapp encoding of Breitkopf no. 249 (one inner-voice variant between the two encodings documented in the .ly header). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 corpus MusicXML bwv260 (MuseData-derived, Breitkopf 371 no. 249), converted with tools/mxl2ly.py; cross-checked against KernScores chor249.krn", "encoding_license": "BSD-3-Clause (music21 corpus)"}, "music_ly": "%% ALLEIN GOTT IN DER H\u00d6H (8.7.8.7.8.8.7) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% J. S. Bach's four-part chorale harmonization BWV 260 of ALLEIN GOTT IN DER H\u00d6H\n%% (Nicolaus Decius, 1539, adapted from the Gloria of the plainchant Easter mass;\n%% Zahn 4457). Converted from the music21 corpus MusicXML bwv260 (MuseData-derived\n%% encoding of the Breitkopf 371-chorale collection, no. 249, publ. 1784-87) with\n%% tools/mxl2ly.py; the stollen repeat is written out in full (the corpus has no\n%% volta support). Voices verified note-for-note against the source MusicXML AND\n%% against the independent KernScores/craigsapp encoding (chor249.krn): the two\n%% encodings agree on every pitch and duration except one inner-voice detail (the\n%% syncopated tenor under soprano notes 42-45, this edition's e'8 f'4 e'8 vs the\n%% Kern's e'8 f'8 f'8 e'8 re-strike; the MusicXML reading is kept). The alto's\n%% striking a'8-a8 octave drop under soprano notes 44-45 is confirmed by both\n%% encodings. G major, 4/4, eighth-note-pair pickup (\\partial 4). MELISMATIC:\n%% 67 soprano notes for 53 syllables (8.7.8.7.8.8.7); the melisma continuations\n%% are held with '_' every stanza (verse_variable_melisma) at soprano notes\n%% 2, 13, 15, 18-19 (first stollen), 22, 33, 35, 38-39 (repeated stollen), and\n%% 47, 62, 65-66 (abgesang); the soprano melisma spans carry slurs. Fermatas in\n%% the source mark the seven phrase ends (soprano notes 9, 20, 29, 40, 49, 57,\n%% 67); they are not encoded. The BGA editorial German underlay carried by the\n%% encoding (the exact melisma map) is kept below for provenance:\n%%   v1: Al- _ lein Gott in der H\u00f6h' sei Ehr' und Dank f\u00fcr _ sei- _ ne Gna- _ _ de,\n%%       (repeat) Al- _ lein Gott in der H\u00f6h' sei Ehr' und Dank f\u00fcr _ sei- _ ne Gna- _ _ de,\n%%   v2: da- _ rum, dass nun und nim- mer- mehr uns r\u00fch- ren _ kann _ kein Scha- _ _ de!\n%%       (repeat), Ein Wohl- ge- fall'n Gott an _ uns hat, nun ist gross Fried ohn'\n%%       Un- ter- lass, all' Fehd' hat nun _ ein En- _ _ de.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  g'8( a'8) |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 b'4 |\n  b'4 a'8( b'8) c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4 g'8( a'8) |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 b'4 |\n  b'4 a'8( b'8) c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4 g'4 |\n  a'4 b'4 c''4 b'4 |\n  a'8.( b'16) b'4 a'4 a'4 |\n  b'4 c''4 d''4 c''4 |\n  b'4 a'4 b'4 g'4 |\n  a'4 b'4 c''8( b'8) a'4 |\n  g'8( e'8 fis'4) g'4\n}\n\nalto = {\n  d'4 |\n  g'4 g'4 fis'4 e'8 fis'8 |\n  g'8 fis'8 e'4 dis'4 e'4 |\n  d'8 e'8 fis'4 g'4. fis'8 |\n  g'4 d'4 d'4 d'4 |\n  g'4 g'4 fis'4 e'8 fis'8 |\n  g'8 fis'8 e'4 dis'4 e'4 |\n  d'8 e'8 fis'4 g'4. fis'8 |\n  g'4 d'4 d'4 d'8 e'8 |\n  fis'4 gis'4 a'8 a8 d'8 e'8 |\n  a8 a'4 gis'8 e'4 d'4 |\n  d'4 g'4 fis'8 gis'8 a'4 |\n  g'8 fis'8 e'4 dis'4 b8 cis'8 |\n  d'8 e'8 fis'4 e'4. d'16 c'16 |\n  g'4 d'4 d'4\n}\n\ntenor = {\n  b8 c'8 |\n  d'4 e'8 g8 a8 b8 c'8 d'8 |\n  e'8 b8 c'4 fis4 g8 a8 |\n  b8 c'8 d'4 e'4. d'16 c'16 |\n  d'8 c'16 b16 a4 b4 b8 c'8 |\n  d'4 e'8 g8 a8 b8 c'8 d'8 |\n  e'8 b8 c'4 fis4 g8 a8 |\n  b8 c'8 d'4 e'4. d'16 c'16 |\n  d'8 c'16 b16 a4 b4 b4 |\n  a4 d'4 e'8 f'4 e'8 |\n  e'16 d'16 e'8 f'8 e'16 d'16 c'4 a4 |\n  g4 g8 a8 b4 e4 |\n  e'8 b8 c'4 fis4 g4 |\n  fis4 b8 a8 g4. fis8 |\n  d'8 c'16 b16 a4 b4\n}\n\nbass = {\n  g,4 |\n  g8 fis8 e4 d4 a,4 |\n  e8 d8 c4 b,4 e8 fis8 |\n  g4 fis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4 g,4 |\n  g8 fis8 e4 d4 a,4 |\n  e8 d8 c4 b,4 e8 fis8 |\n  g4 fis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4 g4 |\n  d8 d'8 c'8 b8 a4 g4 |\n  f8 c8 d8 e8 a,4 fis4 |\n  g8 fis8 e4 b,4 c8 d8 |\n  e8 d8 c4 b,4 e4 |\n  d4 dis4 e8 d8 c8 a,8 |\n  b,8 c8 d4 g,4\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}