{"slug": "arthurs-seat", "name": "ARTHUR'S SEAT", "meter_label": "6.6.6.6.8.8", "meter": {"pattern": [6, 6, 6, 6, 8, 8], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "john-goss", "composer_date": "1874", "canonical_key": {"tonic": "bes", "mode": "major"}, "preferred_harmonization": "arthurs-seat-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "'Arthur's Seat' (6.6.6.6.8.8), John Goss, 1874. Goss d. 1880; US\n    public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI\n    via tools/mid2ly.py and verified against the Cyber Hymnal engraving (B-flat\n    major; no printed time signature but regular 4/4 with a quarter-note pickup;\n    dotted-half final; melismatic). All components pre-1931.", "pd_jurisdictions": {"US": true}}, "harmonization": {"slug": "arthurs-seat-cyberhymnal", "tune": "arthurs-seat", "music_file": "arthurs-seat-cyberhymnal.ly", "harmonizer": "john-goss", "arrangement_type": "harmonization", "canonical_key": {"tonic": "bes", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [6, 14, 22, 28, 36], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ARTHUR'S SEAT, John Goss, 1874. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting ARTHUR'S SEAT, John Goss (1800-1880), 1874 \u2014 US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (soprano and bass read note-for-note; B-flat major, regular 4/4 with a quarter pickup, dotted-half final). Melismatic (45 soprano notes / 40 syllables). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Arthur's Seat\" (Goss); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% ARTHUR'S SEAT (6.6.6.6.8.8) \u2014 John Goss, 1874. A 4-part SATB hymn tune,\n%% here paired with Charles Wesley's \"Rejoice, the Lord is King\" (1746). Encoded\n%% from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the render verified against the Cyber Hymnal engraving.\n%% B-flat major; NO printed time signature but a regular 4/4 with a quarter-note\n%% pickup (\\partial 4); every phrase ends on a dotted half that fits its bar, so\n%% no free-meter/tied-note splitting is needed. MELISMATIC: 45 soprano notes for\n%% 40 syllables \u2014 engraved melisma slurs on \"Your\" (2 notes), \"a[dore]\" (2 notes),\n%% \"sing\" (3 notes), and one 2-note figure in the last line (verse_variable_melisma).\n%%\n%% *** NEEDS HUMAN CONFIRMATION (two points) ***\n%% (1) M8 (the \"more\" cadence bar): the engraving shows the SOPRANO RESTING on\n%%     beat 4 \u2014 only the alto (c') and tenor/bass move there. mid2ly reported a\n%%     phantom soprano f'4 on that beat; it is dropped here as r4 (=> 45 soprano\n%%     notes). If a reader sees a real soprano note on that beat, the tune has 46\n%%     notes + an extra melisma and the system_breaks/underlay shift by one.\n%% (2) Last-line melisma: the slur peaks on ees'' and is read here as d''( ees'')\n%%     (\"gain\", notes 40-41). Re-check whether it is c''-d'' (\"a\") or ees''-c'' (\"I\").\n\\version \"2.24.0\"\n\nglobal  = { \\key bes \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  f'4 bes'4. bes'8 a'4 g'4 f'2. g'8( a'8) bes'4 c''4 d''4 c''8( bes'8) c''2. f'4 d''4. c''8 bes'4 a'4 g'4( a'4 bes'4) d''4 c''4. c''8 d''4 c''4 f'2. r4 g'4. g'8 g'4 g'4 a'4. a'8 a'4 a'4 bes'2 b'2 c''4 d''4( es''4) c''4 bes'2 a'2 bes'2.\n}\nalto = {\n  f'4 bes'4. bes'8 a'4 g'4 f'2. es'8 a'8 f'4 f'4 f'4 f'8 bes'8 f'2. f'4 f'4. f'8 f'4 f'4 es'2 f'4 f'4 f'4. f'8 e'4 e'4 f'2. c'4 d'4. d'8 d'4 d'4 es'4. es'8 es'4 es'4 d'2 g'2 g'2. es'4 d'2 c'2 d'2.\n}\ntenor = {\n  f4 bes4. bes8 a4 g4 f2. bes4 bes4 a4 bes4 bes4 a2. a4 bes4. a8 bes4 bes4 bes4 c'4 bes4 bes4 a4. a8 bes4 bes4 a2. a4 bes4. bes8 bes4 bes4 c'4. c'8 c'4 c'4 bes2 d'2 c'4 b4 c'4 g4 f2 f2 f2.\n}\nbass = {\n  f4 bes4. bes8 a4 g4 f2. es4 d4 f4 bes4 d4 f2. f4 bes,4. c8 d4 d4 es2 d4 bes,4 c4. c8 c4 c4 f2. f4 f4. f8 f4 f4 f4. f8 f4 fis4 g2 f2 es4 d4 c4 es4 f2 f,2 bes,2.\n}\n"}, "harmonizations": [{"slug": "arthurs-seat-cyberhymnal", "tune": "arthurs-seat", "music_file": "arthurs-seat-cyberhymnal.ly", "harmonizer": "john-goss", "arrangement_type": "harmonization", "canonical_key": {"tonic": "bes", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [6, 14, 22, 28, 36], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ARTHUR'S SEAT, John Goss, 1874. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting ARTHUR'S SEAT, John Goss (1800-1880), 1874 \u2014 US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (soprano and bass read note-for-note; B-flat major, regular 4/4 with a quarter pickup, dotted-half final). Melismatic (45 soprano notes / 40 syllables). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Arthur's Seat\" (Goss); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% ARTHUR'S SEAT (6.6.6.6.8.8) \u2014 John Goss, 1874. A 4-part SATB hymn tune,\n%% here paired with Charles Wesley's \"Rejoice, the Lord is King\" (1746). Encoded\n%% from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the render verified against the Cyber Hymnal engraving.\n%% B-flat major; NO printed time signature but a regular 4/4 with a quarter-note\n%% pickup (\\partial 4); every phrase ends on a dotted half that fits its bar, so\n%% no free-meter/tied-note splitting is needed. MELISMATIC: 45 soprano notes for\n%% 40 syllables \u2014 engraved melisma slurs on \"Your\" (2 notes), \"a[dore]\" (2 notes),\n%% \"sing\" (3 notes), and one 2-note figure in the last line (verse_variable_melisma).\n%%\n%% *** NEEDS HUMAN CONFIRMATION (two points) ***\n%% (1) M8 (the \"more\" cadence bar): the engraving shows the SOPRANO RESTING on\n%%     beat 4 \u2014 only the alto (c') and tenor/bass move there. mid2ly reported a\n%%     phantom soprano f'4 on that beat; it is dropped here as r4 (=> 45 soprano\n%%     notes). If a reader sees a real soprano note on that beat, the tune has 46\n%%     notes + an extra melisma and the system_breaks/underlay shift by one.\n%% (2) Last-line melisma: the slur peaks on ees'' and is read here as d''( ees'')\n%%     (\"gain\", notes 40-41). Re-check whether it is c''-d'' (\"a\") or ees''-c'' (\"I\").\n\\version \"2.24.0\"\n\nglobal  = { \\key bes \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  f'4 bes'4. bes'8 a'4 g'4 f'2. g'8( a'8) bes'4 c''4 d''4 c''8( bes'8) c''2. f'4 d''4. c''8 bes'4 a'4 g'4( a'4 bes'4) d''4 c''4. c''8 d''4 c''4 f'2. r4 g'4. g'8 g'4 g'4 a'4. a'8 a'4 a'4 bes'2 b'2 c''4 d''4( es''4) c''4 bes'2 a'2 bes'2.\n}\nalto = {\n  f'4 bes'4. bes'8 a'4 g'4 f'2. es'8 a'8 f'4 f'4 f'4 f'8 bes'8 f'2. f'4 f'4. f'8 f'4 f'4 es'2 f'4 f'4 f'4. f'8 e'4 e'4 f'2. c'4 d'4. d'8 d'4 d'4 es'4. es'8 es'4 es'4 d'2 g'2 g'2. es'4 d'2 c'2 d'2.\n}\ntenor = {\n  f4 bes4. bes8 a4 g4 f2. bes4 bes4 a4 bes4 bes4 a2. a4 bes4. a8 bes4 bes4 bes4 c'4 bes4 bes4 a4. a8 bes4 bes4 a2. a4 bes4. bes8 bes4 bes4 c'4. c'8 c'4 c'4 bes2 d'2 c'4 b4 c'4 g4 f2 f2 f2.\n}\nbass = {\n  f4 bes4. bes8 a4 g4 f2. es4 d4 f4 bes4 d4 f2. f4 bes,4. c8 d4 d4 es2 d4 bes,4 c4. c8 c4 c4 f2. f4 f4. f8 f4 f4 f4. f8 f4 fis4 g2 f2 es4 d4 c4 es4 f2 f,2 bes,2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}