{"slug": "aus-tiefer-not-luther", "name": "AUS TIEFER NOT (LUTHER)", "meter_label": "8.7.8.7.8.8.7", "meter": {"pattern": [8, 7, 8, 7, 8, 8, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "martin-luther", "composer_date": "1524", "alt_name": "Af Dybsens N\u00f8d", "canonical_key": {"tonic": "c", "mode": "major"}, "preferred_harmonization": "aus-tiefer-not-luther-oh143", "provenance": {"layer": "tune", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Open Hymnal X:143; all components published pre-1931 (latest year 1883).", "pd_jurisdictions": {"US": true}, "hymnary_ids": {"tune_auth": "aus_tiefer_not_luther", "total_instances": 85}}, "harmonization": {"slug": "aus-tiefer-not-luther-oh143", "tune": "aus-tiefer-not-luther", "music_file": "aus-tiefer-not-luther-oh143.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "c", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [9, 27, 45], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "AUS TIEFER NOT, Martin Luther, 1524; harmonization J. S. Bach (BWV 38/6), with six Open Hymnal editorial deviations. Public domain.", "provenance": {"layer": "harmonization", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Open Hymnal X:143; all components published pre-1931 (latest year 1883). HARMONIZER RE-ATTRIBUTED 2026-08-04 (Batch C wave 3): this record carried no harmonizer at all, because the Open Hymnal credit names Luther \u2014 the credit for the MELODY, which says nothing about who wrote the four parts. The setting is J. S. Bach's, the closing chorale of Cantata 38 \"Aus tiefer Not schrei ich zu dir\" (BWV 38/6; Riemenschneider / Breitkopf-371 No. 10). Measured against the craigsapp/bach-370-chorales edition of that movement (chor010, repeat expanded) AT THE SAME WRITTEN PITCH \u2014 no transposition is involved, both carry an empty key signature: soprano 61 of 61 notes identical in pitch AND duration; tenor 64 of 64 identical in pitch and duration; alto 65 against 64 with three operations; bass 64 of 64 with three pitch differences. Across 254 notes there are SIX editorial deviations and no others. Corroborated independently by the Greentree-lineage bwv38.6.mxl distributed via the music21 corpus, which agrees with the kern (not with this file) at both substantive spots. Further confirmation from the underlay: this file's eight melisma slurs sit at soprano ordinals 6, 14, 17, 25, 33, 36, 43 and 60 \u2014 Bach's own hold positions as carried by the texted witness. THE SIX DEVIATIONS, recorded rather than corrected so that no engraving changes: alto note 6 and its Stollen repeat at note 24 read F4 where Bach writes F-sharp4; bass notes 1 and 19 (the first note of each Stollen pass) read E3 where Bach writes D3; the final bass note reads E3 where Bach writes E2 (the sidecar's own `alternates` already offers the low octave there); and the alto re-strikes a d' at the close where Bach ties. PD basis is unaffected either way \u2014 Bach died 1750.", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:143", "encoding_license": "PD-dedication"}, "alternates": [{"voice": "bass", "voice_note": 53, "pitch": "d,"}, {"voice": "bass", "voice_note": 64, "pitch": "e,"}], "music_ly": "%% Out of the Deep I Cry to Thee\n%% Imported from Open Hymnal ABC X:143 via tools/abc_import.py\n%% Open Hymnal X:143; all components published pre-1931 (latest year 1883).\n\\version \"2.24.0\"\n\nglobal  = { \\key c \\major \\time 4/4 }\n\nsoprano = {\n  b'2 e'4 b'4 c''4 b'8( a'8) g'4 a'4 b'2 b'2 c''4 d''4 c''8( b'8) a'4 g'4( f'4) e'2 b'2 e'4 b'4 c''4 b'8( a'8) g'4 a'4 b'2 b'2 c''4 d''4 c''8( b'8) a'4 g'4( f'4) e'2 a'2 g'4 c''4 b'4 a'4 d''8( c''8) b'4 a'2 c''2 b'4 c''4 d''4 g'4 b'4 a'4 g'2 g'2 c''4 b'4 a'4 e'4 g'4( f'4) e'1\n}\nalto = {\n  e'2 e'4 gis'4 a'4 g'8 f'8 e'4 fis'4 gis'2 gis'2 a'4 b'4 c''4 f'4 e'4( d'8 c'8) b2 e'2 e'4 gis'4 a'4 g'8 f'8 e'4 fis'4 gis'2 gis'2 a'4 b'4 c''4 f'4 e'4( d'8 c'8) b2 e'2 d'4 e'8 fis'8 g'4 a'4 b'8 a'8 gis'4 e'2 a'2 g'4 g'4 g'8 f'8 e'4 d'4 c'4 b2 e'2 e'4 e'8 d'8 c'4 c'4 d'2( d'4) c'4( b2)\n}\ntenor = {\n  gis2 a4 d'4 e'4 d'4 e'8 d'8 c'4 b2 e'2 e'4 f'4 g'4 c'4 c'8( b8 a4) gis2 gis2 a4 d'4 e'4 d'4 e'8 d'8 c'4 b2 e'2 e'4 f'4 g'4 c'4 c'8( b8 a4) gis2 a2 b4 c'4 d'4 d'8 e'8 f'4 b4 c'2 e'2 e'4 e'4 d'4 c'4 fis8( g4) fis8 g2 g2 a4 gis4 a4 g4 g4( a4 b4 a4) gis2\n}\nbass = {\n  e2 c4 b,4 a,4 b,4 c8 b,8 a,4 e2 e2 a4 g8 f8 e4 f4 c4( d4) e2 e2 c4 b,4 a,4 b,4 c8 b,8 a,4 e2 e2 a4 g8 f8 e4 f4 c4( d4) e2 c'2 b4 a4 g4 f8 e8 d4 e4 a,2 a2 e4 d8 c8 b,4 c4 d4 d4 g,2 c2 a,4 e4 f4 c4 bes,4( a,4 gis,4 a,4) e2\n}\n"}, "harmonizations": [{"slug": "aus-tiefer-not-luther-oh143", "tune": "aus-tiefer-not-luther", "music_file": "aus-tiefer-not-luther-oh143.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "c", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [9, 27, 45], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "AUS TIEFER NOT, Martin Luther, 1524; harmonization J. S. Bach (BWV 38/6), with six Open Hymnal editorial deviations. Public domain.", "provenance": {"layer": "harmonization", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Open Hymnal X:143; all components published pre-1931 (latest year 1883). HARMONIZER RE-ATTRIBUTED 2026-08-04 (Batch C wave 3): this record carried no harmonizer at all, because the Open Hymnal credit names Luther \u2014 the credit for the MELODY, which says nothing about who wrote the four parts. The setting is J. S. Bach's, the closing chorale of Cantata 38 \"Aus tiefer Not schrei ich zu dir\" (BWV 38/6; Riemenschneider / Breitkopf-371 No. 10). Measured against the craigsapp/bach-370-chorales edition of that movement (chor010, repeat expanded) AT THE SAME WRITTEN PITCH \u2014 no transposition is involved, both carry an empty key signature: soprano 61 of 61 notes identical in pitch AND duration; tenor 64 of 64 identical in pitch and duration; alto 65 against 64 with three operations; bass 64 of 64 with three pitch differences. Across 254 notes there are SIX editorial deviations and no others. Corroborated independently by the Greentree-lineage bwv38.6.mxl distributed via the music21 corpus, which agrees with the kern (not with this file) at both substantive spots. Further confirmation from the underlay: this file's eight melisma slurs sit at soprano ordinals 6, 14, 17, 25, 33, 36, 43 and 60 \u2014 Bach's own hold positions as carried by the texted witness. THE SIX DEVIATIONS, recorded rather than corrected so that no engraving changes: alto note 6 and its Stollen repeat at note 24 read F4 where Bach writes F-sharp4; bass notes 1 and 19 (the first note of each Stollen pass) read E3 where Bach writes D3; the final bass note reads E3 where Bach writes E2 (the sidecar's own `alternates` already offers the low octave there); and the alto re-strikes a d' at the close where Bach ties. PD basis is unaffected either way \u2014 Bach died 1750.", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:143", "encoding_license": "PD-dedication"}, "alternates": [{"voice": "bass", "voice_note": 53, "pitch": "d,"}, {"voice": "bass", "voice_note": 64, "pitch": "e,"}], "music_ly": "%% Out of the Deep I Cry to Thee\n%% Imported from Open Hymnal ABC X:143 via tools/abc_import.py\n%% Open Hymnal X:143; all components published pre-1931 (latest year 1883).\n\\version \"2.24.0\"\n\nglobal  = { \\key c \\major \\time 4/4 }\n\nsoprano = {\n  b'2 e'4 b'4 c''4 b'8( a'8) g'4 a'4 b'2 b'2 c''4 d''4 c''8( b'8) a'4 g'4( f'4) e'2 b'2 e'4 b'4 c''4 b'8( a'8) g'4 a'4 b'2 b'2 c''4 d''4 c''8( b'8) a'4 g'4( f'4) e'2 a'2 g'4 c''4 b'4 a'4 d''8( c''8) b'4 a'2 c''2 b'4 c''4 d''4 g'4 b'4 a'4 g'2 g'2 c''4 b'4 a'4 e'4 g'4( f'4) e'1\n}\nalto = {\n  e'2 e'4 gis'4 a'4 g'8 f'8 e'4 fis'4 gis'2 gis'2 a'4 b'4 c''4 f'4 e'4( d'8 c'8) b2 e'2 e'4 gis'4 a'4 g'8 f'8 e'4 fis'4 gis'2 gis'2 a'4 b'4 c''4 f'4 e'4( d'8 c'8) b2 e'2 d'4 e'8 fis'8 g'4 a'4 b'8 a'8 gis'4 e'2 a'2 g'4 g'4 g'8 f'8 e'4 d'4 c'4 b2 e'2 e'4 e'8 d'8 c'4 c'4 d'2( d'4) c'4( b2)\n}\ntenor = {\n  gis2 a4 d'4 e'4 d'4 e'8 d'8 c'4 b2 e'2 e'4 f'4 g'4 c'4 c'8( b8 a4) gis2 gis2 a4 d'4 e'4 d'4 e'8 d'8 c'4 b2 e'2 e'4 f'4 g'4 c'4 c'8( b8 a4) gis2 a2 b4 c'4 d'4 d'8 e'8 f'4 b4 c'2 e'2 e'4 e'4 d'4 c'4 fis8( g4) fis8 g2 g2 a4 gis4 a4 g4 g4( a4 b4 a4) gis2\n}\nbass = {\n  e2 c4 b,4 a,4 b,4 c8 b,8 a,4 e2 e2 a4 g8 f8 e4 f4 c4( d4) e2 e2 c4 b,4 a,4 b,4 c8 b,8 a,4 e2 e2 a4 g8 f8 e4 f4 c4( d4) e2 c'2 b4 a4 g4 f8 e8 d4 e4 a,2 a2 e4 d8 c8 b,4 c4 d4 d4 g,2 c2 a,4 e4 f4 c4 bes,4( a,4 gis,4 a,4) e2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}