{"slug": "coronation", "name": "CORONATION", "meter_label": "8.6.8.6.8.6", "meter": {"pattern": [8, 6, 8, 6, 8, 6], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "oliver-holden", "composer_date": "1793", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "coronation-church-hymnal-1896", "provenance": {"layer": "tune", "source": "coronation-1793", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "'Coronation', Oliver Holden, 1793. Composer d. 1844.", "pd_jurisdictions": {"US": true}, "hymnary_ids": {"tune_auth": "coronation_holden", "total_instances": 1614}}, "harmonization": {"slug": "coronation-church-hymnal-1896", "tune": "coronation", "music_file": "coronation-church-hymnal-1896.ly", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [14, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "provenance": {"layer": "harmonization", "source": "church-hymnal-episcopal-1896", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Setting from The Church Hymnal (Episcopal), 1896. All pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:161", "encoding_license": "PD-dedication"}, "music_ly": "%% All Hail the Power of Jesus\u2019 Name\n%% Imported from Open Hymnal ABC X:161 via tools/abc_import.py\n%% Public domain: Perronet 1780; tune Holden 1793; setting 1896. All pre-1931.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 g'4 g'4 b'4 b'4 a'4 g'4 a'4 b'4 a'4 g'4 b'4 a'4 g'2. a'4 b'4 a'4 g'4 b'4 d''8( c''8) b'8( a'8) b'4 d''4 d''2 d''2 e''2 d''4( cis''4) d''2. b'4 d''4 b'4 g'4 b'4 a'8( g'8) a'8( b'8) a'4 g'4 d''2 c''2 b'4.( c''8 a'4) a'4 g'2.\n}\nalto = {\n  d'4 b4 d'4 g'4 g'4 fis'4 e'4 fis'4 g'4 fis'4 g'4 g'4 fis'4 g'2. d'4 g'4 d'4 b4 g'4 b'8 a'8 g'8 fis'8 g'4 fis'4 g'2 a'2 g'2 fis'4( e'4) fis'2. d'4 d'4 d'4 d'4 g'4 fis'8 e'8 fis'8 g'8 fis'4 g'4 g'2 g'2 g'2. fis'4 g'2.\n}\ntenor = {\n  d4 g4 b4 d'4 d'4 d'4 b4 d'4 d'4 c'4 b4 d'4 c'4 b2. a4 b4 a4 g4 b4 d'8 c'8 b8 a8 b4 a4 b2 a2 b2 a2 a2. g4 b4 g4 g4 d'4 c'8 b8 c'8 d'8 c'4 b4 g2 g2 g4.( a8 fis8 a8) c'4 b2.\n}\nbass = {\n  d4 g4 g4 g4 g4 d4 e4 d4 b,4 d4 e4 d4 d4 g,2. d4 g4 d4 b,4 g4 b8 a8 g8 fis8 g4 d4 g2 fis2 e2 a,2 d2. g4 g4 g,4 b,4 g,4 d4 d4 d4 e4 b,2 c2 d2. d4 g,2.\n}\n"}, "harmonizations": [{"slug": "coronation-church-hymnal-1896", "tune": "coronation", "music_file": "coronation-church-hymnal-1896.ly", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [14, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "provenance": {"layer": "harmonization", "source": "church-hymnal-episcopal-1896", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Setting from The Church Hymnal (Episcopal), 1896. All pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:161", "encoding_license": "PD-dedication"}, "music_ly": "%% All Hail the Power of Jesus\u2019 Name\n%% Imported from Open Hymnal ABC X:161 via tools/abc_import.py\n%% Public domain: Perronet 1780; tune Holden 1793; setting 1896. All pre-1931.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 g'4 g'4 b'4 b'4 a'4 g'4 a'4 b'4 a'4 g'4 b'4 a'4 g'2. a'4 b'4 a'4 g'4 b'4 d''8( c''8) b'8( a'8) b'4 d''4 d''2 d''2 e''2 d''4( cis''4) d''2. b'4 d''4 b'4 g'4 b'4 a'8( g'8) a'8( b'8) a'4 g'4 d''2 c''2 b'4.( c''8 a'4) a'4 g'2.\n}\nalto = {\n  d'4 b4 d'4 g'4 g'4 fis'4 e'4 fis'4 g'4 fis'4 g'4 g'4 fis'4 g'2. d'4 g'4 d'4 b4 g'4 b'8 a'8 g'8 fis'8 g'4 fis'4 g'2 a'2 g'2 fis'4( e'4) fis'2. d'4 d'4 d'4 d'4 g'4 fis'8 e'8 fis'8 g'8 fis'4 g'4 g'2 g'2 g'2. fis'4 g'2.\n}\ntenor = {\n  d4 g4 b4 d'4 d'4 d'4 b4 d'4 d'4 c'4 b4 d'4 c'4 b2. a4 b4 a4 g4 b4 d'8 c'8 b8 a8 b4 a4 b2 a2 b2 a2 a2. g4 b4 g4 g4 d'4 c'8 b8 c'8 d'8 c'4 b4 g2 g2 g4.( a8 fis8 a8) c'4 b2.\n}\nbass = {\n  d4 g4 g4 g4 g4 d4 e4 d4 b,4 d4 e4 d4 d4 g,2. d4 g4 d4 b,4 g4 b8 a8 g8 fis8 g4 d4 g2 fis2 e2 a,2 d2. g4 g4 g,4 b,4 g,4 d4 d4 d4 e4 b,2 c2 d2. d4 g,2.\n}\n", "preferred": true}, {"slug": "coronation-methodist-1905", "tune": "coronation", "music_file": "coronation-methodist-1905.ly", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "2", "system_breaks": [14, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "provenance": {"layer": "harmonization", "source": "methodist-hymnal-1905", "source_kind": "hand_encoded", "pd_basis": "pub_pre_1931", "pd_evidence": "Four-part setting of Oliver Holden's CORONATION as printed in The Methodist Hymnal (New York: Eaton & Mains; Cincinnati: Jennings & Graham, 1905), hymn 222, printed page 162, headed \"CORONATION  C. M.\" over \"Oliver Holden\", in G major and 4/4 over the text \"Jesus! the name high over all\". US public domain: the printing read is 1905, well before 1931, and no modern arranger stands anywhere in the chain. TWO DATED SCANS OF THAT PLATE WERE READ AND REQUIRED TO AGREE \u2014 archive.org methodi00meth leaf 0174 (2829 px across, staff space 28.7 px) and archive.org methodisthymnal01churgoog leaf 0181 (3262 px across, staff space 34.4 px). The leaves were found by grepping each item's own OCR for \"high o - ver all\" and then opened and confirmed to show hymn 222. THE NOTEHEADS WERE MEASURED, NOT EYEBALLED: tools/noteread.py (docs/notehead-reading.md) binarised each scan against its own local paper level, fitted the five staff lines locally around each note column, and read every notehead as a diatonic step above that staff's own bottom line; hollow heads were re-read from their two arcs with the `rings` pass. Scan 1 gave 61 / 72 / 74 readings in the three systems at mean residual 0.123 / 0.125 / 0.128 step; scan 2, read independently the same way with no parameter change, gave 53 / 69 / 80 and AGREES WITH SCAN 1 AT EVERY NOTE COLUMN IN ALL THREE SYSTEMS \u2014 0 pitch disagreements, once the beam and barline artifacts that the reader flags (and that both scans produce in the same places) are discarded by eye. Every pitch that is written below was then confirmed BY EYE on a grid-overlay crop of scan 1 at 3x-12x, and the whole page was swept a second time on scan 2 at 1.5x for accidentals. ACCIDENTALS: the key signature is one sharp (F#) in both clefs, and the plate prints EXACTLY ONE accidental in the whole hymn \u2014 a sharp before the soprano C5 on the second note of the slurred pair on \"and\" in system 2 (slot 27), giving C#5; it binds nothing else, and no natural is needed anywhere because no other C falls in that bar. Voices were separated by the plate's own engraving: two noteheads in a staff are its upper and lower voice, and one notehead carrying BOTH an up and a down stem is a unison. In the treble staff that happens at slots 7, 11, 14, the second eighth of 34, 37 and 42, where soprano and alto share one G4; in the bass staff at slot 27 (tenor and bass share one A3) and slot 29 (they share one G3). Where one voice holds while the other moves \u2014 the alto's quarter under the soprano's two eighths at slot 35, the bass's quarters under the tenor's eighths at slots 34 and 35, the tenor's half under the soprano's two quarters at slot 27, and both lower voices under the soprano's three-note figure at slot 40 \u2014 the plate prints a single unbeamed stem for the held voice, and that is what is written here. NO SCAFFOLD WAS USED AND NOTHING WAS CHECKED AGAINST ONE; no MIDI, no Cyber Hymnal asset and no existing encoding was opened. THIS SETTING IS NOT THE CORPUS'S coronation-church-hymnal-1896 (Open Hymnal X:161), and the two were collated mechanically, voice by voice, at every attack after aligning the two anacruses: the SOPRANO IS IDENTICAL IN ALL 42 SLOTS, and 23 of the 168 voice-slots differ \u2014 alto at slots 1, 2, 7, 33, 34, 35, 39, 40; tenor at 1, 2, 6, 8, 31, 32; bass at 1, 2, 3, 7, 9, 27, 31, 32, 33. The most audible are the opening chord (this plate: bass G2 / tenor G3 / alto B3 / soprano D4, a root-position G major; the 1896 setting: D3/D3/D4/D4, a bare octave-doubled dominant), the low G2 the bass holds under slots 1-3 where the 1896 rises to G3, and the sevenths this plate puts in the tenor at slots 6 and 8 (C4, making the V chord a D7) where the 1896 doubles the root. THREE RHYTHMIC DIFFERENCES besides: the anacrusis is a half note here and a quarter there, the final note is a half here and a dotted half there, and the alto of slot 35 is one quarter here and two eighths there. DEPARTURES FROM THE PAGE, in full: (1) the page's engraved two-chord Amen is not carried, see the `amen` comment above; (2) the page draws heavy phrase rules mid-bar after slots 8, 22 and 36 (the ends of poetic lines 1, 3 and 3-repeated) and those rules are not reproduced, though the barlines and system breaks fall exactly where the page puts them; (3) the two-note syllables in the soprano are beamed on the page and are slurred here, which is how this corpus marks a two-note syllable \u2014 a notation change, not a pitch or duration change; the inner voices' beamed eighth pairs carry no slur, exactly as the page prints them, except the tenor's four-note figure at slot 40, which the page does slur. Nothing else departs: every pitch and every duration below is the plate's.", "pd_jurisdictions": {"US": true}, "encoding_origin": "Hand-encoded from the page images of The Methodist Hymnal 1905, hymn 222, p. 162 \u2014 archive.org methodi00meth leaf 0174, collated notehead by notehead against archive.org methodisthymnal01churgoog leaf 0181. No MIDI, no Cyber Hymnal asset and no existing encoding was used at any point.", "encoding_license": "PD-dedication"}, "music_ly": "%% Jesus! the Name High over All \u2014 CORONATION (Oliver Holden, 1793)\n%% Hand-encoded from The Methodist Hymnal, 1905, hymn 222, printed page 162.\n%% Scans read: archive.org methodi00meth leaf 0174 (2829 px across) and\n%% archive.org methodisthymnal01churgoog leaf 0181 (3262 px across).\n%% This is NOT the corpus's coronation-church-hymnal-1896 setting. The melody\n%% is identical in all 42 slots; the inner voices differ in 23 of the 168\n%% voice-slots (alto 8, tenor 6, bass 9), and the anacrusis, the last note and\n%% the alto of slot 35 differ in rhythm as well.  See the .yaml pd_evidence.\n%% Public domain: Holden 1793; setting printed 1905. All pre-1931.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 2 }\n\nsoprano = {\n  d'2 g'4 g'4 b'4 b'4 a'4 g'4 a'4 b'4 a'4 g'4 b'4 a'4 g'2. a'4 b'4 a'4 g'4 b'4 d''8( c''8) b'8( a'8) b'4 d''4 d''2 d''2 e''2 d''4( cis''4) d''2. b'4 d''4 b'4 g'4 b'4 a'8( g'8) a'8( b'8) a'4 g'4 d''2 c''2 b'4.( c''8 a'4) a'4 g'2\n}\nalto = {\n  b2 d'4 d'4 g'4 g'4 fis'4 g'4 fis'4 g'4 fis'4 g'4 g'4 fis'4 g'2. d'4 g'4 d'4 b4 g'4 b'8 a'8 g'8 fis'8 g'4 fis'4 g'2 a'2 g'2 fis'4( e'4) fis'2. d'4 d'4 d'4 d'4 d'4 fis'8 g'8 fis'4 fis'4 g'4 g'2 e'2 d'2. fis'4 g'2\n}\ntenor = {\n  g2 b4 b4 d'4 d'4 c'4 b4 c'4 d'4 c'4 b4 d'4 c'4 b2. a4 b4 a4 g4 b4 d'8 c'8 b8 a8 b4 a4 b2 a2 b2 a2 a2. g4 b4 d'4 d'4 d'4 c'8 b8 c'8 d'8 c'4 b4 g2 g2 g4.( a8 fis8 a8) c'4 b2\n}\nbass = {\n  g,2 g,4 g,4 g4 g4 d4 d4 d4 g4 d4 e4 d4 d4 g,2. d4 g4 d4 b,4 g4 b8 a8 g8 fis8 g4 d4 g2 fis2 e2 a2 d2. g4 g4 g4 b4 g4 d4 d4 d4 e4 b,2 c2 d2. d4 g,2\n}\n", "preferred": false}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}