{"slug": "cradle-song", "name": "CRADLE SONG", "meter_label": "11.11.11.11", "meter": {"pattern": [11, 11, 11, 11], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "william-j-kirkpatrick", "composer_date": "1895", "canonical_key": {"tonic": "f", "mode": "major"}, "preferred_harmonization": "cradle-song-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "CRADLE SONG (11.11.11.11), William James Kirkpatrick (1838-1921), 1895 \u2014 the famous alternate tune for the anonymous Christmas text \"Away in a Manger\", first published in Kirkpatrick's collection Around the World with Christmas (1895). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi (F major, 3/4, one-beat anacrusis; the engraving is marked Public Domain, Courtesy of the Cyber Hymnal). The soprano matches Hymnary.org's tune authority incipit for cradle_song_kirkpatrick (511231134556423, F major, 11.11.11.11, composer William James Kirkpatrick) note for note. Tune 1895, composer died 1921 \u2014 all components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Cradle Song\" (William James Kirkpatrick, 1895); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "cradle_song_kirkpatrick", "total_instances": 155}}, "harmonization": {"slug": "cradle-song-cyberhymnal", "tune": "cradle-song", "music_file": "cradle-song-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [13, 26, 39], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "CRADLE SONG, William J. Kirkpatrick, 1895. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune CRADLE SONG (11.11.11.11), William James Kirkpatrick (1838-1921), 1895; this four-part setting is Kirkpatrick's own, as printed by The Cyber Hymnal (marked Public Domain, Courtesy of the Cyber Hymnal). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi (F major, 3/4, one-beat anacrusis, half-note finals; all pitches diatonic \u2014 no accidentals). The soprano matches Hymnary's authority incipit 511231134556423 exactly. Tune and setting 1895, composer died 1921 \u2014 all components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Cradle Song\" (William James Kirkpatrick, 1895); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "cradle_song_kirkpatrick", "total_instances": 155}}, "music_ly": "%% CRADLE SONG (11.11.11.11) \u2014 four SATB voice streams, canonical key F major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Cradle Song\", William James\n%% Kirkpatrick, 1895 \u2014 his own four-part setting) with tools/mid2ly.py and\n%% verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi\n%% (F major, 3/4, one-beat anacrusis, half-note finals). The soprano matches\n%% Hymnary's authority incipit for cradle_song_kirkpatrick (511231134556423)\n%% exactly. MELISMATIC: 53 soprano notes for 44 syllables \u2014 nine fixed melismas\n%% per stanza, all printed in the source: the repeated-note quarter slur opening\n%% line 1 (soprano notes 2-3, engraved as two attacked quarters under one arc;\n%% the MIDI re-articulates, so it is a slur, not a tie \u2014 line 3's parallel spot,\n%% notes 28-29, is printed WITHOUT an arc and carries two syllables), and eight\n%% slurred eighth-note pairs (notes 8-9, 14-15, 21-22, 30-31, 34-35, 40-41,\n%% 47-48, 51-52). The line-4 cadence dives to a unison b-flat BELOW middle C in\n%% both treble voices (notes 51-52, e'8-bes8 over the tenor/bass C-E: a C7\n%% resolving to the final F). Tenor and bass share printed double-stemmed\n%% unisons (m2 and m10 throughout, m5 beats 1-2, m6/m14 beat 3); both streams\n%% carry them. NOTE: in m4 the engraving gives the alto a plain half (f'2)\n%% where the MIDI inserts a passing e'4; the engraving is followed (m12, the\n%% second-half parallel, has f'4 e'4 in BOTH). The engraving's m4 soprano\n%% bes'4~bes'4 (tied quarters, one attack per the MIDI) is written bes'2,\n%% matching its own m12 printing.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  c'4 |\n  f'4( f'4) g'8 a'8 |\n  f'4 f'4 a'8( bes'8) |\n  c''4 c''4 d''4 |\n  bes'2 g'8( a'8) |\n  bes'4 bes'4 c''4 |\n  a'4 a'4 f'8( a'8) |\n  g'4 d'4 f'4 |\n  e'2 c'4 |\n  f'4 f'4 g'8( a'8) |\n  f'4 f'4 a'8( bes'8) |\n  c''4 c''4 d''4 |\n  bes'2 g'8( a'8) |\n  bes'4 bes'4 c''4 |\n  a'4 a'4 f'8( a'8) |\n  g'4 d'4 e'8( bes8) |\n  f'2\n}\nalto = {\n  c'4 |\n  c'2 d'8 c'8 |\n  a4 f'4 f'8 bes'8 |\n  f'2. |\n  f'2 g'8 f'8 |\n  f'2 g'4 |\n  g'4 f'4 c'8 a'8 |\n  d'4 d'4 bes4 |\n  c'2 c'4 |\n  a4 a4 bes8 c'8 |\n  a4 a4 f'8 bes'8 |\n  f'2. |\n  f'4 e'4 d'8 e'8 |\n  f'2 g'4 |\n  g'4 f'4 c'8 a'8 |\n  d'4 d'4 c'8 bes8 |\n  a2\n}\ntenor = {\n  c4 |\n  f2 f8 e8 |\n  d4 a4 f8 g8 |\n  a4 a4 bes4 |\n  d'4 c'4 d'8 e'8 |\n  d'4 d4 c'4 |\n  c'2 a8 f8 |\n  f2 f4 |\n  g2 c4 |\n  c2. |\n  c2 f8 g8 |\n  a4 a4 bes4 |\n  d'4 c'4 bes8 c'8 |\n  d'2 c'4 |\n  c'2 f4 |\n  f2 e4 |\n  c2\n}\nbass = {\n  c4 |\n  a,2 bes,8 c8 |\n  d4 a4 f8 g8 |\n  f2. |\n  g2 bes8 c'8 |\n  d'4 d4 e4 |\n  f2 a8 f8 |\n  bes,4 g,4 d4 |\n  c2 c4 |\n  f,2. |\n  f,2 f8 g8 |\n  f2. |\n  g2 bes8 a8 |\n  g2 e4 |\n  f2 a,4 |\n  bes,4 g,4 c4 |\n  f,2\n}\n"}, "harmonizations": [{"slug": "cradle-song-cyberhymnal", "tune": "cradle-song", "music_file": "cradle-song-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [13, 26, 39], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "CRADLE SONG, William J. Kirkpatrick, 1895. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune CRADLE SONG (11.11.11.11), William James Kirkpatrick (1838-1921), 1895; this four-part setting is Kirkpatrick's own, as printed by The Cyber Hymnal (marked Public Domain, Courtesy of the Cyber Hymnal). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi (F major, 3/4, one-beat anacrusis, half-note finals; all pitches diatonic \u2014 no accidentals). The soprano matches Hymnary's authority incipit 511231134556423 exactly. Tune and setting 1895, composer died 1921 \u2014 all components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Cradle Song\" (William James Kirkpatrick, 1895); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "cradle_song_kirkpatrick", "total_instances": 155}}, "music_ly": "%% CRADLE SONG (11.11.11.11) \u2014 four SATB voice streams, canonical key F major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Cradle Song\", William James\n%% Kirkpatrick, 1895 \u2014 his own four-part setting) with tools/mid2ly.py and\n%% verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi\n%% (F major, 3/4, one-beat anacrusis, half-note finals). The soprano matches\n%% Hymnary's authority incipit for cradle_song_kirkpatrick (511231134556423)\n%% exactly. MELISMATIC: 53 soprano notes for 44 syllables \u2014 nine fixed melismas\n%% per stanza, all printed in the source: the repeated-note quarter slur opening\n%% line 1 (soprano notes 2-3, engraved as two attacked quarters under one arc;\n%% the MIDI re-articulates, so it is a slur, not a tie \u2014 line 3's parallel spot,\n%% notes 28-29, is printed WITHOUT an arc and carries two syllables), and eight\n%% slurred eighth-note pairs (notes 8-9, 14-15, 21-22, 30-31, 34-35, 40-41,\n%% 47-48, 51-52). The line-4 cadence dives to a unison b-flat BELOW middle C in\n%% both treble voices (notes 51-52, e'8-bes8 over the tenor/bass C-E: a C7\n%% resolving to the final F). Tenor and bass share printed double-stemmed\n%% unisons (m2 and m10 throughout, m5 beats 1-2, m6/m14 beat 3); both streams\n%% carry them. NOTE: in m4 the engraving gives the alto a plain half (f'2)\n%% where the MIDI inserts a passing e'4; the engraving is followed (m12, the\n%% second-half parallel, has f'4 e'4 in BOTH). The engraving's m4 soprano\n%% bes'4~bes'4 (tied quarters, one attack per the MIDI) is written bes'2,\n%% matching its own m12 printing.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  c'4 |\n  f'4( f'4) g'8 a'8 |\n  f'4 f'4 a'8( bes'8) |\n  c''4 c''4 d''4 |\n  bes'2 g'8( a'8) |\n  bes'4 bes'4 c''4 |\n  a'4 a'4 f'8( a'8) |\n  g'4 d'4 f'4 |\n  e'2 c'4 |\n  f'4 f'4 g'8( a'8) |\n  f'4 f'4 a'8( bes'8) |\n  c''4 c''4 d''4 |\n  bes'2 g'8( a'8) |\n  bes'4 bes'4 c''4 |\n  a'4 a'4 f'8( a'8) |\n  g'4 d'4 e'8( bes8) |\n  f'2\n}\nalto = {\n  c'4 |\n  c'2 d'8 c'8 |\n  a4 f'4 f'8 bes'8 |\n  f'2. |\n  f'2 g'8 f'8 |\n  f'2 g'4 |\n  g'4 f'4 c'8 a'8 |\n  d'4 d'4 bes4 |\n  c'2 c'4 |\n  a4 a4 bes8 c'8 |\n  a4 a4 f'8 bes'8 |\n  f'2. |\n  f'4 e'4 d'8 e'8 |\n  f'2 g'4 |\n  g'4 f'4 c'8 a'8 |\n  d'4 d'4 c'8 bes8 |\n  a2\n}\ntenor = {\n  c4 |\n  f2 f8 e8 |\n  d4 a4 f8 g8 |\n  a4 a4 bes4 |\n  d'4 c'4 d'8 e'8 |\n  d'4 d4 c'4 |\n  c'2 a8 f8 |\n  f2 f4 |\n  g2 c4 |\n  c2. |\n  c2 f8 g8 |\n  a4 a4 bes4 |\n  d'4 c'4 bes8 c'8 |\n  d'2 c'4 |\n  c'2 f4 |\n  f2 e4 |\n  c2\n}\nbass = {\n  c4 |\n  a,2 bes,8 c8 |\n  d4 a4 f8 g8 |\n  f2. |\n  g2 bes8 c'8 |\n  d'4 d4 e4 |\n  f2 a8 f8 |\n  bes,4 g,4 d4 |\n  c2 c4 |\n  f,2. |\n  f,2 f8 g8 |\n  f2. |\n  g2 bes8 a8 |\n  g2 e4 |\n  f2 a,4 |\n  bes,4 g,4 c4 |\n  f,2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}