{"slug": "ellesdie", "name": "ELLESDIE", "meter_label": "8.7.8.7.D", "meter": {"pattern": [8, 7, 8, 7], "doubled": true, "refrain": false, "alleluia": false, "irregular": false}, "composer": "wolfgang-mozart", "composer_date": "1872", "arranger": "hubert-p-main", "canonical_key": {"tonic": "as", "mode": "major"}, "preferred_harmonization": "ellesdie-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "ELLESDIE (8.7.8.7 D), the standard American tune for Henry Lyte's \"Jesus, I my cross have taken.\" Traditionally attributed to Wolfgang Amadeus Mozart (1756-1791), but the attribution is conventional only \u2014 no Mozart source is known; the tune first appears in Joshua Leavitt's The Christian Lyre (1831). The four-part setting used here is Hubert P. Main's arrangement of 1872, as printed by The Cyber Hymnal (\"Wolfgang Mozart, arr. Hubert Platt Main, 1872\"; Hymnary.org tune authority ellesdie_mozart concurs: attributed to Mozart, arranger Hubert P. Main). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (A-flat major, 4/4, no pickup, half-note finals; melismatic, 70 soprano notes for 60 syllables, ten two-note melisma slurs per stanza; the soprano matches Hymnary's authority incipit 11113 22112 22243 exactly). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ellesdie\" (attr. W. A. Mozart, arr. Hubert P. Main, 1872); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "ellesdie_mozart", "total_instances": 583}}, "harmonization": {"slug": "ellesdie-cyberhymnal", "tune": "ellesdie", "music_file": "ellesdie-cyberhymnal.ly", "harmonizer": "hubert-p-main", "arrangement_type": "arrangement", "canonical_key": {"tonic": "as", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [17, 35, 52], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ELLESDIE, arranged from a theme attributed to W. A. Mozart by Hubert P. Main, 1872. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune ELLESDIE (8.7.8.7 D), traditionally attributed to Wolfgang Amadeus Mozart (1756-1791) but with no known Mozart source (it first appears in Joshua Leavitt's The Christian Lyre, 1831); this four-part setting is the arrangement by Hubert P. Main (1839-1925), 1872, as printed by The Cyber Hymnal. Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (A-flat major, 4/4, no pickup; ten two-note melisma slurs per stanza; alto D-naturals in bars 7 and 15 printed with naturals). The tune (1831), the arrangement (1872), and Lyte's text (1824) are all pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ellesdie\" (arr. Hubert P. Main, 1872); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "ellesdie_mozart", "total_instances": 583}}, "music_ly": "%% ELLESDIE (8.7.8.7 D) \u2014 four SATB voice streams, canonical key A-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Ellesdie\", traditionally attributed\n%% to Wolfgang A. Mozart \u2014 no Mozart source is known; arranged by Hubert P. Main,\n%% 1872) with tools/mid2ly.py and verified note-for-note against the Cyber Hymnal\n%% engraving. 4/4, no pickup, half-note finals. MELISMATIC: 70 soprano notes for\n%% 60 syllables \u2014 ten two-note melisma slurs per stanza, printed in the source:\n%% the beamed eighth pair closing lines 1/3/5/7 (soprano notes 7-8, 24-25, 42-43,\n%% 59-60), the quarter pair closing lines 2/6 (notes 16-17, 51-52), and the twin\n%% eighth pairs mid-way through lines 4/8 (notes 29-30 + 31-32, 64-65 + 66-67).\n%% The alto D-naturals in bars 7 and 15 are the only non-scale tones, printed\n%% with naturals in the source and carried as d'. Tenor and bass share printed\n%% double-stemmed unisons (bars 4, 7, 11, 12, 15) \u2014 both streams carry them.\n\\version \"2.24.0\"\n\nglobal  = { \\key as \\major \\time 4/4 }\n\nsoprano = {\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4. bes'8 bes'4 bes'4 | des''4. c''8 c''4( bes'4) |\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4 bes'4 bes'8( des''8) c''8( bes'8) | as'4 g'4 as'2 |\n  bes'4. bes'8 bes'4 bes'4 | bes'4. as'8 as'8( g'8) g'4 |\n  c''4. c''8 c''4 c''4 | des''4. c''8 c''4( bes'4) |\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4 bes'4 bes'8( des''8) c''8( bes'8) | as'4 g'4 as'2\n}\nalto = {\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4. es'8 es'4 es'4 | es'4. es'8 es'2 |\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4 d'2 es'8 f'8 | es'4 des'4 c'2 |\n  es'4. es'8 des'4 des'4 | c'4. c'8 des'4 des'4 |\n  c'4. es'8 es'4 es'4 | es'4. es'8 es'2 |\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4 d'4 es'4 es'8 f'8 | es'4 des'4 c'2\n}\ntenor = {\n  es4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4. g8 g4 g4 | bes4. as8 as4 g4 |\n  as4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4 as4 bes4 as8 des'8 | c'4 bes4 as2 |\n  g4. g8 g4 g4 | as4. as8 bes4 bes4 |\n  as4. as8 as4 as4 | bes4. as8 as4 g4 |\n  as4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4 as4 bes4 as8 des'8 | c'4 bes4 as2\n}\nbass = {\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4. es8 es4 es4 | g4. as8 es2 |\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4 f4 g4 as8 des8 | es4 es4 as,2 |\n  es4. es8 es4 es4 | es4. es8 es4 es4 |\n  as4. as8 as4 as4 | g4. as8 es2 |\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4 f4 g4 as8 des8 | es4 es4 as,2\n}\n"}, "harmonizations": [{"slug": "ellesdie-cyberhymnal", "tune": "ellesdie", "music_file": "ellesdie-cyberhymnal.ly", "harmonizer": "hubert-p-main", "arrangement_type": "arrangement", "canonical_key": {"tonic": "as", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [17, 35, 52], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ELLESDIE, arranged from a theme attributed to W. A. Mozart by Hubert P. Main, 1872. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune ELLESDIE (8.7.8.7 D), traditionally attributed to Wolfgang Amadeus Mozart (1756-1791) but with no known Mozart source (it first appears in Joshua Leavitt's The Christian Lyre, 1831); this four-part setting is the arrangement by Hubert P. Main (1839-1925), 1872, as printed by The Cyber Hymnal. Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (A-flat major, 4/4, no pickup; ten two-note melisma slurs per stanza; alto D-naturals in bars 7 and 15 printed with naturals). The tune (1831), the arrangement (1872), and Lyte's text (1824) are all pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ellesdie\" (arr. Hubert P. Main, 1872); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "ellesdie_mozart", "total_instances": 583}}, "music_ly": "%% ELLESDIE (8.7.8.7 D) \u2014 four SATB voice streams, canonical key A-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Ellesdie\", traditionally attributed\n%% to Wolfgang A. Mozart \u2014 no Mozart source is known; arranged by Hubert P. Main,\n%% 1872) with tools/mid2ly.py and verified note-for-note against the Cyber Hymnal\n%% engraving. 4/4, no pickup, half-note finals. MELISMATIC: 70 soprano notes for\n%% 60 syllables \u2014 ten two-note melisma slurs per stanza, printed in the source:\n%% the beamed eighth pair closing lines 1/3/5/7 (soprano notes 7-8, 24-25, 42-43,\n%% 59-60), the quarter pair closing lines 2/6 (notes 16-17, 51-52), and the twin\n%% eighth pairs mid-way through lines 4/8 (notes 29-30 + 31-32, 64-65 + 66-67).\n%% The alto D-naturals in bars 7 and 15 are the only non-scale tones, printed\n%% with naturals in the source and carried as d'. Tenor and bass share printed\n%% double-stemmed unisons (bars 4, 7, 11, 12, 15) \u2014 both streams carry them.\n\\version \"2.24.0\"\n\nglobal  = { \\key as \\major \\time 4/4 }\n\nsoprano = {\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4. bes'8 bes'4 bes'4 | des''4. c''8 c''4( bes'4) |\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4 bes'4 bes'8( des''8) c''8( bes'8) | as'4 g'4 as'2 |\n  bes'4. bes'8 bes'4 bes'4 | bes'4. as'8 as'8( g'8) g'4 |\n  c''4. c''8 c''4 c''4 | des''4. c''8 c''4( bes'4) |\n  as'4. as'8 as'4 as'4 | c''4. bes'8 bes'8( as'8) as'4 |\n  bes'4 bes'4 bes'8( des''8) c''8( bes'8) | as'4 g'4 as'2\n}\nalto = {\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4. es'8 es'4 es'4 | es'4. es'8 es'2 |\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4 d'2 es'8 f'8 | es'4 des'4 c'2 |\n  es'4. es'8 des'4 des'4 | c'4. c'8 des'4 des'4 |\n  c'4. es'8 es'4 es'4 | es'4. es'8 es'2 |\n  c'4. des'8 c'4 es'4 | es'4. es'8 es'4 es'4 |\n  es'4 d'4 es'4 es'8 f'8 | es'4 des'4 c'2\n}\ntenor = {\n  es4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4. g8 g4 g4 | bes4. as8 as4 g4 |\n  as4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4 as4 bes4 as8 des'8 | c'4 bes4 as2 |\n  g4. g8 g4 g4 | as4. as8 bes4 bes4 |\n  as4. as8 as4 as4 | bes4. as8 as4 g4 |\n  as4. f8 es4 as4 | as4. des'8 des'8 c'8 c'4 |\n  g4 as4 bes4 as8 des'8 | c'4 bes4 as2\n}\nbass = {\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4. es8 es4 es4 | g4. as8 es2 |\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4 f4 g4 as8 des8 | es4 es4 as,2 |\n  es4. es8 es4 es4 | es4. es8 es4 es4 |\n  as4. as8 as4 as4 | g4. as8 es2 |\n  as,4. as,8 as,4 c4 | es4. es8 as,4 as,4 |\n  es4 f4 g4 as8 des8 | es4 es4 as,2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}