{"slug": "jesu-meine-freude", "name": "JESU, MEINE FREUDE", "meter_label": "6.6.5.6.6.5.7.8.6", "meter": {"pattern": [6, 6, 5, 6, 6, 5, 7, 8, 6], "doubled": false, "refrain": false, "alleluia": false, "irregular": true}, "composer": "johann-cruger", "composer_date": "1653", "canonical_key": {"tonic": "c", "mode": "minor"}, "preferred_harmonization": "jesu-meine-freude-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "JESU, MEINE FREUDE (Johann Cr\u00fcger, 1653), the German chorale melody first published in Cr\u00fcger's Praxis Pietatis Melica. A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (C minor, three flats, common time). A bar-form (AAB) chorale: the 6.6.5 Stollen (measures 1-6) is written out twice, then the 7.8.6 Abgesang. The soprano leading-tone B-naturals and raised-sixth A-naturals, the alto F-sharp, and the final Picardy-third E-natural are each printed with their accidental in the source and carried in the encoding. Cr\u00fcger d. 1662; all components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Jesu, Meine Freude\" (Johann Cr\u00fcger, 1653); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "jesu-meine-freude-cyberhymnal", "tune": "jesu-meine-freude", "music_file": "jesu-meine-freude-cyberhymnal.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "c", "mode": "minor"}, "time": "4/4", "pickup": null, "system_breaks": [6, 12, 18, 24, 30, 36, 44, 53], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "JESU, MEINE FREUDE, Johann Cr\u00fcger, 1653; harmonization J. S. Bach (BWV 227/1). Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune JESU, MEINE FREUDE (Johann Cr\u00fcger, 1653); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (C minor, common time, bar-form AAB). The soprano was read note-for-note against the engraving and matches the standard chorale melody; the bass and the printed accidentals (leading-tone B-naturals, raised-sixth A-naturals, alto F-sharp, final Picardy-third E-natural) were confirmed against the source. All components pre-1931.\nHARMONIZER RE-ATTRIBUTED 2026-08-04 (Batch C wave 1). This setting was recorded with harmonizer: null on the Cyber Hymnal page credit, which names only Cr\u00fcger \u2014 the credit for the MELODY. The four-part setting itself is J. S. Bach's, the opening chorale of the motet Jesu, meine Freude (BWV 227/1). Measured against the craigsapp/bach-370-chorales edition of that movement (chor263, E minor, repeat expanded, compared at -4 semitones): tenor 76 of 76 notes identical, alto 68 of 70, bass 69 of 74, soprano 57 of 59. An exactly matching 76-note tenor line is not reachable by an independent harmonization of the same melody. Measured twice by separate parsers (main session and the wave-1 adversarial verifier) with agreeing numbers. The few divergences are the light editorial adaptation usual in a congregational reprint. PD basis is unaffected either way \u2014 Bach died 1750 and the Cr\u00fcger melody is 1653.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Jesu, Meine Freude\" (Johann Cr\u00fcger, 1653); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% JESU, MEINE FREUDE (6.6.5.6.6.5.7.8.6) \u2014 four SATB voice streams, canonical key\n%% C minor. Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Jesu, Meine Freude\", Johann Cr\u00fcger 1653)\n%% with tools/mid2ly.py and verified against the Cyber Hymnal engraving. The Cyber\n%% Hymnal credit names Cr\u00fcger, who wrote the MELODY; the four-part setting below is\n%% J. S. Bach's, the opening chorale of the motet BWV 227 \u2014 measured against that\n%% movement (chor263) at -4 semitones the tenor is identical at all 76 notes, the\n%% alto 68 of 70 and the bass 69 of 74. Re-attributed 2026-08-04; see the sidecar\n%% pd_evidence. A bar-form\n%% (AAB) chorale: the 6.6.5 Stollen (measures 1-6) is written out twice, then the\n%% 7.8.6 Abgesang. MELISMATIC \u2014 59 soprano notes for 55 syllables; the four melisma\n%% pairs are slurred in the soprano (soprano notes 13-14, 31-32, 42-43, 50-51) and\n%% the setting holds the continuations with '_' every stanza (verse_variable_melisma).\n%% Verified accidentals: soprano B-naturals (leading tone, bar 4) and A-naturals\n%% (raised sixth, bar 3) each print a natural; the alto F-sharp (bar 17) prints a\n%% sharp; the final chord is a Picardy third (tenor E-natural prints a natural).\n\\version \"2.24.0\"\n\nglobal  = { \\key c \\minor \\time 4/4 }\n\nsoprano = {\n  g'4 g'4 f'4 es'4 | d'2 c'2 | g'4 a'4 bes'4 g'4 | c''2 b'2 | c''8( d''8) es''4 d''4. d''8 | c''1 | g'4 g'4 f'4 es'4 | d'2 c'2 | g'4 a'4 bes'4 g'4 | c''2 b'2 | c''8( d''8) es''4 d''4. d''8 | c''1 | g'4 g'4 as'4 g'4 | f'4 d'8( f'8) es'2 | g'4 a'4 bes'4 g'4 | c''4 bes'8( a'8) a'2 | g'2 g'4 g'4 | f'4 es'4 d'2 | c'1\n}\nalto = {\n  es'4 d'4 c'8 b8 c'4 | c'4 b4 c'2 | es'8 d'8 c'4 bes4 bes4 | es'8 f'8 g'4 g'2 | es'8 f'8 g'4 g'4. f'8 | es'1 | es'4 d'4 c'8 b8 c'4 | c'4 b4 c'2 | es'8 d'8 c'4 bes4 bes4 | es'8 f'8 g'4 g'2 | es'8 f'8 g'4 g'4. f'8 | es'1 | es'4 es'4 f'4 es'4 | es'4 d'8 f'8 bes2 | es'4 es'4 f'4 es'8 f'8 | g'4 g'4 g'4 fis'4 | d'2 es'4 d'4 | c'4 c'4 c'4 b4 | g1\n}\ntenor = {\n  c'4 g4 as8 d8 es4 | as4 g8 f8 es2 | c'8 bes8 a8 g8 f4 es8 f8 | g4 es'4 d'2 | c'4 c'4 c'4 b4 | g1 | c'4 g4 as8 d8 es4 | as4 g8 f8 es2 | c'8 bes8 a8 g8 f4 es8 f8 | g4 es'4 d'2 | c'4 c'4 c'4 b4 | g1 | c'4 bes4 bes4 bes4 | c'4 bes8 as8 g2 | bes4 c'4 bes4 bes4 | es'4 d'4 es'4 d'8 c'8 | b2 c'4 d'8 es'8 | f'8 f8 g4 as4 g8 f8 | e1\n}\nbass = {\n  c4 bes,4 as,2 | f,4 g,4 c2 | c4 f8 es8 d4 es8 d8 | c8 d8 es8 f8 g2 | as4 g8 f8 g4 g4 | c1 | c4 bes,4 as,2 | f,4 g,4 c2 | c4 f8 es8 d4 es8 d8 | c8 d8 es8 f8 g2 | as4 g8 f8 g4 g4 | c1 | c8 d8 es4 d4 es4 | as,4 bes,4 es2 | f4 d8 c8 d4 es8 d8 | c4 g,4 c4 d4 | g,2 c4 bes,4 | as,4 g,4 f,4 g,4 | c1\n}\n"}, "harmonizations": [{"slug": "jesu-meine-freude-bwv358", "tune": "jesu-meine-freude", "music_file": "jesu-meine-freude-bwv358.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "c", "mode": "minor"}, "time": "4/4", "pickup": null, "system_breaks": [6, 12, 18, 24, 30, 36, 43, 53], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "JESU, MEINE FREUDE, Johann Cr\u00fcger, 1653; harm. J. S. Bach (BWV 358). Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Four-part harmonization by Johann Sebastian Bach (1685-1750), BWV 358, the standalone chorale \"Jesu, meine Freude\", No. 356 in the Breitkopf collection 371 vierstimmige Choralgesaenge (1784-87). US public domain by pre-1931 publication. Encoded from the craigsapp/bach-370-chorales kern edition (chor356.krn, referenced against the c. 1875 Doerffel/Breitkopf 4th edition) via tools/kern2ly.py; the conversion was verified event-for-event against the kern source in all four voices (ties, the explicit naturals, the alto sixteenth figure). The kern encodes the Stollen once with a repeat (*>[A,A,B]); the corpus file writes it out A-A-B \u2014 every bar is full, so no seam adjustment was needed \u2014 and the expansion was machine-compared against the independently engraved music21 witness bwv358.mxl (soprano identical at all 59 notes after expanding its repeat). Bach's chorale is in D minor (the kern's *k[b-] one-flat signature with *d:); the corpus file stores it a major second down in C minor, the tune's canonical key (the CI-enforced tune/harmonization key equality \u2014 the tune entered the corpus in C minor with the cyberhymnal setting), with every sounding note in every voice machine-verified exactly -2 semitones from the kern source (59/77/77/77 sounding notes S/A/T/B; the tenor is 78 noteheads, one tie across bars 15-16). 4/4, no pickup; fermatas at the nine phrase ends (soprano ordinals 6, 12, 18, 24, 30, 36, 43, 53, 59) are omitted per house style. The melisma slurs follow Bach's own underlay as witnessed by the texted bwv358.mxl (its Stollen carries two German lyric verses which agree on the hold at note 14; the Abgesang underlay \"ausser dir soll mir auf Erden\" pins the holds at notes 47 and 51). Tune identity against the corpus jesu-meine-freude-cyberhymnal harmonization verified note-for-note (58 of 59 soprano notes aligned by longest common subsequence, 0 substitutions; the two versions place one B-section melisma differently \u2014 one cyberhymnal-only note at its ordinal 42, one BWV 358-only note at ordinal 47 \u2014 same sung count 59). A genuinely distinct harmonization: machine comparison against the cyberhymnal ATB shows at least 35/35/54 differing note positions. Merge-review addendum (adversarial verification, 2026-08-04): two divergences from the independently engraved music21 witness bwv358.mxl were measured and both resolved in favour of the declared kern source \u2014 bass bars 4 and 10, kern G-natural3 (printed f8 here) against the witness's G-sharp3, where the chromatic ascent is idiomatic and the witness's own encoding carries the fingerprint of a sharp attached to the wrong notehead; and alto bar 18, where Breitkopf re-articulates two eighths that the witness sustains (identical pitch at every time point, both bars exactly 4 quarters).", "pd_jurisdictions": {"US": true}, "encoding_origin": "craigsapp/bach-370-chorales kern edition, chor356.krn (BWV 358, Breitkopf No. 356), converted with tools/kern2ly.py", "encoding_license": "CC BY-NC-SA 4.0 is claimed on the kern edition, which is itself a faithful transcription of the public-domain 1784-87 Breitkopf text. The corpus record does not rest on that edition: the music is by Bach (d. 1750) and this .ly is a fresh re-encoding via tools/kern2ly.py, with the kern file vendored alongside so the conversion can be re-checked. Same analysis for every Bach kern import in the corpus."}, "music_ly": "%% JESU, MEINE FREUDE (6.6.5.6.6.5.7.8.6) \u2014 four SATB voice streams, canonical key\n%% C minor. Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% J. S. Bach's standalone-chorale harmonization BWV 358 (Breitkopf collection\n%% No. 356), converted from the craigsapp/bach-370-chorales kern edition\n%% (chor356.krn, imports/batchC/) with tools/kern2ly.py and verified\n%% note-for-note against the kern source in all four voices. Bach's chorale is\n%% in D minor (the kern's *k[b-] one-flat signature with *d:); it is stored\n%% here a major second down in C minor, the tune's corpus canonical key (the\n%% CI-enforced tune/harmonization key equality \u2014 the corpus already carries\n%% jesu-meine-freude-cyberhymnal in C minor), with every sounding note in every\n%% voice machine-verified exactly -2 semitones from the kern source\n%% (59/77/77/77 SOUNDING notes S/A/T/B; the tenor is 78 noteheads \u2014 one tie\n%% across bars 15-16). 4/4, no pickup. The kern\n%% encodes the Stollen once with a repeat (*>[A,A,B]); written out here A-A-B\n%% per the corpus convention \u2014 every bar is full, no seam adjustment was needed,\n%% and the expansion was machine-compared against the independently engraved\n%% music21 witness bwv358.mxl (identical soprano at all 59 notes after\n%% expanding its repeat). The source prints fermatas at soprano ordinals 6,\n%% 12, 18, 24, 30, 36, 43, 53, 59 (phrases 6+6+6+6+6+6+7+10+6, one per text\n%% line of 6.6.5.6.6.5.7.8.6); fermatas are omitted per house style.\n%% MELISMATIC: 59 soprano notes for 55 syllables; the melisma map follows\n%% Bach's own underlay in the texted bwv358.mxl witness (its Stollen carries\n%% two lyric verses which agree on the hold; the Abgesang one): four slurred\n%% eighth pairs at soprano notes 13-14, 31-32 (\"Je_-su\" / \"und_ verlangt\")\n%% and 46-47, 50-51 (\"ausser dir_ soll mir auf_ Erden\"); the setting holds\n%% the continuations with '_' at soprano notes 14, 32, 47, 51 every stanza.\n%% Same sung count (59) as the corpus jesu-meine-freude-cyberhymnal setting,\n%% which instead melismas line 7 (its notes 42-43); tune identity verified\n%% against it (57/59 soprano notes aligned, 0 substitutions). Genuinely\n%% distinct harmonization: machine comparison against the cyberhymnal ATB\n%% shows at least 35/35/54 differing note positions (LCS 42/42/23 of 77).\n%% Final chord is a Picardy third (tenor E-natural). Bach's D-minor\n%% Neapolitan-color E-flat appears here as the alto D-flat (bar 13).\n\\version \"2.24.0\"\n\nglobal  = { \\key c \\minor \\time 4/4 }\n\nsoprano = {\n  g'4 g'4 f'4 es'4 |\n  d'2 c'2 |\n  g'4 a'4 bes'4 g'4 |\n  c''2 b'2 |\n  c''8( d''8) es''4 d''4 d''4 |\n  c''1 |\n  g'4 g'4 f'4 es'4 |\n  d'2 c'2 |\n  g'4 a'4 bes'4 g'4 |\n  c''2 b'2 |\n  c''8( d''8) es''4 d''4 d''4 |\n  c''1 |\n  g'4 g'4 as'4 g'4 |\n  f'4 f'4 es'2 |\n  g'4 a'4 bes'8( a'8) g'4 |\n  c''4 bes'8( a'8) a'2 |\n  g'2 g'4 g'4 |\n  f'4 es'4 d'2 |\n  c'1\n}\n\nalto = {\n  c'4 c'4 d'4 c'4 |\n  c'4 b4 g2 |\n  c'4 f4 f'8 es'8 d'4 |\n  g'4 a'4 g'2 |\n  f'4 g'8 as'8 f'8 as'8 g'8 f'8 |\n  es'1 |\n  c'4 c'4 d'4 c'4 |\n  c'4 b4 g2 |\n  c'4 f4 f'8 es'8 d'4 |\n  g'4 a'4 g'2 |\n  f'4 g'8 as'8 f'8 as'8 g'8 f'8 |\n  es'1 |\n  es'4 es'8 des'8 c'8 d'8 es'4 |\n  es'4 d'4 bes2 |\n  bes4 es'4 d'8 c'8 bes4 |\n  es'4 d'8 es'8 d'4. c'8 |\n  b2 c'4. b8 |\n  c'8 d'8 d'8 c'8 c'8 b16 a16 b4 |\n  g1\n}\n\ntenor = {\n  es8 f8 g4 as8 g8 g4 |\n  as4 g8 f8 es2 |\n  es'8 d'8 c'4 bes4 b4 |\n  c'8 d'8 es'4 d'2 |\n  c'4 c'4 c'4 b4 |\n  g1 |\n  es8 f8 g4 as8 g8 g4 |\n  as4 g8 f8 es2 |\n  es'8 d'8 c'4 bes4 b4 |\n  c'8 d'8 es'4 d'2 |\n  c'4 c'4 c'4 b4 |\n  g1 |\n  c'4 bes4 as8 bes8 c'4 |\n  c'4 bes8 as8 g2 |\n  g4 f8 es8 f4 g4~ |\n  g8 fis8 g2 fis4 |\n  g2 es8 f8 g4 |\n  c8 g8 g4 a8 d8 g8 f8 |\n  e1\n}\n\nbass = {\n  c8 d8 es4 b,4 c4 |\n  f,4 g,4 c,2 |\n  c8 d8 es4 d8 es8 f4 |\n  e8 f8 fis4 g2 |\n  as4 g8 f8 g4 g,4 |\n  c1 |\n  c8 d8 es4 b,4 c4 |\n  f,4 g,4 c,2 |\n  c8 d8 es4 d8 es8 f4 |\n  e8 f8 fis4 g2 |\n  as4 g8 f8 g4 g,4 |\n  c1 |\n  c8 d8 es4 f4 c8 bes,8 |\n  as,8 f,8 bes,4 es,2 |\n  es4 d8 c8 d4 es4 |\n  a,4 bes,8 c8 d2 |\n  g,2 c8 d8 es4 |\n  a,8 b,8 c4 fis,4 g,4 |\n  c,1\n}\n", "preferred": false}, {"slug": "jesu-meine-freude-cyberhymnal", "tune": "jesu-meine-freude", "music_file": "jesu-meine-freude-cyberhymnal.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "c", "mode": "minor"}, "time": "4/4", "pickup": null, "system_breaks": [6, 12, 18, 24, 30, 36, 44, 53], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "JESU, MEINE FREUDE, Johann Cr\u00fcger, 1653; harmonization J. S. Bach (BWV 227/1). Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune JESU, MEINE FREUDE (Johann Cr\u00fcger, 1653); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (C minor, common time, bar-form AAB). The soprano was read note-for-note against the engraving and matches the standard chorale melody; the bass and the printed accidentals (leading-tone B-naturals, raised-sixth A-naturals, alto F-sharp, final Picardy-third E-natural) were confirmed against the source. All components pre-1931.\nHARMONIZER RE-ATTRIBUTED 2026-08-04 (Batch C wave 1). This setting was recorded with harmonizer: null on the Cyber Hymnal page credit, which names only Cr\u00fcger \u2014 the credit for the MELODY. The four-part setting itself is J. S. Bach's, the opening chorale of the motet Jesu, meine Freude (BWV 227/1). Measured against the craigsapp/bach-370-chorales edition of that movement (chor263, E minor, repeat expanded, compared at -4 semitones): tenor 76 of 76 notes identical, alto 68 of 70, bass 69 of 74, soprano 57 of 59. An exactly matching 76-note tenor line is not reachable by an independent harmonization of the same melody. Measured twice by separate parsers (main session and the wave-1 adversarial verifier) with agreeing numbers. The few divergences are the light editorial adaptation usual in a congregational reprint. PD basis is unaffected either way \u2014 Bach died 1750 and the Cr\u00fcger melody is 1653.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Jesu, Meine Freude\" (Johann Cr\u00fcger, 1653); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% JESU, MEINE FREUDE (6.6.5.6.6.5.7.8.6) \u2014 four SATB voice streams, canonical key\n%% C minor. Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Jesu, Meine Freude\", Johann Cr\u00fcger 1653)\n%% with tools/mid2ly.py and verified against the Cyber Hymnal engraving. The Cyber\n%% Hymnal credit names Cr\u00fcger, who wrote the MELODY; the four-part setting below is\n%% J. S. Bach's, the opening chorale of the motet BWV 227 \u2014 measured against that\n%% movement (chor263) at -4 semitones the tenor is identical at all 76 notes, the\n%% alto 68 of 70 and the bass 69 of 74. Re-attributed 2026-08-04; see the sidecar\n%% pd_evidence. A bar-form\n%% (AAB) chorale: the 6.6.5 Stollen (measures 1-6) is written out twice, then the\n%% 7.8.6 Abgesang. MELISMATIC \u2014 59 soprano notes for 55 syllables; the four melisma\n%% pairs are slurred in the soprano (soprano notes 13-14, 31-32, 42-43, 50-51) and\n%% the setting holds the continuations with '_' every stanza (verse_variable_melisma).\n%% Verified accidentals: soprano B-naturals (leading tone, bar 4) and A-naturals\n%% (raised sixth, bar 3) each print a natural; the alto F-sharp (bar 17) prints a\n%% sharp; the final chord is a Picardy third (tenor E-natural prints a natural).\n\\version \"2.24.0\"\n\nglobal  = { \\key c \\minor \\time 4/4 }\n\nsoprano = {\n  g'4 g'4 f'4 es'4 | d'2 c'2 | g'4 a'4 bes'4 g'4 | c''2 b'2 | c''8( d''8) es''4 d''4. d''8 | c''1 | g'4 g'4 f'4 es'4 | d'2 c'2 | g'4 a'4 bes'4 g'4 | c''2 b'2 | c''8( d''8) es''4 d''4. d''8 | c''1 | g'4 g'4 as'4 g'4 | f'4 d'8( f'8) es'2 | g'4 a'4 bes'4 g'4 | c''4 bes'8( a'8) a'2 | g'2 g'4 g'4 | f'4 es'4 d'2 | c'1\n}\nalto = {\n  es'4 d'4 c'8 b8 c'4 | c'4 b4 c'2 | es'8 d'8 c'4 bes4 bes4 | es'8 f'8 g'4 g'2 | es'8 f'8 g'4 g'4. f'8 | es'1 | es'4 d'4 c'8 b8 c'4 | c'4 b4 c'2 | es'8 d'8 c'4 bes4 bes4 | es'8 f'8 g'4 g'2 | es'8 f'8 g'4 g'4. f'8 | es'1 | es'4 es'4 f'4 es'4 | es'4 d'8 f'8 bes2 | es'4 es'4 f'4 es'8 f'8 | g'4 g'4 g'4 fis'4 | d'2 es'4 d'4 | c'4 c'4 c'4 b4 | g1\n}\ntenor = {\n  c'4 g4 as8 d8 es4 | as4 g8 f8 es2 | c'8 bes8 a8 g8 f4 es8 f8 | g4 es'4 d'2 | c'4 c'4 c'4 b4 | g1 | c'4 g4 as8 d8 es4 | as4 g8 f8 es2 | c'8 bes8 a8 g8 f4 es8 f8 | g4 es'4 d'2 | c'4 c'4 c'4 b4 | g1 | c'4 bes4 bes4 bes4 | c'4 bes8 as8 g2 | bes4 c'4 bes4 bes4 | es'4 d'4 es'4 d'8 c'8 | b2 c'4 d'8 es'8 | f'8 f8 g4 as4 g8 f8 | e1\n}\nbass = {\n  c4 bes,4 as,2 | f,4 g,4 c2 | c4 f8 es8 d4 es8 d8 | c8 d8 es8 f8 g2 | as4 g8 f8 g4 g4 | c1 | c4 bes,4 as,2 | f,4 g,4 c2 | c4 f8 es8 d4 es8 d8 | c8 d8 es8 f8 g2 | as4 g8 f8 g4 g4 | c1 | c8 d8 es4 d4 es4 | as,4 bes,4 es2 | f4 d8 c8 d4 es8 d8 | c4 g,4 c4 d4 | g,2 c4 bes,4 | as,4 g,4 f,4 g,4 | c1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}