{"slug": "kremser", "name": "KREMSER", "alt_name": "WILT HEDEN NU TREDEN", "meter_label": "12.11.12.11", "meter": {"pattern": [12, 11, 12, 11], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer_source": "Netherlands folk melody, 16th century", "canonical_key": {"tonic": "d", "mode": "major"}, "preferred_harmonization": "kremser-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "KREMSER (also known by its original Dutch first line \"Wilt heden nu treden\"), a 16th-century Netherlands folk melody first printed in Adrianus Valerius, Nederlandtsche Gedenck-clanck (1626); the familiar four-part arrangement is by Eduard Kremser (d. 1914), 1877, from whom the tune takes its name. A public-domain SATB setting encoded from The Cyber Hymnal MIDI via tools/mid2ly.py, the four voices reconstructed from the raw MIDI onsets and verified against the Cyber Hymnal engraving (D major, 3/4, one-beat anacrusis; the score titles it \"Kremser, 12.11.12.11 \u2014 16th Century Dutch Tune\"). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Kremser\" (16th Century Dutch Tune); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "kremser-cyberhymnal", "tune": "kremser", "music_file": "kremser-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [12, 23, 36], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "KREMSER (16th-century Netherlands folk melody; arr. Eduard Kremser, 1877). Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune KREMSER \u2014 a 16th-century Netherlands folk melody (first printed in Adrianus Valerius, Nederlandtsche Gedenck-clanck, 1626); the standard four-part arrangement is Eduard Kremser's (1877), whence the tune name (Kremser d. 1914). A public-domain SATB setting encoded from The Cyber Hymnal MIDI via tools/mid2ly.py; the four voices were reconstructed from the raw MIDI onsets and verified against the Cyber Hymnal engraving (D major, 3/4, one-beat anacrusis). The two raised leading tones (alto G#, tenor G#) are printed with sharps in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Kremser\" (16th Century Dutch Tune); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% KREMSER (12.11.12.11) \u2014 four SATB voice streams, canonical key D major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Tune: a 16th-century Netherlands folk melody (in Adrianus Valerius,\n%% Nederlandtsche Gedenck-clanck, 1626; the famous four-part arrangement is Eduard\n%% Kremser's, 1877 \u2014 hence the tune name). Encoded from The Cyber Hymnal SATB MIDI\n%% with tools/mid2ly.py; the four voices were reconstructed from the raw MIDI\n%% onsets and verified against the Cyber Hymnal engraving. 3/4 with a one-beat\n%% anacrusis (\\partial 4); the final bar is a half note that balances the pickup.\n%% MELISMATIC: 48 soprano notes for 46 syllables (12.11.12.11); the two two-note\n%% melismas are the slurred figures a'4.( b'8) (bar 11) and a'4.( g'8) (bar 14),\n%% held with '_' each stanza (verse_variable_melisma) at syllables 31 and 41. The\n%% two chromatic passing tones \u2014 alto gis' (bar 7) and tenor gis (bar 6) \u2014 are the\n%% raised leading tones printed with sharps in the source. (mid2ly's raw split\n%% mis-assigned the soprano's ornamental/melisma eighths to the alto at bars\n%% 6/11/14; corrected from the raw MIDI onsets + the engraving.)\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  a'4 |\n  a'4. b'8 a'4 | fis'4 g'4 a'4 | g'4. fis'8 e'4 | fis'4 d'4 a'4 |\n  a'4. b'8 cis''4 | d''4. e''8 cis''4 | b'4. a'8 b'4 | a'2 a'4 |\n  a'4. b'8 cis''4 | d''4 a'4 a'4 | a'4.( b'8) g'8 a'8 | fis'4 d'4 d'4 |\n  g'4. a'8 b'8 g'8 | a'4.( g'8) fis'4 | g'4 e'4. d'8 | d'2\n}\nalto = {\n  d'4 |\n  d'4. d'8 d'4 | d'4 d'4 d'4 | d'4. d'8 cis'4 | d'4 d'4 fis'4 |\n  e'4. e'8 e'4 | fis'4 e'4 e'4 | fis'4. fis'8 gis'4 | e'2 e'4 |\n  e'4. e'8 e'4 | d'4 d'4 d'4 | d'2 cis'8 cis'8 | d'4 d'4 d'4 |\n  d'4. d'8 d'8 e'8 | e'2 d'4 | b4 cis'4. d'8 | d'2\n}\ntenor = {\n  fis4 |\n  fis4. g8 fis4 | a4 a4 a4 | b4. b8 a4 | a4 fis4 a4 |\n  a4. a8 a4 | a4 gis4 a4 | d'4. d'8 d'4 | cis'2 cis'4 |\n  cis'4. b8 a4 | a4 a4 a4 | b2 a8 a8 | a4 fis4 fis4 |\n  g4. fis8 g8 g8 | e4 a4 a4 | g4 g4. fis8 | fis2\n}\nbass = {\n  d4 |\n  d4. d8 d4 | d4 e4 fis4 | e4. e8 a4 | d4 d4 d4 |\n  cis4. cis8 cis4 | b,4 e4 a4 | b,4. b,8 e4 | a2 a4 |\n  g4. g8 g4 | fis4 fis4 fis4 | e2 a8 a8 | d4 d4 d4 |\n  b,4. a,8 g,8 b,8 | cis2 d4 | e4 a,4. d8 | d2\n}\n"}, "harmonizations": [{"slug": "kremser-cyberhymnal", "tune": "kremser", "music_file": "kremser-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [12, 23, 36], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "KREMSER (16th-century Netherlands folk melody; arr. Eduard Kremser, 1877). Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune KREMSER \u2014 a 16th-century Netherlands folk melody (first printed in Adrianus Valerius, Nederlandtsche Gedenck-clanck, 1626); the standard four-part arrangement is Eduard Kremser's (1877), whence the tune name (Kremser d. 1914). A public-domain SATB setting encoded from The Cyber Hymnal MIDI via tools/mid2ly.py; the four voices were reconstructed from the raw MIDI onsets and verified against the Cyber Hymnal engraving (D major, 3/4, one-beat anacrusis). The two raised leading tones (alto G#, tenor G#) are printed with sharps in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Kremser\" (16th Century Dutch Tune); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% KREMSER (12.11.12.11) \u2014 four SATB voice streams, canonical key D major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Tune: a 16th-century Netherlands folk melody (in Adrianus Valerius,\n%% Nederlandtsche Gedenck-clanck, 1626; the famous four-part arrangement is Eduard\n%% Kremser's, 1877 \u2014 hence the tune name). Encoded from The Cyber Hymnal SATB MIDI\n%% with tools/mid2ly.py; the four voices were reconstructed from the raw MIDI\n%% onsets and verified against the Cyber Hymnal engraving. 3/4 with a one-beat\n%% anacrusis (\\partial 4); the final bar is a half note that balances the pickup.\n%% MELISMATIC: 48 soprano notes for 46 syllables (12.11.12.11); the two two-note\n%% melismas are the slurred figures a'4.( b'8) (bar 11) and a'4.( g'8) (bar 14),\n%% held with '_' each stanza (verse_variable_melisma) at syllables 31 and 41. The\n%% two chromatic passing tones \u2014 alto gis' (bar 7) and tenor gis (bar 6) \u2014 are the\n%% raised leading tones printed with sharps in the source. (mid2ly's raw split\n%% mis-assigned the soprano's ornamental/melisma eighths to the alto at bars\n%% 6/11/14; corrected from the raw MIDI onsets + the engraving.)\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  a'4 |\n  a'4. b'8 a'4 | fis'4 g'4 a'4 | g'4. fis'8 e'4 | fis'4 d'4 a'4 |\n  a'4. b'8 cis''4 | d''4. e''8 cis''4 | b'4. a'8 b'4 | a'2 a'4 |\n  a'4. b'8 cis''4 | d''4 a'4 a'4 | a'4.( b'8) g'8 a'8 | fis'4 d'4 d'4 |\n  g'4. a'8 b'8 g'8 | a'4.( g'8) fis'4 | g'4 e'4. d'8 | d'2\n}\nalto = {\n  d'4 |\n  d'4. d'8 d'4 | d'4 d'4 d'4 | d'4. d'8 cis'4 | d'4 d'4 fis'4 |\n  e'4. e'8 e'4 | fis'4 e'4 e'4 | fis'4. fis'8 gis'4 | e'2 e'4 |\n  e'4. e'8 e'4 | d'4 d'4 d'4 | d'2 cis'8 cis'8 | d'4 d'4 d'4 |\n  d'4. d'8 d'8 e'8 | e'2 d'4 | b4 cis'4. d'8 | d'2\n}\ntenor = {\n  fis4 |\n  fis4. g8 fis4 | a4 a4 a4 | b4. b8 a4 | a4 fis4 a4 |\n  a4. a8 a4 | a4 gis4 a4 | d'4. d'8 d'4 | cis'2 cis'4 |\n  cis'4. b8 a4 | a4 a4 a4 | b2 a8 a8 | a4 fis4 fis4 |\n  g4. fis8 g8 g8 | e4 a4 a4 | g4 g4. fis8 | fis2\n}\nbass = {\n  d4 |\n  d4. d8 d4 | d4 e4 fis4 | e4. e8 a4 | d4 d4 d4 |\n  cis4. cis8 cis4 | b,4 e4 a4 | b,4. b,8 e4 | a2 a4 |\n  g4. g8 g4 | fis4 fis4 fis4 | e2 a8 a8 | d4 d4 d4 |\n  b,4. a,8 g,8 b,8 | cis2 d4 | e4 a,4. d8 | d2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}