{"slug": "laudate-dominum", "name": "LAUDATE DOMINUM", "meter_label": "10.10.11.11", "meter": {"pattern": [10, 10, 11, 11], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "hubert-parry", "composer_date": "1894", "canonical_key": {"tonic": "bes", "mode": "major"}, "preferred_harmonization": "laudate-dominum-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "LAUDATE DOMINUM (10.10.11.11), C. Hubert H. Parry, 1894. Parry d. 1918; US public domain by pre-1931 publication. A four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (B-flat major, 3/4 with a quarter-note pickup; the soprano is fully diatonic and its four eighth-note melisma slurs were read from the engraving). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Laudate Dominum\" (Parry); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "laudate-dominum-cyberhymnal", "tune": "laudate-dominum", "music_file": "laudate-dominum-cyberhymnal.ly", "harmonizer": "hubert-parry", "arrangement_type": "harmonization", "canonical_key": {"tonic": "bes", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [10, 20, 33], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "LAUDATE DOMINUM, C. Hubert H. Parry, 1894. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting LAUDATE DOMINUM, C. Hubert H. Parry (1848-1918), 1894 \u2014 US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (soprano read note-for-note and is fully diatonic; B-flat major, 3/4 with a quarter pickup, half-note final; the four eighth-note melisma slurs and the inner-voice accidentals were read from the engraving). Melismatic (46 soprano notes / 42 syllables). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Laudate Dominum\" (Parry); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% LAUDATE DOMINUM (10.10.11.11) \u2014 C. Hubert H. Parry, 1894. A 4-part SATB hymn\n%% tune, here paired with Henry W. Baker's \"Sing Praise to the Lord!\" (1875, alt.).\n%% Encoded from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the render verified against the Cyber Hymnal engraving.\n%% B-flat major; 3/4 with a quarter-note pickup (\\partial 4); half-note final.\n%% MELISMATIC: 46 soprano notes for 42 syllables (10.10.11.11) \u2014 engraved melisma\n%% slurs on four eighth-note pairs (soprano notes 26-27 & 28-29 in line 3; 38-39 &\n%% 43-44 in line 4), each continuation held '_' every stanza (verse_variable_melisma).\n%% The soprano is fully diatonic; inner-voice accidentals (alto/bass F-sharp and\n%% E-natural, tenor A-flat) are spelled to the engraving's printed accidentals.\n\\version \"2.24.0\"\n\nglobal  = { \\key bes \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  f'4 d''4 bes'4 c''4 f'2 bes'4 g'4 f'4 es'4 d'2 f'4 d''4 c''4 f'4 bes'2 a'4 c''4 bes'4 g'4 f'2 f'4 bes'4 bes'4 bes'4 bes'4 a'8( g'8) a'8( bes'8) c''4 bes'4 c''4 f'2 a'4 d''4 d''4 d''4 bes'8( a'8) g'4 es''4 d''4 bes'8( g'8) c''4 bes'2\n}\nalto = {\n  f'4 f'4 f'4 g'4 f'2 f'4 bes4 d'4 c'4 bes2 f'4 bes'4 a'4 f'4 f'4 g'4 f'4 fis'4 g'4 e'4 f'2 c'4 bes4 es'4 f'4 g'4 es'8 g'8 f'8 bes'8 g'4 f'4 g'4 f'2 f'4 fis'4 g'4 a'4 g'8 a'8 g'4 g'4 f'4 bes'8 g'8 a'4 bes'2\n}\ntenor = {\n  f4 bes4 d'4 c'8 bes8 a2 f4 g4 g4 a4 bes2 d'4 e'4 f'4 c'4 d'4 c'4 c'4 es'4 d'4 bes4 a2 a4 bes4 bes4 as4 g4 bes4 bes4 es'4 d'4 c'8 bes8 a2 c'4 c'4 bes4 a4 d'8 c'8 bes4 bes4 bes4 c'4 es'4 d'2\n}\nbass = {\n  f4 bes4 d4 es8 bes8 f2 d4 es4 c4 f4 bes,2 bes4 g4 a4 a,4 d4 e4 f4 a,4 bes,4 c4 f2 es4 d4 c4 d4 es4 es4 d4 c4 d4 es8 bes8 f2 es4 d4 e4 fis4 g8 c'8 g4 c4 f4 f4 f4 bes,2\n}\n"}, "harmonizations": [{"slug": "laudate-dominum-cyberhymnal", "tune": "laudate-dominum", "music_file": "laudate-dominum-cyberhymnal.ly", "harmonizer": "hubert-parry", "arrangement_type": "harmonization", "canonical_key": {"tonic": "bes", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [10, 20, 33], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "LAUDATE DOMINUM, C. Hubert H. Parry, 1894. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting LAUDATE DOMINUM, C. Hubert H. Parry (1848-1918), 1894 \u2014 US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (soprano read note-for-note and is fully diatonic; B-flat major, 3/4 with a quarter pickup, half-note final; the four eighth-note melisma slurs and the inner-voice accidentals were read from the engraving). Melismatic (46 soprano notes / 42 syllables). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Laudate Dominum\" (Parry); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% LAUDATE DOMINUM (10.10.11.11) \u2014 C. Hubert H. Parry, 1894. A 4-part SATB hymn\n%% tune, here paired with Henry W. Baker's \"Sing Praise to the Lord!\" (1875, alt.).\n%% Encoded from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the render verified against the Cyber Hymnal engraving.\n%% B-flat major; 3/4 with a quarter-note pickup (\\partial 4); half-note final.\n%% MELISMATIC: 46 soprano notes for 42 syllables (10.10.11.11) \u2014 engraved melisma\n%% slurs on four eighth-note pairs (soprano notes 26-27 & 28-29 in line 3; 38-39 &\n%% 43-44 in line 4), each continuation held '_' every stanza (verse_variable_melisma).\n%% The soprano is fully diatonic; inner-voice accidentals (alto/bass F-sharp and\n%% E-natural, tenor A-flat) are spelled to the engraving's printed accidentals.\n\\version \"2.24.0\"\n\nglobal  = { \\key bes \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  f'4 d''4 bes'4 c''4 f'2 bes'4 g'4 f'4 es'4 d'2 f'4 d''4 c''4 f'4 bes'2 a'4 c''4 bes'4 g'4 f'2 f'4 bes'4 bes'4 bes'4 bes'4 a'8( g'8) a'8( bes'8) c''4 bes'4 c''4 f'2 a'4 d''4 d''4 d''4 bes'8( a'8) g'4 es''4 d''4 bes'8( g'8) c''4 bes'2\n}\nalto = {\n  f'4 f'4 f'4 g'4 f'2 f'4 bes4 d'4 c'4 bes2 f'4 bes'4 a'4 f'4 f'4 g'4 f'4 fis'4 g'4 e'4 f'2 c'4 bes4 es'4 f'4 g'4 es'8 g'8 f'8 bes'8 g'4 f'4 g'4 f'2 f'4 fis'4 g'4 a'4 g'8 a'8 g'4 g'4 f'4 bes'8 g'8 a'4 bes'2\n}\ntenor = {\n  f4 bes4 d'4 c'8 bes8 a2 f4 g4 g4 a4 bes2 d'4 e'4 f'4 c'4 d'4 c'4 c'4 es'4 d'4 bes4 a2 a4 bes4 bes4 as4 g4 bes4 bes4 es'4 d'4 c'8 bes8 a2 c'4 c'4 bes4 a4 d'8 c'8 bes4 bes4 bes4 c'4 es'4 d'2\n}\nbass = {\n  f4 bes4 d4 es8 bes8 f2 d4 es4 c4 f4 bes,2 bes4 g4 a4 a,4 d4 e4 f4 a,4 bes,4 c4 f2 es4 d4 c4 d4 es4 es4 d4 c4 d4 es8 bes8 f2 es4 d4 e4 fis4 g8 c'8 g4 c4 f4 f4 f4 bes,2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}