{"slug": "like-a-river", "name": "WYE VALLEY", "meter_label": "11.11.11 D", "meter": {"pattern": [11, 11, 11], "doubled": true, "refrain": false, "alleluia": false, "irregular": false}, "composer": "james-mountain", "composer_date": "1876", "canonical_key": {"tonic": "f", "mode": "major"}, "preferred_harmonization": "like-a-river-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "WYE VALLEY (the \"long\", 11.11.11 D form), the tune James Mountain composed in 1876 for Frances R. Havergal's \"Like a River Glorious\" (published together in Mountain's \"Hymns of Consecration and Faith\", 1876). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; the phrase-4 bass C-sharp passing tone is printed with a sharp and cancelled by a natural on the following B, so it is spelled cis rather than the enharmonic des). Fully syllabic (66 soprano notes = 66 syllables per stanza, the refrain set as lines 5-6). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Wye Valley (long)\" (James Mountain, 1876); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "like-a-river-cyberhymnal", "tune": "like-a-river", "music_file": "like-a-river-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [11, 22, 33, 44, 55], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "WYE VALLEY, James Mountain, 1876. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune WYE VALLEY (long form, 11.11.11 D; James Mountain, 1876); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; the phrase-4 bass C-sharp is printed with a sharp, so spelled cis). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Wye Valley (long)\" (James Mountain, 1876); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% WYE VALLEY (long form, 11.11.11 D) \u2014 the tune James Mountain (1876) wrote for\n%% Frances R. Havergal's \"Like a River Glorious.\" Four SATB voice streams,\n%% canonical key F major. Corpus harmonization source for the HymnBookGenerator\n%% close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Wye Valley (long)\", James Mountain,\n%% 1876) with tools/mid2ly.py and verified against the Cyber Hymnal engraving.\n%% Fully syllabic 11.11.11 D (66 soprano notes = 66 syllables; the \"Stayed upon\n%% Jehovah\" refrain is set as lines 5-6 of every stanza). The bass C-sharp\n%% passing tone in phrase 4 (and its repeat in phrase 6) is printed with a sharp\n%% and cancelled by a natural on the following B, so it is spelled cis (not the\n%% enharmonic des that mid2ly emitted for the flat key). The tenor carries one\n%% extra passing tone per refrain phrase (a2 g4 f4 under the soprano's f'2 g'2).\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 }\n\nsoprano = {\n  f'4 f'4 g'4 g'4 | a'2 c''2 | bes'4 bes'4 g'4 g'4 | a'1 |\n  f'4 f'4 g'4 g'4 | a'2 f'2 | e'4 e'4 d'4 d'4 | c'1 |\n  c''4 c''4 c''4 c''4 | d''2 c''2 | bes'4 bes'4 a'4 a'4 | g'1 |\n  a'4 a'4 g'4 g'4 | f'2 g'2 | a'4 a'4 g'4 g'4 | f'1 |\n  c''4 c''4 c''4 c''4 | d''2 c''2 | bes'4 bes'4 a'4 a'4 | g'1 |\n  a'4 a'4 g'4 g'4 | f'2 g'2 | a'4 a'4 g'4 g'4 | f'1\n}\nalto = {\n  c'4 c'4 c'4 c'4 | c'2 es'2 | d'4 f'4 c'4 c'4 | c'1 |\n  c'4 c'4 c'4 c'4 | c'2 c'2 | c'4 c'4 a4 b4 | c'1 |\n  c'4 f'4 e'4 f'4 | f'2 f'2 | f'4 e'4 f'4 f'4 | e'1 |\n  f'4 f'4 e'4 e'4 | d'2 d'2 | c'4 f'4 d'4 e'4 | c'1 |\n  c'4 f'4 e'4 f'4 | f'2 f'2 | f'4 e'4 f'4 f'4 | e'1 |\n  f'4 f'4 e'4 e'4 | d'2 d'2 | c'4 f'4 d'4 e'4 | f'1\n}\ntenor = {\n  a4 a4 g4 g4 | f2 f2 | f4 d4 e4 e4 | f1 |\n  a4 a4 g4 g4 | f2 f2 | g4 g4 f4 f4 | e1 |\n  a4 a4 bes4 c'4 | bes2 c'2 | d'4 c'4 c'4 c'4 | c'1 |\n  c'4 c'4 bes4 bes4 | a2 g4 f4 | f4 a4 c'4 bes4 | a1 |\n  a4 a4 bes4 c'4 | bes2 c'2 | d'4 c'4 c'4 c'4 | c'1 |\n  c'4 c'4 bes4 bes4 | a2 g4 f4 | f4 a4 c'4 bes4 | a1\n}\nbass = {\n  f4 f4 e4 e4 | f2 a,2 | bes,4 bes,4 c4 c4 | f,1 |\n  f4 f4 e4 e4 | f2 a,2 | g,4 g,4 g,4 g,4 | c1 |\n  f4 f4 g4 a4 | bes2 a2 | g4 g4 f4 f4 | c1 |\n  f4 f4 cis4 cis4 | d2 b,2 | c4 c4 c4 c4 | f1 |\n  f4 f4 g4 a4 | bes2 a2 | g4 g4 f4 f4 | c1 |\n  f4 f4 cis4 cis4 | d2 b,2 | c4 c4 c4 c4 | f1\n}\n"}, "harmonizations": [{"slug": "like-a-river-cyberhymnal", "tune": "like-a-river", "music_file": "like-a-river-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [11, 22, 33, 44, 55], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "WYE VALLEY, James Mountain, 1876. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune WYE VALLEY (long form, 11.11.11 D; James Mountain, 1876); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; the phrase-4 bass C-sharp is printed with a sharp, so spelled cis). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Wye Valley (long)\" (James Mountain, 1876); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% WYE VALLEY (long form, 11.11.11 D) \u2014 the tune James Mountain (1876) wrote for\n%% Frances R. Havergal's \"Like a River Glorious.\" Four SATB voice streams,\n%% canonical key F major. Corpus harmonization source for the HymnBookGenerator\n%% close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Wye Valley (long)\", James Mountain,\n%% 1876) with tools/mid2ly.py and verified against the Cyber Hymnal engraving.\n%% Fully syllabic 11.11.11 D (66 soprano notes = 66 syllables; the \"Stayed upon\n%% Jehovah\" refrain is set as lines 5-6 of every stanza). The bass C-sharp\n%% passing tone in phrase 4 (and its repeat in phrase 6) is printed with a sharp\n%% and cancelled by a natural on the following B, so it is spelled cis (not the\n%% enharmonic des that mid2ly emitted for the flat key). The tenor carries one\n%% extra passing tone per refrain phrase (a2 g4 f4 under the soprano's f'2 g'2).\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 }\n\nsoprano = {\n  f'4 f'4 g'4 g'4 | a'2 c''2 | bes'4 bes'4 g'4 g'4 | a'1 |\n  f'4 f'4 g'4 g'4 | a'2 f'2 | e'4 e'4 d'4 d'4 | c'1 |\n  c''4 c''4 c''4 c''4 | d''2 c''2 | bes'4 bes'4 a'4 a'4 | g'1 |\n  a'4 a'4 g'4 g'4 | f'2 g'2 | a'4 a'4 g'4 g'4 | f'1 |\n  c''4 c''4 c''4 c''4 | d''2 c''2 | bes'4 bes'4 a'4 a'4 | g'1 |\n  a'4 a'4 g'4 g'4 | f'2 g'2 | a'4 a'4 g'4 g'4 | f'1\n}\nalto = {\n  c'4 c'4 c'4 c'4 | c'2 es'2 | d'4 f'4 c'4 c'4 | c'1 |\n  c'4 c'4 c'4 c'4 | c'2 c'2 | c'4 c'4 a4 b4 | c'1 |\n  c'4 f'4 e'4 f'4 | f'2 f'2 | f'4 e'4 f'4 f'4 | e'1 |\n  f'4 f'4 e'4 e'4 | d'2 d'2 | c'4 f'4 d'4 e'4 | c'1 |\n  c'4 f'4 e'4 f'4 | f'2 f'2 | f'4 e'4 f'4 f'4 | e'1 |\n  f'4 f'4 e'4 e'4 | d'2 d'2 | c'4 f'4 d'4 e'4 | f'1\n}\ntenor = {\n  a4 a4 g4 g4 | f2 f2 | f4 d4 e4 e4 | f1 |\n  a4 a4 g4 g4 | f2 f2 | g4 g4 f4 f4 | e1 |\n  a4 a4 bes4 c'4 | bes2 c'2 | d'4 c'4 c'4 c'4 | c'1 |\n  c'4 c'4 bes4 bes4 | a2 g4 f4 | f4 a4 c'4 bes4 | a1 |\n  a4 a4 bes4 c'4 | bes2 c'2 | d'4 c'4 c'4 c'4 | c'1 |\n  c'4 c'4 bes4 bes4 | a2 g4 f4 | f4 a4 c'4 bes4 | a1\n}\nbass = {\n  f4 f4 e4 e4 | f2 a,2 | bes,4 bes,4 c4 c4 | f,1 |\n  f4 f4 e4 e4 | f2 a,2 | g,4 g,4 g,4 g,4 | c1 |\n  f4 f4 g4 a4 | bes2 a2 | g4 g4 f4 f4 | c1 |\n  f4 f4 cis4 cis4 | d2 b,2 | c4 c4 c4 c4 | f1 |\n  f4 f4 g4 a4 | bes2 a2 | g4 g4 f4 f4 | c1 |\n  f4 f4 cis4 cis4 | d2 b,2 | c4 c4 c4 c4 | f1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}