{"slug": "llangloffan", "name": "LLANGLOFFAN", "meter_label": "7.6.7.6.D", "meter": {"pattern": [7, 6, 7, 6], "doubled": true, "refrain": false, "alleluia": false, "irregular": false}, "composer_source": "Welsh traditional", "canonical_key": {"tonic": "g", "mode": "minor"}, "preferred_harmonization": "llangloffan-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "LLANGLOFFAN (7.6.7.6 D), traditional Welsh melody, first published in the 1865 collection Hymnau a Thonau (London: Novello). The Cyber Hymnal engraving is headed Llangloffan, 76.76 D / Daniel Silvan Evans, 1865, and its hymn page credits the music as from Hymnau a Thonau, by Daniel S. Evans (London: Novello, 1865) \u2014 Evans is the 1865 editor/publisher of the collection, not a composer, so the tune is carried as Welsh traditional (Hymnary.org tune authority llangloffan_welsh concurs: Welsh hymn melody; David Evans, Hymnau a Thonau, 1865). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600dpi (G minor, 4/4, one-beat anacrusis, dotted-half finals; 56 soprano notes for 52 syllables, four two-note melisma slurs per stanza; the soprano matches Hymnary's authority incipit 51122321144332541122 exactly, all 20 digits, including the distinctive two-quaver anacrusis into line 3). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, Llangloffan (traditional Welsh melody, from Hymnau a Thonau, 1865); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "llangloffan_welsh", "total_instances": 218}}, "harmonization": {"slug": "llangloffan-cyberhymnal", "tune": "llangloffan", "music_file": "llangloffan-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "minor"}, "time": "4/4", "pickup": "4", "system_breaks": [14, 29, 42], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "LLANGLOFFAN, traditional Welsh melody, from Hymnau a Thonau, 1865. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune LLANGLOFFAN (7.6.7.6 D), traditional Welsh melody first published in Hymnau a Thonau (Daniel Silvan Evans, ed.; London: Novello, 1865); this four-part setting is the one printed by The Cyber Hymnal (engraving headed Llangloffan, 76.76 D / Daniel Silvan Evans, 1865, footer Public Domain / Courtesy of the Cyber Hymnal), which credits no separate harmonizer. Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600dpi (G minor, 4/4, one-beat anacrusis, dotted-half finals; the raised leading tone fis is the only accidental, printed with a sharp at every occurrence; no Picardy third \u2014 the final chord is G minor; the soprano matches Hymnary's llangloffan_welsh authority incipit 51122321144332541122 exactly). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, Llangloffan (traditional Welsh melody, from Hymnau a Thonau, 1865); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "llangloffan_welsh", "total_instances": 218}}, "music_ly": "%% LLANGLOFFAN (7.6.7.6 D) \u2014 four SATB voice streams, canonical key G minor.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Llangloffan\", traditional Welsh\n%% melody; the Cyber Hymnal engraving is headed \"Llangloffan, 76.76 D / Daniel\n%% Silvan Evans, 1865\" \u2014 Evans is the 1865 publisher of Hymnau a Thonau, not\n%% the composer) with tools/mid2ly.py (relative-major tonic 10 = B-flat for the\n%% G-natural-minor scale set) and verified measure-by-measure against the Cyber\n%% Hymnal engraving at 600dpi. 4/4 with a one-beat anacrusis (\\partial 4),\n%% dotted-half finals. MELISMATIC: 56 soprano notes for 52 syllables\n%% (7.6.7.6 D); the four two-note melisma slurs printed in the source are\n%% bes'4.( a'8) closing line 1 (soprano notes 6-7), the unison S/A quaver\n%% anacrusis d'8( c'8) opening line 3 (notes 15-16), and bes'4.( c''8)\n%% mid-way through lines 3 and 7 (notes 21-22 and 48-49); continuations held\n%% with '_' each stanza (verse_variable_melisma). The only accidental is the\n%% raised leading tone fis/fis', printed with a sharp in the source at every\n%% occurrence (soprano bars 7, 11, 15; tenor bars 1, 4 twice, 11, 12, 13);\n%% no Picardy third \u2014 the final chord is G minor. mid2ly single-onset\n%% duplication artifacts (a note ending exactly at an inner onset) resolved\n%% from the engraving + MIDI note durations: bass holds g,2 under the tenor\n%% g4. a8 in bars 2/14, bass walks the slurred quaver pairs es8-d8 (bar 5)\n%% and d8-c8 (bar 11) under held tenor quarters, tenor walks bes8-a8 (bar 6)\n%% and g8-a8 (bar 9) over held bass quarters, soprano carries bes'4.( c''8)\n%% over alto f'4 g'4 (bar 6) and alto d'2 (bar 14).\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\minor \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'4 g'4 a'4 a'4 | bes'4.( a'8) g'4 g'4 |\n  c''4 c''4 bes'4 bes'4 | a'2. d'8( c'8) |\n  g'4 g'4 a'4 a'4 | bes'4.( c''8) d''4 c''4 |\n  bes'4 g'4 a'4 fis'4 | g'2. d''4 |\n  d''4 bes'4 a'4 c''4 | bes'2 a'4 g'4 |\n  fis'4 g'4 c''4 bes'4 | a'2. d'4 |\n  g'4 g'4 a'4 a'4 | bes'4.( c''8) d''4 c''4 |\n  bes'4 g'4 a'4 fis'4 | g'2.\n}\nalto = {\n  d'4 |\n  g'4 d'4 es'4 d'4 | bes4. c'8 d'4 d'4 |\n  c'4 es'4 d'4 d'4 | d'2. d'8 c'8 |\n  bes4 es'4 es'4 f'4 | f'4 g'4 f'4 es'4 |\n  d'4 bes4 es'4 d'4 | d'2. g'4 |\n  f'4 f'4 es'4 c'4 | f'2 f'4 c'4 |\n  d'4 d'4 c'4 d'4 | d'2. d'4 |\n  g'4 d'4 es'4 d'4 | d'2 g'4 g'4 |\n  f'4 es'4 es'4 d'4 | d'2.\n}\ntenor = {\n  d4 |\n  g4 g4 g4 fis4 | g4. a8 bes4 bes4 |\n  g4 g4 g4 g4 | fis2. fis4 |\n  g4 bes4 c'4 c'4 | d'4 bes4 bes8 a8 g4 |\n  f4 g4 c'4 a4 | bes2. bes8 c'8 |\n  d'4 d'4 c'4 g8 a8 | bes2 c'4 g4 |\n  a4 g4 fis4 g4 | g2 fis4 d4 |\n  g4 g4 g4 fis4 | g4. a8 bes4 es'4 |\n  d'4 bes4 c'4 a4 | bes2.\n}\nbass = {\n  d4 |\n  g4 bes,4 c4 d4 | g,2 g4 f4 |\n  es4 c4 g,4 bes,4 | d2. d4 |\n  es4 es8 d8 c4 f4 | d4 es4 bes,4 c4 |\n  d4 es4 c4 d4 | g2. g8 a8 |\n  bes4 bes,4 c4 es4 | d2 f4 es4 |\n  d8 c8 bes,4 a,4 g,4 | d2. d4 |\n  g4 bes,4 c4 d4 | g,2 g4 c4 |\n  d4 es4 c4 d4 | g,2.\n}\n"}, "harmonizations": [{"slug": "llangloffan-cyberhymnal", "tune": "llangloffan", "music_file": "llangloffan-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "minor"}, "time": "4/4", "pickup": "4", "system_breaks": [14, 29, 42], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "LLANGLOFFAN, traditional Welsh melody, from Hymnau a Thonau, 1865. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune LLANGLOFFAN (7.6.7.6 D), traditional Welsh melody first published in Hymnau a Thonau (Daniel Silvan Evans, ed.; London: Novello, 1865); this four-part setting is the one printed by The Cyber Hymnal (engraving headed Llangloffan, 76.76 D / Daniel Silvan Evans, 1865, footer Public Domain / Courtesy of the Cyber Hymnal), which credits no separate harmonizer. Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified measure-by-measure against the Cyber Hymnal engraving at 600dpi (G minor, 4/4, one-beat anacrusis, dotted-half finals; the raised leading tone fis is the only accidental, printed with a sharp at every occurrence; no Picardy third \u2014 the final chord is G minor; the soprano matches Hymnary's llangloffan_welsh authority incipit 51122321144332541122 exactly). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, Llangloffan (traditional Welsh melody, from Hymnau a Thonau, 1865); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "llangloffan_welsh", "total_instances": 218}}, "music_ly": "%% LLANGLOFFAN (7.6.7.6 D) \u2014 four SATB voice streams, canonical key G minor.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Llangloffan\", traditional Welsh\n%% melody; the Cyber Hymnal engraving is headed \"Llangloffan, 76.76 D / Daniel\n%% Silvan Evans, 1865\" \u2014 Evans is the 1865 publisher of Hymnau a Thonau, not\n%% the composer) with tools/mid2ly.py (relative-major tonic 10 = B-flat for the\n%% G-natural-minor scale set) and verified measure-by-measure against the Cyber\n%% Hymnal engraving at 600dpi. 4/4 with a one-beat anacrusis (\\partial 4),\n%% dotted-half finals. MELISMATIC: 56 soprano notes for 52 syllables\n%% (7.6.7.6 D); the four two-note melisma slurs printed in the source are\n%% bes'4.( a'8) closing line 1 (soprano notes 6-7), the unison S/A quaver\n%% anacrusis d'8( c'8) opening line 3 (notes 15-16), and bes'4.( c''8)\n%% mid-way through lines 3 and 7 (notes 21-22 and 48-49); continuations held\n%% with '_' each stanza (verse_variable_melisma). The only accidental is the\n%% raised leading tone fis/fis', printed with a sharp in the source at every\n%% occurrence (soprano bars 7, 11, 15; tenor bars 1, 4 twice, 11, 12, 13);\n%% no Picardy third \u2014 the final chord is G minor. mid2ly single-onset\n%% duplication artifacts (a note ending exactly at an inner onset) resolved\n%% from the engraving + MIDI note durations: bass holds g,2 under the tenor\n%% g4. a8 in bars 2/14, bass walks the slurred quaver pairs es8-d8 (bar 5)\n%% and d8-c8 (bar 11) under held tenor quarters, tenor walks bes8-a8 (bar 6)\n%% and g8-a8 (bar 9) over held bass quarters, soprano carries bes'4.( c''8)\n%% over alto f'4 g'4 (bar 6) and alto d'2 (bar 14).\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\minor \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'4 g'4 a'4 a'4 | bes'4.( a'8) g'4 g'4 |\n  c''4 c''4 bes'4 bes'4 | a'2. d'8( c'8) |\n  g'4 g'4 a'4 a'4 | bes'4.( c''8) d''4 c''4 |\n  bes'4 g'4 a'4 fis'4 | g'2. d''4 |\n  d''4 bes'4 a'4 c''4 | bes'2 a'4 g'4 |\n  fis'4 g'4 c''4 bes'4 | a'2. d'4 |\n  g'4 g'4 a'4 a'4 | bes'4.( c''8) d''4 c''4 |\n  bes'4 g'4 a'4 fis'4 | g'2.\n}\nalto = {\n  d'4 |\n  g'4 d'4 es'4 d'4 | bes4. c'8 d'4 d'4 |\n  c'4 es'4 d'4 d'4 | d'2. d'8 c'8 |\n  bes4 es'4 es'4 f'4 | f'4 g'4 f'4 es'4 |\n  d'4 bes4 es'4 d'4 | d'2. g'4 |\n  f'4 f'4 es'4 c'4 | f'2 f'4 c'4 |\n  d'4 d'4 c'4 d'4 | d'2. d'4 |\n  g'4 d'4 es'4 d'4 | d'2 g'4 g'4 |\n  f'4 es'4 es'4 d'4 | d'2.\n}\ntenor = {\n  d4 |\n  g4 g4 g4 fis4 | g4. a8 bes4 bes4 |\n  g4 g4 g4 g4 | fis2. fis4 |\n  g4 bes4 c'4 c'4 | d'4 bes4 bes8 a8 g4 |\n  f4 g4 c'4 a4 | bes2. bes8 c'8 |\n  d'4 d'4 c'4 g8 a8 | bes2 c'4 g4 |\n  a4 g4 fis4 g4 | g2 fis4 d4 |\n  g4 g4 g4 fis4 | g4. a8 bes4 es'4 |\n  d'4 bes4 c'4 a4 | bes2.\n}\nbass = {\n  d4 |\n  g4 bes,4 c4 d4 | g,2 g4 f4 |\n  es4 c4 g,4 bes,4 | d2. d4 |\n  es4 es8 d8 c4 f4 | d4 es4 bes,4 c4 |\n  d4 es4 c4 d4 | g2. g8 a8 |\n  bes4 bes,4 c4 es4 | d2 f4 es4 |\n  d8 c8 bes,4 a,4 g,4 | d2. d4 |\n  g4 bes,4 c4 d4 | g,2 g4 c4 |\n  d4 es4 c4 d4 | g,2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}