{"slug": "luthers-hymn", "name": "LUTHER'S HYMN", "alt_name": "NUN FREUT EUCH", "meter_label": "8.7.8.7.8.8.7", "meter": {"pattern": [8, 7, 8, 7, 8, 8, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "martin-luther", "composer_date": "1535", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "luthers-hymn-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "LUTHER'S HYMN (NUN FREUT EUCH), the tune of Martin Luther's 1535 chorale \"Nun freut euch, lieben Christen g'mein,\" here in the standard English pairing with \"Great God, what do I see and hear.\" A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, one sharp; the source prints 4/4 but every phrase is 18 quarter-beats, so \u2014 like OLD 124TH / OLD 113TH \u2014 this Reformation rhythmic chorale is set free-meter with barlines at the four phrase cadences). The soprano is fully syllabic (53 notes = 53 syllables, 8.7.8.7.8.8.7); the one chromatic is the alto D-sharp (raised leading tone) at the third-phrase B-major cadence, printed with a sharp in the source and carried as dis'. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Luther's Hymn\" / \"Nun freut euch\" (attr. Martin Luther, 1535); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "luthers-hymn-cyberhymnal", "tune": "luthers-hymn", "music_file": "luthers-hymn-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [15, 30, 46], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "phrase_barlines": [15, 30, 46], "refrain": null, "source_line": "LUTHER'S HYMN (NUN FREUT EUCH), attr. Martin Luther, 1535. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune LUTHER'S HYMN (NUN FREUT EUCH; attr. Martin Luther, 1535); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major). The soprano agreed note-for-note and is fully syllabic (53 notes = 53 syllables); the alto D-sharp at the third-phrase cadence is printed with a sharp in the source and carried as dis'. A free-meter rhythmic chorale (the source prints 4/4 but each phrase is 18 quarter-beats) \u2014 barlines fall at the four phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Nun freut euch\" (attr. Martin Luther, 1535); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% LUTHER'S HYMN (NUN FREUT EUCH, 8.7.8.7.8.8.7) \u2014 four SATB voice streams, canonical\n%% key G major. Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Nun freut euch,\" attr. Martin Luther,\n%% 1535) with tools/mid2ly.py and verified against the Cyber Hymnal engraving. The\n%% soprano is fully SYLLABIC (53 notes = 53 syllables). A FREE-METER Reformation\n%% rhythmic chorale: the source prints 4/4 but each phrase is 18 quarter-beats (not a\n%% multiple of 4), so barlines fall at the four phrase cadences (like OLD 124TH). The\n%% one chromatic is the alto D-sharp (raised leading tone) at the third-phrase\n%% B-major cadence, printed with a sharp in the source (dis').\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\cadenzaOn }\n\nsoprano = {\n  g'4 g'4 b'4 a'4 g'4 a'4 a'4 b'4 g'4 b'4 c''4 d''4 b'4 g'2 g'2. | g'4 g'4 b'4 a'4 g'4 a'4 a'4 b'4 g'4 b'4 c''4 d''4 b'4 a'2 g'2. | g'4 c''4 b'4 a'4 g'4 fis'4 g'4 a'4 b'4 g'4 fis'4 g'4 d'4 g'4 a'4 b'2. | g'4 b'4 c''4 d''4 b'4 a'2 g'1\n}\nalto = {\n  d'4 e'4 g'4 d'8 c'8 g'4 g'4 fis'4 g'4 d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'2. | d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'4 d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'2. | e'4 e'8 fis'8 g'4 fis'4 e'4 dis'4 e'4 fis'4 g'4 d'4 d'4 d'4 d'4 b4 e'4 dis'2. | b8 e'8 fis'4 e'4 d'4 g'4 e'4 d'8 c'8 b1\n}\ntenor = {\n  b4 g4 d'4 d'4 b4 e'4 d'4 d'4 b4 g4 g4 a4 g4 e'4 d'8 c'8 b2. | b4 g4 d'4 d'4 b4 e'4 d'4 d'4 b4 g4 g4 a4 g4 e'4 d'8 c'8 b2. | d'4 c'4 d'4 d'4 b4 b4 b4 d'4 d'4 d'4 c'4 b4 b8 a8 g4 e4 fis2. | g4 fis4 g4 d'4 e'4 g4 fis4 g1\n}\nbass = {\n  g,4 b,4 g,4 d4 e4 c4 d4 g4 g,4 g4 e4 d4 e4 c4 d4 g,2. | g,4 b,4 g,4 d4 e4 c4 d4 g4 g,4 g4 e4 d4 e4 c4 d4 g,2. | g4 a4 g4 d4 e4 b,4 e4 d4 g4 b4 a4 g4 g8 fis8 e8 d8 c4 b,2. | e4 d4 c4 b,4 e8 d8 c4 d4 g,1\n}\n"}, "harmonizations": [{"slug": "luthers-hymn-cyberhymnal", "tune": "luthers-hymn", "music_file": "luthers-hymn-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [15, 30, 46], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "phrase_barlines": [15, 30, 46], "refrain": null, "source_line": "LUTHER'S HYMN (NUN FREUT EUCH), attr. Martin Luther, 1535. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune LUTHER'S HYMN (NUN FREUT EUCH; attr. Martin Luther, 1535); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major). The soprano agreed note-for-note and is fully syllabic (53 notes = 53 syllables); the alto D-sharp at the third-phrase cadence is printed with a sharp in the source and carried as dis'. A free-meter rhythmic chorale (the source prints 4/4 but each phrase is 18 quarter-beats) \u2014 barlines fall at the four phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Nun freut euch\" (attr. Martin Luther, 1535); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% LUTHER'S HYMN (NUN FREUT EUCH, 8.7.8.7.8.8.7) \u2014 four SATB voice streams, canonical\n%% key G major. Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Nun freut euch,\" attr. Martin Luther,\n%% 1535) with tools/mid2ly.py and verified against the Cyber Hymnal engraving. The\n%% soprano is fully SYLLABIC (53 notes = 53 syllables). A FREE-METER Reformation\n%% rhythmic chorale: the source prints 4/4 but each phrase is 18 quarter-beats (not a\n%% multiple of 4), so barlines fall at the four phrase cadences (like OLD 124TH). The\n%% one chromatic is the alto D-sharp (raised leading tone) at the third-phrase\n%% B-major cadence, printed with a sharp in the source (dis').\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\cadenzaOn }\n\nsoprano = {\n  g'4 g'4 b'4 a'4 g'4 a'4 a'4 b'4 g'4 b'4 c''4 d''4 b'4 g'2 g'2. | g'4 g'4 b'4 a'4 g'4 a'4 a'4 b'4 g'4 b'4 c''4 d''4 b'4 a'2 g'2. | g'4 c''4 b'4 a'4 g'4 fis'4 g'4 a'4 b'4 g'4 fis'4 g'4 d'4 g'4 a'4 b'2. | g'4 b'4 c''4 d''4 b'4 a'2 g'1\n}\nalto = {\n  d'4 e'4 g'4 d'8 c'8 g'4 g'4 fis'4 g'4 d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'2. | d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'4 d'4 d'4 g'4 fis'4 g'4 g'4 fis'4 g'2. | e'4 e'8 fis'8 g'4 fis'4 e'4 dis'4 e'4 fis'4 g'4 d'4 d'4 d'4 d'4 b4 e'4 dis'2. | b8 e'8 fis'4 e'4 d'4 g'4 e'4 d'8 c'8 b1\n}\ntenor = {\n  b4 g4 d'4 d'4 b4 e'4 d'4 d'4 b4 g4 g4 a4 g4 e'4 d'8 c'8 b2. | b4 g4 d'4 d'4 b4 e'4 d'4 d'4 b4 g4 g4 a4 g4 e'4 d'8 c'8 b2. | d'4 c'4 d'4 d'4 b4 b4 b4 d'4 d'4 d'4 c'4 b4 b8 a8 g4 e4 fis2. | g4 fis4 g4 d'4 e'4 g4 fis4 g1\n}\nbass = {\n  g,4 b,4 g,4 d4 e4 c4 d4 g4 g,4 g4 e4 d4 e4 c4 d4 g,2. | g,4 b,4 g,4 d4 e4 c4 d4 g4 g,4 g4 e4 d4 e4 c4 d4 g,2. | g4 a4 g4 d4 e4 b,4 e4 d4 g4 b4 a4 g4 g8 fis8 e8 d8 c4 b,2. | e4 d4 c4 b,4 e8 d8 c4 d4 g,1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}