{"slug": "melcombe", "name": "MELCOMBE", "meter_label": "L.M.", "meter": {"pattern": [8, 8, 8, 8], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "samuel-webbe", "composer_date": "1782", "canonical_key": {"tonic": "es", "mode": "major"}, "preferred_harmonization": "melcombe-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "MELCOMBE, Samuel Webbe (1740-1816), first published 1782 (in An Essay on the Church Plain Chant); the standard tune for Keble's \"New every morning is the love.\" A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (E-flat major, 4/4; syllabic L.M. with 32 soprano notes = 32 syllables). The raised-sixth A-naturals (soprano bar 4, tenor bar 3) are printed with naturals in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Melcombe\" (Samuel Webbe, 1782); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "melcombe-cyberhymnal", "tune": "melcombe", "music_file": "melcombe-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "es", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [8, 16, 24], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "MELCOMBE, Samuel Webbe, 1782. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune MELCOMBE (Samuel Webbe, 1740-1816; first published 1782); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (E-flat major, 4/4; syllabic L.M., 32 soprano notes = 32 syllables). The barlines and the bar-4 half-note cadence match the engraving; the A-natural raised sixths are printed with naturals in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Melcombe\" (Samuel Webbe, 1782); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% MELCOMBE (L.M.) \u2014 four SATB voice streams, canonical key E-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Melcombe\", Samuel Webbe, 1782) with\n%% tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving.\n%% Fully syllabic L.M. (32 soprano notes = 32 syllables). Line 2 carries a beamed\n%% eighth-note pair on the \"-ris-ing\" ornament (a'8 es'8, two syllables), and its\n%% phrase cadence is a half note (bar 4). The soprano A-natural (bar 4) and tenor\n%% A-naturals (bar 3) are the raised sixth printed with naturals in the source; the\n%% alto E-natural (bar 6) is a chromatic passing tone. The bass walks in eighths at\n%% bar 7 and the tenor moves in eighths at bar 8 (passing tones under held voices).\n\\version \"2.24.0\"\n\nglobal  = { \\key es \\major \\time 4/4 }\n\nsoprano = {\n  bes'4 as'4 g'4 f'4 | es'4 c''4 bes'4 bes'4 | es''4 d''4 c''4 bes'4 |\n  bes'4 a'8 es'8 bes'2 | g'4 g'4 as'4 bes'4 | g'4 f'4 g'4 as'4 |\n  as'4 g'4 f'4 bes'4 | as'4 g'4 f'4 es'4\n}\nalto = {\n  es'4 f'4 es'4 d'4 | es'4 es'4 es'4 f'4 | f'4 f'4 es'4 d'4 |\n  g'4 f'8 es'8 d'2 | es'4 es'4 d'4 es'4 | es'4 d'4 e'4 f'4 |\n  f'4 es'4 d'4 es'4 | es'4 es'4 d'4 es'4\n}\ntenor = {\n  bes4 bes4 bes4 as4 | g4 as4 g4 f4 | a4 bes4 a4 bes4 |\n  c'4 c'4 bes2 | bes4 bes4 bes4 bes4 | bes4 bes4 bes4 c'4 |\n  bes4 bes4 bes4 bes4 | c'4 bes4 bes8 as8 g4\n}\nbass = {\n  g4 d4 es4 bes,4 | c4 as,4 es4 d4 | c4 bes,4 f4 g4 |\n  es4 f4 bes,2 | es4 es4 f4 g4 | es4 bes4 g4 f4 |\n  d4 es4 bes,8 as,8 g,4 | as,4 bes,4 bes,4 es4\n}\n"}, "harmonizations": [{"slug": "melcombe-cyberhymnal", "tune": "melcombe", "music_file": "melcombe-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "es", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [8, 16, 24], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "MELCOMBE, Samuel Webbe, 1782. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune MELCOMBE (Samuel Webbe, 1740-1816; first published 1782); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (E-flat major, 4/4; syllabic L.M., 32 soprano notes = 32 syllables). The barlines and the bar-4 half-note cadence match the engraving; the A-natural raised sixths are printed with naturals in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Melcombe\" (Samuel Webbe, 1782); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% MELCOMBE (L.M.) \u2014 four SATB voice streams, canonical key E-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Melcombe\", Samuel Webbe, 1782) with\n%% tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving.\n%% Fully syllabic L.M. (32 soprano notes = 32 syllables). Line 2 carries a beamed\n%% eighth-note pair on the \"-ris-ing\" ornament (a'8 es'8, two syllables), and its\n%% phrase cadence is a half note (bar 4). The soprano A-natural (bar 4) and tenor\n%% A-naturals (bar 3) are the raised sixth printed with naturals in the source; the\n%% alto E-natural (bar 6) is a chromatic passing tone. The bass walks in eighths at\n%% bar 7 and the tenor moves in eighths at bar 8 (passing tones under held voices).\n\\version \"2.24.0\"\n\nglobal  = { \\key es \\major \\time 4/4 }\n\nsoprano = {\n  bes'4 as'4 g'4 f'4 | es'4 c''4 bes'4 bes'4 | es''4 d''4 c''4 bes'4 |\n  bes'4 a'8 es'8 bes'2 | g'4 g'4 as'4 bes'4 | g'4 f'4 g'4 as'4 |\n  as'4 g'4 f'4 bes'4 | as'4 g'4 f'4 es'4\n}\nalto = {\n  es'4 f'4 es'4 d'4 | es'4 es'4 es'4 f'4 | f'4 f'4 es'4 d'4 |\n  g'4 f'8 es'8 d'2 | es'4 es'4 d'4 es'4 | es'4 d'4 e'4 f'4 |\n  f'4 es'4 d'4 es'4 | es'4 es'4 d'4 es'4\n}\ntenor = {\n  bes4 bes4 bes4 as4 | g4 as4 g4 f4 | a4 bes4 a4 bes4 |\n  c'4 c'4 bes2 | bes4 bes4 bes4 bes4 | bes4 bes4 bes4 c'4 |\n  bes4 bes4 bes4 bes4 | c'4 bes4 bes8 as8 g4\n}\nbass = {\n  g4 d4 es4 bes,4 | c4 as,4 es4 d4 | c4 bes,4 f4 g4 |\n  es4 f4 bes,2 | es4 es4 f4 g4 | es4 bes4 g4 f4 |\n  d4 es4 bes,8 as,8 g,4 | as,4 bes,4 bes,4 es4\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}