{"slug": "mit-freuden-zart", "name": "MIT FREUDEN ZART", "meter_label": "8.7.8.7.8.8.7", "meter": {"pattern": [8, 7, 8, 7, 8, 8, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer_source": "Kirchenges\u00e4nge (Bohemian Brethren), 1566", "canonical_key": {"tonic": "d", "mode": "major"}, "preferred_harmonization": "mit-freuden-zart-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "MIT FREUDEN ZART (8.7.8.7.8.8.7), a bar-form chorale melody from the Kirchenges\u00e4nge of the Bohemian Brethren (1566). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving. The MIDI is in D major; the engraving is printed a semitone higher in E-flat major, and the melody, rhythm, and the five melismas were checked note-for-note against the transposed score (the soprano's raised passing tone before the sixth-line cadence, G-sharp rising to A, prints as a natural in the E-flat engraving and is carried as a sharp in the D-major spelling). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Mit Freuden Zart\" (Kirchenges\u00e4nge, Bohemian Brethren, 1566); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "mit-freuden-zart-cyberhymnal", "tune": "mit-freuden-zart", "music_file": "mit-freuden-zart-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/2", "pickup": null, "system_breaks": [8, 18, 28, 39, 47, 55], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": null, "refrain": null, "source_line": "MIT FREUDEN ZART, Bohemian Brethren (Kirchenges\u00e4nge), 1566. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune MIT FREUDEN ZART (Kirchenges\u00e4nge, Bohemian Brethren, 1566); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving. The MIDI is in D major (the engraving is printed a semitone higher in E-flat). A free-meter rhythmic chorale (the engraving is in 3/2 with an irregular bar count) whose barlines fall at the seven phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Mit Freuden Zart\" (Kirchenges\u00e4nge, Bohemian Brethren, 1566); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% MIT FREUDEN ZART (8.7.8.7.8.8.7) \u2014 a bar-form chorale of the Bohemian\n%% Brethren (Kirchenges\u00e4nge, 1566), paired with \"Sing Praise to God Who Reigns\n%% Above\" (Frances E. Cox, 1864, from J. J. Sch\u00fctz, 1675). Encoded from The\n%% Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified against the Cyber\n%% Hymnal engraving: the MIDI is in D major and the engraving is printed a\n%% semitone higher in E-flat, so the melody, rhythm, and the five melismas were\n%% checked note-for-note against the transposed score (the soprano's raised\n%% passing tone G-sharp before the sixth-line cadence prints as a natural in the\n%% E-flat engraving; kept as a sharp in the D-major spelling).\n%% A FREE-METER rhythmic chorale (the engraving is in 3/2 with an irregular bar\n%% count) \u2014 barlines fall at the seven phrase cadences (soprano notes 8, 17, 25,\n%% 34, 42, 50, and the final). MELISMATIC (58 soprano notes for 53 syllables);\n%% the 5 melisma continuations are held with '_' every stanza\n%% (verse_variable_melisma) at soprano notes 10, 15, 27, 32, 56 \u2014 a slurred\n%% dotted-quarter+eighth at 9-10 and 26-27, ascending slurred quarter pairs at\n%% 14-15, 31-32, and 55-56.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/2 }\n\nsoprano = {\n  d'2 fis'4 g'4 a'2 d''2 cis''4 b'4 a'2 b'4.( a'8) g'4 fis'4 e'2 fis'4( g'4) e'2 d'2~ d'4 d'2 fis'4 g'4 a'4~ a'4 d''2 cis''4 b'4 a'4~ a'4 b'4.( a'8) g'4 fis'4 e'4~ e'4 fis'4( g'4) e'2 d'4~ d'2 d''2 cis''4 b'4 a'2 d''2 cis''4 b'4 a'2 a'2 d'4 e'4 fis'2 d'2 fis'4 gis'4 a'2 a'2 b'4 g'4 e'2 fis'4( g'4) e'2 d'2\n}\nalto = {\n  a2 d'4 cis'4 d'2 d'2 d'4 d'4 d'2 dis'4. a'8 e'4 d'4 cis'2 d'2 d'4 cis'4 d'2~ d'4 a2 d'4 cis'4 d'4~ d'4 d'2 d'4 d'4 d'4~ d'4 dis'4. a'8 e'4 d'4 cis'4~ cis'4 d'2 d'4 cis'4 d'4~ d'2 fis'2 fis'4 f'4 cis'2 d'2 e'4 e'4 e'2 cis'2 d'4 cis'4 d'2 a2 d'4 d'4 cis'2 d'2 d'4 d'4 cis'2 d'2 d'4 cis'4 d'2\n}\ntenor = {\n  fis2 a4 a4 fis2 a2 a4 g4 fis2 fis4 b4 b4 a8 g8 a4 g4 a4 b4 a4 a,8 g8 fis2~ fis4 fis2 a4 a4 fis4~ fis4 a2 a4 g4 g4~ g4 fis4 b4 b4 a8 g8 a4 g4 a4 b4 a4 a,8 g8 fis4~ fis2 b2 a4 gis4 fis2 fis2 a4 gis4 cis'2 a4 g4 a4 g4 a2 fis2 b4 b4 a4 g4 d'4 c'4 b2 a4 g4 a4 b4 a4 a,8 g8 fis2\n}\nbass = {\n  d2 d4 e4 fis2 fis,2 g,4 b,4 d4 c4 b,2 e4 fis8 g8 a4 g4 fis4 e4 a4 a,8 g8 d2~ d4 d2 d4 e4 fis4~ fis4 fis,2 g,4 b,4 d4 c4 b,2 e4 fis8 g8 a4 g4 fis4 e4 a4 a,8 g8 d4~ d2 b,2 cis4 cis4 fis2 b,2 cis4 e4 a2 a4 g4 fis4 e4 d2 d4 cis4 b,4 e4 a4 g4 fis2 g4 fis4 a4 g4 fis4 e4 a4 a,8 g8 d2\n}\n"}, "harmonizations": [{"slug": "mit-freuden-zart-cyberhymnal", "tune": "mit-freuden-zart", "music_file": "mit-freuden-zart-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/2", "pickup": null, "system_breaks": [8, 18, 28, 39, 47, 55], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": null, "refrain": null, "source_line": "MIT FREUDEN ZART, Bohemian Brethren (Kirchenges\u00e4nge), 1566. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune MIT FREUDEN ZART (Kirchenges\u00e4nge, Bohemian Brethren, 1566); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving. The MIDI is in D major (the engraving is printed a semitone higher in E-flat). A free-meter rhythmic chorale (the engraving is in 3/2 with an irregular bar count) whose barlines fall at the seven phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Mit Freuden Zart\" (Kirchenges\u00e4nge, Bohemian Brethren, 1566); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% MIT FREUDEN ZART (8.7.8.7.8.8.7) \u2014 a bar-form chorale of the Bohemian\n%% Brethren (Kirchenges\u00e4nge, 1566), paired with \"Sing Praise to God Who Reigns\n%% Above\" (Frances E. Cox, 1864, from J. J. Sch\u00fctz, 1675). Encoded from The\n%% Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified against the Cyber\n%% Hymnal engraving: the MIDI is in D major and the engraving is printed a\n%% semitone higher in E-flat, so the melody, rhythm, and the five melismas were\n%% checked note-for-note against the transposed score (the soprano's raised\n%% passing tone G-sharp before the sixth-line cadence prints as a natural in the\n%% E-flat engraving; kept as a sharp in the D-major spelling).\n%% A FREE-METER rhythmic chorale (the engraving is in 3/2 with an irregular bar\n%% count) \u2014 barlines fall at the seven phrase cadences (soprano notes 8, 17, 25,\n%% 34, 42, 50, and the final). MELISMATIC (58 soprano notes for 53 syllables);\n%% the 5 melisma continuations are held with '_' every stanza\n%% (verse_variable_melisma) at soprano notes 10, 15, 27, 32, 56 \u2014 a slurred\n%% dotted-quarter+eighth at 9-10 and 26-27, ascending slurred quarter pairs at\n%% 14-15, 31-32, and 55-56.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/2 }\n\nsoprano = {\n  d'2 fis'4 g'4 a'2 d''2 cis''4 b'4 a'2 b'4.( a'8) g'4 fis'4 e'2 fis'4( g'4) e'2 d'2~ d'4 d'2 fis'4 g'4 a'4~ a'4 d''2 cis''4 b'4 a'4~ a'4 b'4.( a'8) g'4 fis'4 e'4~ e'4 fis'4( g'4) e'2 d'4~ d'2 d''2 cis''4 b'4 a'2 d''2 cis''4 b'4 a'2 a'2 d'4 e'4 fis'2 d'2 fis'4 gis'4 a'2 a'2 b'4 g'4 e'2 fis'4( g'4) e'2 d'2\n}\nalto = {\n  a2 d'4 cis'4 d'2 d'2 d'4 d'4 d'2 dis'4. a'8 e'4 d'4 cis'2 d'2 d'4 cis'4 d'2~ d'4 a2 d'4 cis'4 d'4~ d'4 d'2 d'4 d'4 d'4~ d'4 dis'4. a'8 e'4 d'4 cis'4~ cis'4 d'2 d'4 cis'4 d'4~ d'2 fis'2 fis'4 f'4 cis'2 d'2 e'4 e'4 e'2 cis'2 d'4 cis'4 d'2 a2 d'4 d'4 cis'2 d'2 d'4 d'4 cis'2 d'2 d'4 cis'4 d'2\n}\ntenor = {\n  fis2 a4 a4 fis2 a2 a4 g4 fis2 fis4 b4 b4 a8 g8 a4 g4 a4 b4 a4 a,8 g8 fis2~ fis4 fis2 a4 a4 fis4~ fis4 a2 a4 g4 g4~ g4 fis4 b4 b4 a8 g8 a4 g4 a4 b4 a4 a,8 g8 fis4~ fis2 b2 a4 gis4 fis2 fis2 a4 gis4 cis'2 a4 g4 a4 g4 a2 fis2 b4 b4 a4 g4 d'4 c'4 b2 a4 g4 a4 b4 a4 a,8 g8 fis2\n}\nbass = {\n  d2 d4 e4 fis2 fis,2 g,4 b,4 d4 c4 b,2 e4 fis8 g8 a4 g4 fis4 e4 a4 a,8 g8 d2~ d4 d2 d4 e4 fis4~ fis4 fis,2 g,4 b,4 d4 c4 b,2 e4 fis8 g8 a4 g4 fis4 e4 a4 a,8 g8 d4~ d2 b,2 cis4 cis4 fis2 b,2 cis4 e4 a2 a4 g4 fis4 e4 d2 d4 cis4 b,4 e4 a4 g4 fis2 g4 fis4 a4 g4 fis4 e4 a4 a,8 g8 d2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}