{"slug": "morning-hymn", "name": "MORNING HYMN", "meter_label": "L.M.", "meter": {"pattern": [8, 8, 8, 8], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "francois-barthelemon", "composer_date": "1785", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "morning-hymn-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "MORNING HYMN (L.M.), composed by Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon (1741-1808) about 1785, written for Thomas Ken's morning hymn \"Awake, my soul, and with the sun\" at the request of Rev. Jacob Duch\u00e9 for the Female Orphan Asylum, London \u2014 the historic tune for that text ever since. Encoded from The Cyber Hymnal single-track MIDI (headed \"Morning Hymn (Barth\u00e9l\u00e9mon), LM \u2014 Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785\") and verified measure-by-measure against the Cyber Hymnal engraving (G major, 4/4, no pickup, whole-note final). Melismatic \u2014 41 soprano notes carry 32 L.M. syllables (eight printed two-note slurs plus one tied pair per stanza). The soprano matches Hymnary.org's authority incipit 12333 43222 54543 for tune authority morning_hymn_barthelemon exactly (the incipit's plain 4s are the engraved chromatic C-sharps). Composer died 1808; all components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Morning Hymn (Barth\u00e9l\u00e9mon)\" (Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785); single-track MIDI + engraving, voices reconstructed from the onset grid (tools/mid2ly_chords.py as cross-check) and render-diffed against the engraving", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "morning_hymn_barthelemon", "total_instances": 1979}}, "harmonization": {"slug": "morning-hymn-cyberhymnal", "tune": "morning-hymn", "music_file": "morning-hymn-cyberhymnal.ly", "harmonizer": "francois-barthelemon", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [10, 21, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "MORNING HYMN, Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting MORNING HYMN (L.M.), Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon (1741-1808), written about 1785 for Thomas Ken's \"Awake, my soul, and with the sun\" \u2014 US public domain by pre-1931 publication (composer died 1808). Encoded from The Cyber Hymnal single-track MIDI: the four voice streams were reconstructed by hand from the raw onset grid (the file carries passing eighth notes in single voices under held chords, which the homophonic splitter tools/mid2ly_chords.py cannot represent; its output was used as a cross-check only) and verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi via a like-for-like LilyPond render-diff (G major, 4/4, no pickup, whole-note final; all five chromatic tones \u2014 the soprano C-sharps in bar 3, the tenor C-sharp in bar 2, the alto C-sharp in bar 4, the tenor G-sharp in bar 6 \u2014 carry engraved sharps; every inner-voice eighth-pair melisma is slurred in the print). Soprano confirmed against Hymnary.org authority incipit 12333 43222 54543 (morning_hymn_barthelemon).", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Morning Hymn (Barth\u00e9l\u00e9mon)\" (Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785); single-track MIDI + engraving, voices reconstructed from the onset grid and render-diffed against the engraving", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "morning_hymn_barthelemon", "total_instances": 1979}}, "music_ly": "%% MORNING HYMN (L.M.) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal single-track MIDI (\"Morning Hymn (Barth\u00e9l\u00e9mon),\n%% LM\", Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785 \u2014 written for Thomas Ken's \"Awake,\n%% my soul, and with the sun\"). The MIDI interleaves passing eighth notes in\n%% single voices under held chords, so the four streams were reconstructed by\n%% hand from the raw onset grid (tools/mid2ly_chords.py's homophonic ranker used\n%% only as a cross-check; its direct output truncates the held notes) and then\n%% verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi\n%% (G major, 4/4, no pickup, whole-note final, quarter = 105). MELISMATIC:\n%% 41 soprano notes carry 32 L.M. syllables \u2014 eight two-note melisma slurs per\n%% stanza, all printed in the source (soprano notes 1-2, 6-7, 14-15, 16-17,\n%% 22-23, 27-28, 35-36, 37-38) plus the tie d'4~ d'4 across the m4/m5 barline\n%% (notes 20-21, the held \"run\"). The soprano matches Hymnary's authority\n%% incipit for morning_hymn_barthelemon, 12333 43222 54543 (its plain 4s are\n%% the engraved chromatic cis''). All five chromatic tones (soprano cis'' twice\n%% in m3, tenor cis' m2, alto cis' m4, tenor gis m6) are printed with sharps in\n%% the source. The source also slurs every inner-voice eighth-pair melisma\n%% (tenor m1/m3/m5/m6, alto m3/m4/m7/m8, bass m8); carried here per voice.\n%% Phrase ends fall mid-measure: line 3 peaks on the m7-downbeat c'' (\"rise\")\n%% and line 4 starts on the following b'.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 }\n\nsoprano = {\n  g'8( a'8) b'4 b'4 b'4 | c''8( b'8) a'4 a'4 a'4 |\n  d''4 cis''4 d''4 cis''8( b'8) | a'8( g'8) fis'4 e'4 d'4~ |\n  d'4 d'8( e'8) fis'4 g'4 | a'4 fis'8( g'8) a'4 b'4 |\n  c''4 b'4 e'4 fis'4 | g'8( b'8) d''8( c''8) b'4 a'4 |\n  g'1\n}\nalto = {\n  d'4 g'4 g'4 g'4 | e'4 fis'4 g'4 fis'4 |\n  d'4 e'4 fis'4 a'8( g'8) | fis'8( e'8) d'4 cis'4 d'4~ |\n  d'4 a4 d'4 d'4 | d'4 d'4 e'4 e'4 |\n  e'8( fis'8) g'4 e'4 d'4 | d'4 d'8( e'8) d'4 d'8( c'8) |\n  b1\n}\ntenor = {\n  b8( c'8) d'4 d'4 d'4 | e'4 a4 cis'4 d'4 |\n  a4 g4 a8( d'8) d'4 | b4 a4 g4 fis4~ |\n  fis4 fis8( g8) a4 b4 | fis4 c'8( b8) a4 gis4 |\n  a4 d'4 c'4 a4 | g4 g4 g4 fis4 |\n  g1\n}\nbass = {\n  g4 g4 d4 g,4 | c4 d4 e4 d4 |\n  fis4 e4 d4 g4 | g4 a4 a,4 d4~ |\n  d4 d4 d4 d4 | d4 d4 c4 b,4 |\n  a,4 b,4 c4 c4 | b,4 b,8( c8) d4 d4 |\n  g,1\n}\n"}, "harmonizations": [{"slug": "morning-hymn-cyberhymnal", "tune": "morning-hymn", "music_file": "morning-hymn-cyberhymnal.ly", "harmonizer": "francois-barthelemon", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [10, 21, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "MORNING HYMN, Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting MORNING HYMN (L.M.), Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon (1741-1808), written about 1785 for Thomas Ken's \"Awake, my soul, and with the sun\" \u2014 US public domain by pre-1931 publication (composer died 1808). Encoded from The Cyber Hymnal single-track MIDI: the four voice streams were reconstructed by hand from the raw onset grid (the file carries passing eighth notes in single voices under held chords, which the homophonic splitter tools/mid2ly_chords.py cannot represent; its output was used as a cross-check only) and verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi via a like-for-like LilyPond render-diff (G major, 4/4, no pickup, whole-note final; all five chromatic tones \u2014 the soprano C-sharps in bar 3, the tenor C-sharp in bar 2, the alto C-sharp in bar 4, the tenor G-sharp in bar 6 \u2014 carry engraved sharps; every inner-voice eighth-pair melisma is slurred in the print). Soprano confirmed against Hymnary.org authority incipit 12333 43222 54543 (morning_hymn_barthelemon).", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Morning Hymn (Barth\u00e9l\u00e9mon)\" (Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785); single-track MIDI + engraving, voices reconstructed from the onset grid and render-diffed against the engraving", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "morning_hymn_barthelemon", "total_instances": 1979}}, "music_ly": "%% MORNING HYMN (L.M.) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal single-track MIDI (\"Morning Hymn (Barth\u00e9l\u00e9mon),\n%% LM\", Fran\u00e7ois Hippolyte Barth\u00e9l\u00e9mon, 1785 \u2014 written for Thomas Ken's \"Awake,\n%% my soul, and with the sun\"). The MIDI interleaves passing eighth notes in\n%% single voices under held chords, so the four streams were reconstructed by\n%% hand from the raw onset grid (tools/mid2ly_chords.py's homophonic ranker used\n%% only as a cross-check; its direct output truncates the held notes) and then\n%% verified measure-by-measure against the Cyber Hymnal engraving at 600 dpi\n%% (G major, 4/4, no pickup, whole-note final, quarter = 105). MELISMATIC:\n%% 41 soprano notes carry 32 L.M. syllables \u2014 eight two-note melisma slurs per\n%% stanza, all printed in the source (soprano notes 1-2, 6-7, 14-15, 16-17,\n%% 22-23, 27-28, 35-36, 37-38) plus the tie d'4~ d'4 across the m4/m5 barline\n%% (notes 20-21, the held \"run\"). The soprano matches Hymnary's authority\n%% incipit for morning_hymn_barthelemon, 12333 43222 54543 (its plain 4s are\n%% the engraved chromatic cis''). All five chromatic tones (soprano cis'' twice\n%% in m3, tenor cis' m2, alto cis' m4, tenor gis m6) are printed with sharps in\n%% the source. The source also slurs every inner-voice eighth-pair melisma\n%% (tenor m1/m3/m5/m6, alto m3/m4/m7/m8, bass m8); carried here per voice.\n%% Phrase ends fall mid-measure: line 3 peaks on the m7-downbeat c'' (\"rise\")\n%% and line 4 starts on the following b'.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 }\n\nsoprano = {\n  g'8( a'8) b'4 b'4 b'4 | c''8( b'8) a'4 a'4 a'4 |\n  d''4 cis''4 d''4 cis''8( b'8) | a'8( g'8) fis'4 e'4 d'4~ |\n  d'4 d'8( e'8) fis'4 g'4 | a'4 fis'8( g'8) a'4 b'4 |\n  c''4 b'4 e'4 fis'4 | g'8( b'8) d''8( c''8) b'4 a'4 |\n  g'1\n}\nalto = {\n  d'4 g'4 g'4 g'4 | e'4 fis'4 g'4 fis'4 |\n  d'4 e'4 fis'4 a'8( g'8) | fis'8( e'8) d'4 cis'4 d'4~ |\n  d'4 a4 d'4 d'4 | d'4 d'4 e'4 e'4 |\n  e'8( fis'8) g'4 e'4 d'4 | d'4 d'8( e'8) d'4 d'8( c'8) |\n  b1\n}\ntenor = {\n  b8( c'8) d'4 d'4 d'4 | e'4 a4 cis'4 d'4 |\n  a4 g4 a8( d'8) d'4 | b4 a4 g4 fis4~ |\n  fis4 fis8( g8) a4 b4 | fis4 c'8( b8) a4 gis4 |\n  a4 d'4 c'4 a4 | g4 g4 g4 fis4 |\n  g1\n}\nbass = {\n  g4 g4 d4 g,4 | c4 d4 e4 d4 |\n  fis4 e4 d4 g4 | g4 a4 a,4 d4~ |\n  d4 d4 d4 d4 | d4 d4 c4 b,4 |\n  a,4 b,4 c4 c4 | b,4 b,8( c8) d4 d4 |\n  g,1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}