{"slug": "ortonville", "name": "ORTONVILLE", "meter_label": "C.M.", "meter": {"pattern": [8, 6, 8, 6], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "thomas-hastings", "composer_date": "1837", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "ortonville-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "ORTONVILLE, Thomas Hastings (1784\u20131872), published 1837; a Common Metre tune that repeats its last line (8.6.8.6.6 as sung, titled \"Ortonville, CM\" in the source). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, 6/4, one-beat anacrusis). The one two-note melisma and the three phrase-cadence ties (dotted half tied to half) were read from the engraving; all harmony is diatonic G major with no printed accidentals. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ortonville\" (Thomas Hastings, 1837); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "ortonville-cyberhymnal", "tune": "ortonville", "music_file": "ortonville-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "6/4", "pickup": "4", "system_breaks": [8, 15, 23, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ORTONVILLE, Thomas Hastings, 1837. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune ORTONVILLE (Thomas Hastings, 1837); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, 6/4, one-beat anacrusis \\partial 4). C.M. with the last line repeated; the three phrase cadences are a dotted half tied to a half, and the one two-note melisma is the slurred eighth pair b'-a' on the fourth line's first syllable. All harmony is diatonic G major (no printed accidentals). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ortonville\" (Thomas Hastings, 1837); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% ORTONVILLE (C.M.) \u2014 Thomas Hastings, 1837. Four SATB voice streams, canonical\n%% key G major. Corpus harmonization source for the HymnBookGenerator close-score\n%% engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Ortonville\", Thomas Hastings 1837) with\n%% tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, 6/4,\n%% one-beat anacrusis \\partial 4). The tune is C.M. with the last line repeated\n%% (8.6.8.6.6 as sung); each of the three phrase cadences is a dotted half tied to a\n%% half (five beats), and the final note balances the pickup. MELISMATIC: 38 soprano\n%% note-heads for 34 sung syllables \u2014 the one two-note melisma is the beamed/slurred\n%% eighth pair b'8( a'8) on the first syllable of the fourth line (soprano note-head\n%% 24), and the three phrase-cadence ties (soprano note-heads 15, 31, 38) are held\n%% '_' every stanza (verse_variable_melisma). All harmony is diatonic G major (the\n%% F-sharp is the key signature; no printed accidentals).\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 6/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'2 g'4 a'2 a'4 | b'2 a'4 g'2 d'4 | e'2 e'4 g'2 e'4 | d'2.~ d'2 d'4 |\n  g'2 g'4 a'2 a'4 | b'2 c''4 d''2 b'8( a'8) | g'2 g'4 a'2 a'4 | g'2.~ g'2 g'4 |\n  b'2 b'4 a'2 a'4 | g'2.~ g'2\n}\nalto = {\n  b4 |\n  d'2 d'4 d'2 d'4 | d'2 c'4 b2 b4 | c'2 c'4 e'2 c'4 | b2.~ b2 b4 |\n  d'2 d'4 d'2 d'4 | d'2 d'4 d'2 d'8 c'8 | b2 b4 c'2 c'4 | b2.~ b2 b4 |\n  d'2 d'4 d'2 c'4 | b2.~ b2\n}\ntenor = {\n  g4 |\n  g2 g4 fis2 fis4 | g2 fis4 g2 g4 | g2 g4 g2 g4 | g2.~ g2 g4 |\n  g2 g4 fis2 fis4 | g2 a4 b2 g4 | d2 d4 d2 d4 | d2.~ d2 g4 |\n  g2 g4 fis2 fis4 | g2.~ g2\n}\nbass = {\n  g,4 |\n  b,2 b,4 d2 d4 | g2 d4 g,2 g,4 | c2 c4 c2 c4 | g,2.~ g,2 g,4 |\n  b,2 b,4 d2 d4 | g2 g4 g2 g,4 | g,2 g,4 d2 d4 | g,2.~ g,2 g,4 |\n  g2 g4 d2 d4 | g,2.~ g,2\n}\n"}, "harmonizations": [{"slug": "ortonville-cyberhymnal", "tune": "ortonville", "music_file": "ortonville-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "6/4", "pickup": "4", "system_breaks": [8, 15, 23, 31], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "ORTONVILLE, Thomas Hastings, 1837. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune ORTONVILLE (Thomas Hastings, 1837); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, 6/4, one-beat anacrusis \\partial 4). C.M. with the last line repeated; the three phrase cadences are a dotted half tied to a half, and the one two-note melisma is the slurred eighth pair b'-a' on the fourth line's first syllable. All harmony is diatonic G major (no printed accidentals). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Ortonville\" (Thomas Hastings, 1837); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% ORTONVILLE (C.M.) \u2014 Thomas Hastings, 1837. Four SATB voice streams, canonical\n%% key G major. Corpus harmonization source for the HymnBookGenerator close-score\n%% engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Ortonville\", Thomas Hastings 1837) with\n%% tools/mid2ly.py and verified against the Cyber Hymnal engraving (G major, 6/4,\n%% one-beat anacrusis \\partial 4). The tune is C.M. with the last line repeated\n%% (8.6.8.6.6 as sung); each of the three phrase cadences is a dotted half tied to a\n%% half (five beats), and the final note balances the pickup. MELISMATIC: 38 soprano\n%% note-heads for 34 sung syllables \u2014 the one two-note melisma is the beamed/slurred\n%% eighth pair b'8( a'8) on the first syllable of the fourth line (soprano note-head\n%% 24), and the three phrase-cadence ties (soprano note-heads 15, 31, 38) are held\n%% '_' every stanza (verse_variable_melisma). All harmony is diatonic G major (the\n%% F-sharp is the key signature; no printed accidentals).\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 6/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'2 g'4 a'2 a'4 | b'2 a'4 g'2 d'4 | e'2 e'4 g'2 e'4 | d'2.~ d'2 d'4 |\n  g'2 g'4 a'2 a'4 | b'2 c''4 d''2 b'8( a'8) | g'2 g'4 a'2 a'4 | g'2.~ g'2 g'4 |\n  b'2 b'4 a'2 a'4 | g'2.~ g'2\n}\nalto = {\n  b4 |\n  d'2 d'4 d'2 d'4 | d'2 c'4 b2 b4 | c'2 c'4 e'2 c'4 | b2.~ b2 b4 |\n  d'2 d'4 d'2 d'4 | d'2 d'4 d'2 d'8 c'8 | b2 b4 c'2 c'4 | b2.~ b2 b4 |\n  d'2 d'4 d'2 c'4 | b2.~ b2\n}\ntenor = {\n  g4 |\n  g2 g4 fis2 fis4 | g2 fis4 g2 g4 | g2 g4 g2 g4 | g2.~ g2 g4 |\n  g2 g4 fis2 fis4 | g2 a4 b2 g4 | d2 d4 d2 d4 | d2.~ d2 g4 |\n  g2 g4 fis2 fis4 | g2.~ g2\n}\nbass = {\n  g,4 |\n  b,2 b,4 d2 d4 | g2 d4 g,2 g,4 | c2 c4 c2 c4 | g,2.~ g,2 g,4 |\n  b,2 b,4 d2 d4 | g2 g4 g2 g,4 | g,2 g,4 d2 d4 | g,2.~ g,2 g,4 |\n  g2 g4 d2 d4 | g,2.~ g,2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}