{"slug": "rutherford", "name": "RUTHERFORD", "meter_label": "7.6.7.6 D", "meter": {"pattern": [7, 6, 7, 6], "doubled": true, "refrain": false, "alleluia": false, "irregular": false}, "composer": "chretien-urhan", "composer_date": "1834", "arranger": "edward-f-rimbault", "canonical_key": {"tonic": "f", "mode": "major"}, "preferred_harmonization": "rutherford-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "RUTHERFORD, composed by Chr\u00e9tien d'Urhan (1790\u20131845) in Chants Chr\u00e9tiens (1834) and arranged by Edward F. Rimbault (1816\u20131876), 1867 \u2014 the standard tune for Anne Ross Cousin's \"The Sands of Time Are Sinking\" (1857). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (F major, 4/4 with a quarter-note anacrusis; the tenor's descending chromatic D\u2013D-flat\u2013C at the fifth and sixth phrases is printed with flats in the source and carried as des'). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Rutherford\" (Chr\u00e9tien d'Urhan, 1834; arr. Edward F. Rimbault, 1867); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "rutherford-cyberhymnal", "tune": "rutherford", "music_file": "rutherford-cyberhymnal.ly", "harmonizer": "edward-f-rimbault", "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [7, 13, 20, 28, 35, 41, 49], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "RUTHERFORD, Chr\u00e9tien d'Urhan, 1834; arr. Edward F. Rimbault, 1867. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune RUTHERFORD (Chr\u00e9tien d'Urhan, Chants Chr\u00e9tiens, 1834), arranged in four parts by Edward F. Rimbault (1816\u20131876), 1867; a public-domain setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (F major, 4/4 with a quarter-note anacrusis; the tenor's descending chromatic D\u2013D-flat\u2013C is printed with flats and carried as des'). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Rutherford\" (Chr\u00e9tien d'Urhan, 1834; arr. Edward F. Rimbault, 1867); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% RUTHERFORD (7.6.7.6 D) \u2014 melody Chr\u00e9tien d'Urhan (Chants Chr\u00e9tiens, 1834),\n%% arranged by Edward F. Rimbault, 1867; the standard tune for Anne Ross Cousin's\n%% \"The Sands of Time Are Sinking\" (1857). Four SATB voice streams, canonical key\n%% F major, 4/4 with a quarter-note anacrusis (\\partial 4).\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified\n%% note-for-note against the Cyber Hymnal engraving. MELISMATIC: 55 soprano notes\n%% for 52 syllables (7.6.7.6 D). Three melisma continuations are held with '_' in\n%% every stanza (verse_variable_melisma): two 2-note slurs in the fourth phrase\n%% (soprano notes 24-25 and 26-27, e.g. st.1 \"morn\" and \"a-\" of \"awakes\") and one\n%% 2-note slur opening the seventh phrase (notes 42-43, st.1 \"And\"). The tenor's\n%% descending chromatic D\u2013D-flat\u2013C in phrases five and six is printed with flats in\n%% the engraving and carried as des'.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  a'4 |\n  a'4 a'4 g'4. g'8 | f'2 f'4 f'4 | bes'4. bes'8 a'4 bes'4 | g'2. g'4 |\n  c''4. c''8 bes'4 bes'4 | a'2 g'4 g'4 | f'4 f'4 e'8( f'8) g'8( e'8) | f'2. f'4 |\n  f'4. f'8 f'4 g'4 | a'2 a'4 f'4 | f'4. f'8 f'4 g'4 | a'2. a'8( bes'8) |\n  c''4 c''4 d''4. c''8 | c''2 bes'4 bes'4 | a'4 a'4 g'4. f'8 | f'2.\n}\nalto = {\n  f'4 |\n  f'4 f'4 e'4. e'8 | d'2 d'4 f'4 | f'4. f'8 f'4 f'4 | e'2. e'4 |\n  f'4. f'8 e'4 e'4 | f'2 d'4 d'4 | c'4 c'4 c'8 f'8 c'8 e'8 | c'2. c'4 |\n  d'4. d'8 f'4 e'4 | f'2 f'4 c'4 | d'4. d'8 f'4 e'4 | f'2. f'8 e'8 |\n  f'4 f'4 f'4. f'8 | f'2 e'4 e'4 | f'4 f'4 e'4. c'8 | c'2.\n}\ntenor = {\n  c'4 |\n  c'4 c'4 bes4. bes8 | a2 a4 a4 | d'4. d'8 c'4 d'4 | c'2. c'4 |\n  c'4. c'8 c'4 c'4 | c'2 bes4 bes4 | a4 a4 g8 a8 bes8 g8 | a2. a4 |\n  d'4. d'8 des'4 des'4 | c'2 c'4 a4 | d'4. d'8 des'4 des'4 | c'2. c'8 g8 |\n  c'4 c'4 bes4. c'8 | c'2 c'4 c'4 | c'4 c'4 bes4. a8 | a2.\n}\nbass = {\n  f4 |\n  f4 f4 c4. c8 | d2 d4 d4 | bes,4. bes,8 f4 bes,4 | c2. bes4 |\n  a4. a8 g4 g4 | f2 bes,4 bes,4 | c4 c4 c8 a8 c8 g8 | f2. f4 |\n  bes4. bes8 bes4 bes4 | f2 f4 f4 | bes4. bes8 bes4 bes4 | f2. f8 g8 |\n  a4 a4 bes4. a8 | a2 g4 g4 | f4 f4 c4. f8 | f2.\n}\n"}, "harmonizations": [{"slug": "rutherford-cyberhymnal", "tune": "rutherford", "music_file": "rutherford-cyberhymnal.ly", "harmonizer": "edward-f-rimbault", "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [7, 13, 20, 28, 35, 41, 49], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "RUTHERFORD, Chr\u00e9tien d'Urhan, 1834; arr. Edward F. Rimbault, 1867. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune RUTHERFORD (Chr\u00e9tien d'Urhan, Chants Chr\u00e9tiens, 1834), arranged in four parts by Edward F. Rimbault (1816\u20131876), 1867; a public-domain setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (F major, 4/4 with a quarter-note anacrusis; the tenor's descending chromatic D\u2013D-flat\u2013C is printed with flats and carried as des'). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Rutherford\" (Chr\u00e9tien d'Urhan, 1834; arr. Edward F. Rimbault, 1867); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% RUTHERFORD (7.6.7.6 D) \u2014 melody Chr\u00e9tien d'Urhan (Chants Chr\u00e9tiens, 1834),\n%% arranged by Edward F. Rimbault, 1867; the standard tune for Anne Ross Cousin's\n%% \"The Sands of Time Are Sinking\" (1857). Four SATB voice streams, canonical key\n%% F major, 4/4 with a quarter-note anacrusis (\\partial 4).\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified\n%% note-for-note against the Cyber Hymnal engraving. MELISMATIC: 55 soprano notes\n%% for 52 syllables (7.6.7.6 D). Three melisma continuations are held with '_' in\n%% every stanza (verse_variable_melisma): two 2-note slurs in the fourth phrase\n%% (soprano notes 24-25 and 26-27, e.g. st.1 \"morn\" and \"a-\" of \"awakes\") and one\n%% 2-note slur opening the seventh phrase (notes 42-43, st.1 \"And\"). The tenor's\n%% descending chromatic D\u2013D-flat\u2013C in phrases five and six is printed with flats in\n%% the engraving and carried as des'.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  a'4 |\n  a'4 a'4 g'4. g'8 | f'2 f'4 f'4 | bes'4. bes'8 a'4 bes'4 | g'2. g'4 |\n  c''4. c''8 bes'4 bes'4 | a'2 g'4 g'4 | f'4 f'4 e'8( f'8) g'8( e'8) | f'2. f'4 |\n  f'4. f'8 f'4 g'4 | a'2 a'4 f'4 | f'4. f'8 f'4 g'4 | a'2. a'8( bes'8) |\n  c''4 c''4 d''4. c''8 | c''2 bes'4 bes'4 | a'4 a'4 g'4. f'8 | f'2.\n}\nalto = {\n  f'4 |\n  f'4 f'4 e'4. e'8 | d'2 d'4 f'4 | f'4. f'8 f'4 f'4 | e'2. e'4 |\n  f'4. f'8 e'4 e'4 | f'2 d'4 d'4 | c'4 c'4 c'8 f'8 c'8 e'8 | c'2. c'4 |\n  d'4. d'8 f'4 e'4 | f'2 f'4 c'4 | d'4. d'8 f'4 e'4 | f'2. f'8 e'8 |\n  f'4 f'4 f'4. f'8 | f'2 e'4 e'4 | f'4 f'4 e'4. c'8 | c'2.\n}\ntenor = {\n  c'4 |\n  c'4 c'4 bes4. bes8 | a2 a4 a4 | d'4. d'8 c'4 d'4 | c'2. c'4 |\n  c'4. c'8 c'4 c'4 | c'2 bes4 bes4 | a4 a4 g8 a8 bes8 g8 | a2. a4 |\n  d'4. d'8 des'4 des'4 | c'2 c'4 a4 | d'4. d'8 des'4 des'4 | c'2. c'8 g8 |\n  c'4 c'4 bes4. c'8 | c'2 c'4 c'4 | c'4 c'4 bes4. a8 | a2.\n}\nbass = {\n  f4 |\n  f4 f4 c4. c8 | d2 d4 d4 | bes,4. bes,8 f4 bes,4 | c2. bes4 |\n  a4. a8 g4 g4 | f2 bes,4 bes,4 | c4 c4 c8 a8 c8 g8 | f2. f4 |\n  bes4. bes8 bes4 bes4 | f2 f4 f4 | bes4. bes8 bes4 bes4 | f2. f8 g8 |\n  a4 a4 bes4. a8 | a2 g4 g4 | f4 f4 c4. f8 | f2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}