{"slug": "salvationist", "name": "SALVATIONIST", "alt_name": "SALVATION", "meter_label": "13.11.13.11.13.10 with Refrain", "meter": {"pattern": [13, 11, 13, 11, 13, 10], "doubled": false, "refrain": true, "alleluia": false, "irregular": false}, "composer": "william-shakespeare-hays", "composer_date": "1871", "canonical_key": {"tonic": "f", "mode": "major"}, "preferred_harmonization": "salvationist-openhymnal", "provenance": {"layer": "tune", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SALVATIONIST (Hymnary tune authority salvationist_hays; also printed as SALVATION or THE LILY OF THE VALLEY). William Shakespeare Hays (1837-1907): the melody is his 1871 song \"The Little Old Log Cabin in the Lane\", adapted 1881 for this hymn; the four-part setting is Ira D. Sankey's, 1887. Encoded from Open Hymnal X:180 (C: \"Music: 'Salvation' or 'The Lily of the Valley' William S. Hays, 1881. Setting: Ira D. Sankey, 1887.\"; S: \"Music and lyrics source: Gospel Hymns Nos. 5 and 6 Combined, 1892, hymn 102.\"; C: \"copyright: public domain.\"). INDEPENDENT MELODY CHECK: the Hymnary authority incipit 13556 55312 11651 (F major) equals this encoding's first fifteen soprano notes, degree for degree. The meter as encoded is 13.11.13.11.13.10 with refrain \u2014 the hymnals' 14.11.14.11.13.10 minus the Open Hymnal text's contraction of the two-word pickup in verse lines 1 and 3 (Hymnary labels the tune Irregular). All components pre-1931.", "pd_jurisdictions": {"US": true}, "hymnary_ids": {"tune_auth": "salvationist_hays", "total_instances": 331}}, "harmonization": {"slug": "salvationist-openhymnal", "tune": "salvationist", "music_file": "salvationist-openhymnal.ly", "harmonizer": "ira-david-sankey", "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "6/8", "pickup": "8", "system_breaks": [14, 26, 40, 52, 65, 77, 91], "breaks_manual": true, "markings": [{"soprano_note": 78, "kind": "refrain"}], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": {"soprano_note_start": 78, "inline": true}, "source_line": "Setting: Ira D. Sankey, 1887; from Gospel Hymns Nos. 5 and 6 Combined, 1892. Public domain.", "provenance": {"layer": "harmonization", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Four-part setting credited by the Open Hymnal X:180 C: line as \"Setting: Ira D. Sankey, 1887.\" over the Hays melody, with S: \"Music and lyrics source: Gospel Hymns Nos. 5 and 6 Combined, 1892, hymn 102.\" and C: \"copyright: public domain.\" (2013 Revision). Sankey died 1908 and the 1887/ 1892 printings are pre-1931 US public domain. Converted losslessly from the dump's four ABC voices (S1V1/S1V2/S2V1/S2V2) with tools/abc_import.py, extracted by LINE RANGE (22472-22544 of the 2014.06 dump) because the dump reuses X-numbers. The piece is fully homophonic: every onset is shared by all four voices (the one divergence: the bass holds a dotted quarter under the upper voices' slurred pair at soprano noteheads 66-67); 103 soprano noteheads, two ensemble breath rests (after noteheads 52 and 103, printed r8 in soprano/tenor, invisible s8 in alto/bass exactly as the dump encodes them). The dump's duplicated stanza-1 underlay rows under the bass staff (identical words at identical onsets, verified token-by-token by hash against the soprano w: rows) are an engraving duplication, not an echo, and are deliberately not encoded \u2014 no bass_echo. The one E-flat accidental (alto, m16, from the source's _E) survives conversion. INDEPENDENT MELODY CHECK: Hymnary tune authority salvationist_hays incipit 13556 55312 11651 matches this soprano's first fifteen notes exactly (F major).", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:180 (tune SALVATIONIST, W. S. Hays 1871/1881; Ira D. Sankey 1887 setting from Gospel Hymns Nos. 5 and 6 Combined, 1892); SATB ABC converted with tools/abc_import.py machinery, block extracted by line range", "encoding_license": "PD-dedication"}, "music_ly": "%% SALVATIONIST \u2014 \"The Lily of the Valley\" (gospel song, verse + trailing refrain)\n%% Imported from the Open Hymnal ABC (X:180, 2014.06 dump lines 22472-22544,\n%% extracted by LINE RANGE \u2014 X-numbers are reused in that dump) via the\n%% tools/abc_import.py machinery. Tune: William S. Hays, 1871, adapted 1881;\n%% setting: Ira D. Sankey, 1887; source per the dump's S: line: Gospel Hymns\n%% Nos. 5 and 6 Combined, 1892, hymn 102. Public domain.\n%% F major, 6/8, two-sixteenth pickup (\\partial 8), 103 soprano noteheads,\n%% essentially homophonic (soprano/tenor 103 onsets, alto 101, bass 100): the\n%% alto and bass take a single-eighth pickup against the soprano/tenor\n%% two-sixteenth pair, the alto holds under the soprano's slurred 27-28, and\n%% the bass holds a dotted quarter under the upper voices' slurred pair at\n%% noteheads 66-67. Soprano melisma slurs: (1,2) the pickup pair (added here\n%% from the w: star alignment), (27,28) and (66,67) (slurred in the source);\n%% ties 25-26, 51-52, 76-77 and 102-103 carry their syllables as tie melisma.\n%% Melody verified against the Hymnary tune authority salvationist_hays\n%% (incipit 13556 55312 11651 = this soprano's first fifteen notes in F).\n%% The dump also repeats the stanza-1 underlay in w: rows under the bass staff\n%% for the second half of the piece (same words at identical onsets, checked\n%% token-by-token by hash) \u2014 an engraving duplication, not an echo or\n%% antiphonal texture, so no bass_echo is encoded.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 6/8 \\partial 8 }\n\nsoprano = {\n  f'16( a'16) c''4 c''8 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 a'4 a'8 d''4 c''8 a'4 f'8 g'2.~ g'4. f'4( a'8) c''4 c''8 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 g'4 f'8 g'4 g'8 f'4 e'8 f'2.~ f'4. r8 f'4 f'8 bes'4 bes'4 bes'8 bes'8 d''2 d''8 d''8 c''4 c''4 a'8 c''4. a'4( g'8) f'4 f'8 f'4 f'8 d''4 c''8 a'4 f'8 g'2.~ g'4. f'4 a'8 c''8 c''4 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 g'4 f'8 g'4 g'8 f'4 e'8 f'2.~ f'4. r8\n}\n\nalto = {\n  f'8 f'4 f'8 f'4 f'8 f'8 f'2 f'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 f'8 f'4 f'8 f'4 f'8 f'4 f'8 e'2.~ e'4. f'4. f'4 f'8 f'4 f'8 f'8 f'2 c'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 f'8 e'4 f'8 d'4 d'8 c'4 c'8 c'2.~ c'4. s8 ees'4 d'8 d'4 d'4 d'8 d'8 f'2 f'8 f'8 f'4 f'4 f'8 f'4. f'4( c'8) c'4 c'8 c'4 f'8 f'4 f'8 f'4 f'8 e'2.~ e'4. f'4 f'8 f'8 f'4 f'4 f'8 f'8 f'2 f'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 c'8 c'4 f'8 d'4 d'8 c'4 c'8 c'2.~ c'4. s8\n}\n\ntenor = {\n  a16 c'16 a4 a8 bes4 a8 bes8 c'2 c'8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 c'4 c'8 bes4 c'8 c'4 c'8 c'2.~ c'4. a4( c'8) a4 a8 bes4 a8 a8 c'2 a8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 bes4 a8 bes4 bes8 a4 g8 a2.~ a4. r8 a4 bes8 f4 f4 f8 f8 bes2 bes8 bes8 a4 a4 c'8 a4. c'4( bes8) a4 bes8 c'4 a8 bes4 c'8 c'4 c'8 c'2.~ c'4. a4 c'8 a8 a4 bes4 a8 a8 c'2 c'8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 bes4 a8 bes4 bes8 a4 g8 a2.~ a4. r8\n}\n\nbass = {\n  f8 f4 f8 f4 f8 f8 f2 a,8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 f4 f8 bes4 a8 f4 a,8 c2.~ c4. f4. f4 f8 f4 f8 f8 f2 f8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 c4 d8 bes,4 bes,8 c4 c8 f2.~ f4. s8 f4 bes,8 bes,4 bes,4 bes,8 bes,8 bes,2 bes,8 f8 f4 f4 f8 f4. f4. f4 g8 a4 f8 bes4 a8 f4 a,8 c2.~ c4. f4 f8 f8 f4 f4 f8 f8 f2 a,8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 c4 d8 bes,4 bes,8 c4 c8 f2.~ f4. s8\n}\n"}, "harmonizations": [{"slug": "salvationist-openhymnal", "tune": "salvationist", "music_file": "salvationist-openhymnal.ly", "harmonizer": "ira-david-sankey", "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "6/8", "pickup": "8", "system_breaks": [14, 26, 40, 52, 65, 77, 91], "breaks_manual": true, "markings": [{"soprano_note": 78, "kind": "refrain"}], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": {"soprano_note_start": 78, "inline": true}, "source_line": "Setting: Ira D. Sankey, 1887; from Gospel Hymns Nos. 5 and 6 Combined, 1892. Public domain.", "provenance": {"layer": "harmonization", "source": "oh-source-1931", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Four-part setting credited by the Open Hymnal X:180 C: line as \"Setting: Ira D. Sankey, 1887.\" over the Hays melody, with S: \"Music and lyrics source: Gospel Hymns Nos. 5 and 6 Combined, 1892, hymn 102.\" and C: \"copyright: public domain.\" (2013 Revision). Sankey died 1908 and the 1887/ 1892 printings are pre-1931 US public domain. Converted losslessly from the dump's four ABC voices (S1V1/S1V2/S2V1/S2V2) with tools/abc_import.py, extracted by LINE RANGE (22472-22544 of the 2014.06 dump) because the dump reuses X-numbers. The piece is fully homophonic: every onset is shared by all four voices (the one divergence: the bass holds a dotted quarter under the upper voices' slurred pair at soprano noteheads 66-67); 103 soprano noteheads, two ensemble breath rests (after noteheads 52 and 103, printed r8 in soprano/tenor, invisible s8 in alto/bass exactly as the dump encodes them). The dump's duplicated stanza-1 underlay rows under the bass staff (identical words at identical onsets, verified token-by-token by hash against the soprano w: rows) are an engraving duplication, not an echo, and are deliberately not encoded \u2014 no bass_echo. The one E-flat accidental (alto, m16, from the source's _E) survives conversion. INDEPENDENT MELODY CHECK: Hymnary tune authority salvationist_hays incipit 13556 55312 11651 matches this soprano's first fifteen notes exactly (F major).", "pd_jurisdictions": {"US": true}, "encoding_origin": "Open Hymnal Project 2014.06, X:180 (tune SALVATIONIST, W. S. Hays 1871/1881; Ira D. Sankey 1887 setting from Gospel Hymns Nos. 5 and 6 Combined, 1892); SATB ABC converted with tools/abc_import.py machinery, block extracted by line range", "encoding_license": "PD-dedication"}, "music_ly": "%% SALVATIONIST \u2014 \"The Lily of the Valley\" (gospel song, verse + trailing refrain)\n%% Imported from the Open Hymnal ABC (X:180, 2014.06 dump lines 22472-22544,\n%% extracted by LINE RANGE \u2014 X-numbers are reused in that dump) via the\n%% tools/abc_import.py machinery. Tune: William S. Hays, 1871, adapted 1881;\n%% setting: Ira D. Sankey, 1887; source per the dump's S: line: Gospel Hymns\n%% Nos. 5 and 6 Combined, 1892, hymn 102. Public domain.\n%% F major, 6/8, two-sixteenth pickup (\\partial 8), 103 soprano noteheads,\n%% essentially homophonic (soprano/tenor 103 onsets, alto 101, bass 100): the\n%% alto and bass take a single-eighth pickup against the soprano/tenor\n%% two-sixteenth pair, the alto holds under the soprano's slurred 27-28, and\n%% the bass holds a dotted quarter under the upper voices' slurred pair at\n%% noteheads 66-67. Soprano melisma slurs: (1,2) the pickup pair (added here\n%% from the w: star alignment), (27,28) and (66,67) (slurred in the source);\n%% ties 25-26, 51-52, 76-77 and 102-103 carry their syllables as tie melisma.\n%% Melody verified against the Hymnary tune authority salvationist_hays\n%% (incipit 13556 55312 11651 = this soprano's first fifteen notes in F).\n%% The dump also repeats the stanza-1 underlay in w: rows under the bass staff\n%% for the second half of the piece (same words at identical onsets, checked\n%% token-by-token by hash) \u2014 an engraving duplication, not an echo or\n%% antiphonal texture, so no bass_echo is encoded.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 6/8 \\partial 8 }\n\nsoprano = {\n  f'16( a'16) c''4 c''8 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 a'4 a'8 d''4 c''8 a'4 f'8 g'2.~ g'4. f'4( a'8) c''4 c''8 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 g'4 f'8 g'4 g'8 f'4 e'8 f'2.~ f'4. r8 f'4 f'8 bes'4 bes'4 bes'8 bes'8 d''2 d''8 d''8 c''4 c''4 a'8 c''4. a'4( g'8) f'4 f'8 f'4 f'8 d''4 c''8 a'4 f'8 g'2.~ g'4. f'4 a'8 c''8 c''4 d''4 c''8 c''8 a'2 f'8 g'4 f'8 f'4 d'8 c'4. f'4 g'8 a'4 a'8 g'4 f'8 g'4 g'8 f'4 e'8 f'2.~ f'4. r8\n}\n\nalto = {\n  f'8 f'4 f'8 f'4 f'8 f'8 f'2 f'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 f'8 f'4 f'8 f'4 f'8 f'4 f'8 e'2.~ e'4. f'4. f'4 f'8 f'4 f'8 f'8 f'2 c'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 f'8 e'4 f'8 d'4 d'8 c'4 c'8 c'2.~ c'4. s8 ees'4 d'8 d'4 d'4 d'8 d'8 f'2 f'8 f'8 f'4 f'4 f'8 f'4. f'4( c'8) c'4 c'8 c'4 f'8 f'4 f'8 f'4 f'8 e'2.~ e'4. f'4 f'8 f'8 f'4 f'4 f'8 f'8 f'2 f'8 d'4 d'8 d'4 bes8 a4. c'4 c'8 f'4 c'8 c'4 f'8 d'4 d'8 c'4 c'8 c'2.~ c'4. s8\n}\n\ntenor = {\n  a16 c'16 a4 a8 bes4 a8 bes8 c'2 c'8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 c'4 c'8 bes4 c'8 c'4 c'8 c'2.~ c'4. a4( c'8) a4 a8 bes4 a8 a8 c'2 a8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 bes4 a8 bes4 bes8 a4 g8 a2.~ a4. r8 a4 bes8 f4 f4 f8 f8 bes2 bes8 bes8 a4 a4 c'8 a4. c'4( bes8) a4 bes8 c'4 a8 bes4 c'8 c'4 c'8 c'2.~ c'4. a4 c'8 a8 a4 bes4 a8 a8 c'2 c'8 bes4 bes8 bes4 f8 f4. a4 bes8 c'4 c'8 bes4 a8 bes4 bes8 a4 g8 a2.~ a4. r8\n}\n\nbass = {\n  f8 f4 f8 f4 f8 f8 f2 a,8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 f4 f8 bes4 a8 f4 a,8 c2.~ c4. f4. f4 f8 f4 f8 f8 f2 f8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 c4 d8 bes,4 bes,8 c4 c8 f2.~ f4. s8 f4 bes,8 bes,4 bes,4 bes,8 bes,8 bes,2 bes,8 f8 f4 f4 f8 f4. f4. f4 g8 a4 f8 bes4 a8 f4 a,8 c2.~ c4. f4 f8 f8 f4 f4 f8 f8 f2 a,8 bes,4 bes,8 bes,4 d8 f4. f4 f8 f4 f8 c4 d8 bes,4 bes,8 c4 c8 f2.~ f4. s8\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}