{"slug": "sandon", "name": "SANDON", "meter_label": "10.4.10.4.10.10", "meter": {"pattern": [10, 4, 10, 4, 10, 10], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "charles-henry-purday", "composer_date": "1857", "canonical_key": {"tonic": "f", "mode": "major"}, "preferred_harmonization": "sandon-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "SANDON, tune by Charles Henry Purday (1799-1885), first published in The Church and Home Tune Book (London, 1857). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; fully syllabic, 48 soprano notes = 48 syllables of the 10.4.10.4.10.10 metre). The final bass reads F3 in the engraving (an octave above the MIDI's doubled F2), matching the identical F-major cadences at bars 6 and 12. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Sandon\" (Charles H. Purday, 1857); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "sandon-cyberhymnal", "tune": "sandon", "music_file": "sandon-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [10, 14, 24, 28, 38], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "SANDON, Charles H. Purday, 1857. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SANDON (Charles Henry Purday, The Church and Home Tune Book, 1857); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; fully syllabic, 48 soprano notes = 48 syllables). The final bass note was raised from the MIDI's doubled F2 to the engraved F3. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Sandon\" (Charles H. Purday, 1857); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SANDON (10.4.10.4.10.10) \u2014 four SATB voice streams, canonical key F major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Sandon\", Charles H. Purday, 1857) with\n%% tools/mid2ly.py and verified against the Cyber Hymnal engraving. Fully syllabic\n%% 10.4.10.4.10.10 (48 soprano notes = 48 syllables). The tune has an internal\n%% anacrusis: each 4-syllable line begins on the last beat of the bar that carries\n%% the preceding phrase's closing dotted-half. The final bass reads F3 in the\n%% engraving; the MIDI doubles it an octave lower (F2), so it is raised to F3 here to\n%% match the print and the identical F-major cadences at bars 6 and 12.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 }\n\nsoprano = {\n  a'2 a'4 a'4 | bes'2. a'4 | a'4 g'4 f'4 g'4 | a'2. f'4 | g'2 e'2 | f'1 |\n  a'2 a'4 a'4 | bes'2. a'4 | a'4 g'4 f'4 g'4 | a'2. f'4 | g'2 e'2 | f'1 |\n  g'2 g'4 a'4 | bes'2 g'2 | c''4 bes'4 a'4 g'4 | a'2. c''4 | d''2 c''2 | bes'2. a'4 | c''4 bes'4 a'4 g'4 | f'1\n}\nalto = {\n  f'2 f'4 f'4 | f'2. f'4 | e'4 e'4 f'4 e'4 | f'2. a4 | d'2 c'2 | c'1 |\n  f'2 f'4 f'4 | f'2. f'4 | e'4 e'4 f'4 e'4 | f'2. a4 | d'2 c'2 | c'1 |\n  e'2 e'4 f'4 | e'2 e'2 | f'4 e'4 f'4 e'4 | f'2. f'4 | f'2 f'2 | e'2. f'4 | f'4 g'4 f'4 e'4 | f'1\n}\ntenor = {\n  c'2 c'4 c'4 | d'2. c'4 | bes4 bes4 a4 g4 | f2. f4 | bes2 bes2 | a1 |\n  c'2 c'4 c'4 | d'2. c'4 | bes4 bes4 a4 g4 | f2. f4 | bes2 g2 | a1 |\n  c'2 bes4 a4 | g2 c'2 | c'4 c'4 c'4 c'4 | c'2. c'4 | bes2 c'2 | c'2. c'4 | d'4 d'4 c'4 bes4 | a1\n}\nbass = {\n  f2 f4 f4 | f2. f4 | c4 c4 c4 c4 | f2. d4 | bes,2 c2 | f1 |\n  f2 f4 f4 | f2. f4 | c4 c4 c4 c4 | f2. d4 | bes,2 c2 | f1 |\n  c2 c4 c4 | c2 c2 | a4 g4 f4 c4 | f2. a4 | bes2 a2 | g2. f4 | bes,4 bes,4 c4 c4 | f1\n}\n"}, "harmonizations": [{"slug": "sandon-cyberhymnal", "tune": "sandon", "music_file": "sandon-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "f", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [10, 14, 24, 28, 38], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "SANDON, Charles H. Purday, 1857. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SANDON (Charles Henry Purday, The Church and Home Tune Book, 1857); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (F major, 4/4; fully syllabic, 48 soprano notes = 48 syllables). The final bass note was raised from the MIDI's doubled F2 to the engraved F3. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Sandon\" (Charles H. Purday, 1857); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SANDON (10.4.10.4.10.10) \u2014 four SATB voice streams, canonical key F major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Sandon\", Charles H. Purday, 1857) with\n%% tools/mid2ly.py and verified against the Cyber Hymnal engraving. Fully syllabic\n%% 10.4.10.4.10.10 (48 soprano notes = 48 syllables). The tune has an internal\n%% anacrusis: each 4-syllable line begins on the last beat of the bar that carries\n%% the preceding phrase's closing dotted-half. The final bass reads F3 in the\n%% engraving; the MIDI doubles it an octave lower (F2), so it is raised to F3 here to\n%% match the print and the identical F-major cadences at bars 6 and 12.\n\\version \"2.24.0\"\n\nglobal  = { \\key f \\major \\time 4/4 }\n\nsoprano = {\n  a'2 a'4 a'4 | bes'2. a'4 | a'4 g'4 f'4 g'4 | a'2. f'4 | g'2 e'2 | f'1 |\n  a'2 a'4 a'4 | bes'2. a'4 | a'4 g'4 f'4 g'4 | a'2. f'4 | g'2 e'2 | f'1 |\n  g'2 g'4 a'4 | bes'2 g'2 | c''4 bes'4 a'4 g'4 | a'2. c''4 | d''2 c''2 | bes'2. a'4 | c''4 bes'4 a'4 g'4 | f'1\n}\nalto = {\n  f'2 f'4 f'4 | f'2. f'4 | e'4 e'4 f'4 e'4 | f'2. a4 | d'2 c'2 | c'1 |\n  f'2 f'4 f'4 | f'2. f'4 | e'4 e'4 f'4 e'4 | f'2. a4 | d'2 c'2 | c'1 |\n  e'2 e'4 f'4 | e'2 e'2 | f'4 e'4 f'4 e'4 | f'2. f'4 | f'2 f'2 | e'2. f'4 | f'4 g'4 f'4 e'4 | f'1\n}\ntenor = {\n  c'2 c'4 c'4 | d'2. c'4 | bes4 bes4 a4 g4 | f2. f4 | bes2 bes2 | a1 |\n  c'2 c'4 c'4 | d'2. c'4 | bes4 bes4 a4 g4 | f2. f4 | bes2 g2 | a1 |\n  c'2 bes4 a4 | g2 c'2 | c'4 c'4 c'4 c'4 | c'2. c'4 | bes2 c'2 | c'2. c'4 | d'4 d'4 c'4 bes4 | a1\n}\nbass = {\n  f2 f4 f4 | f2. f4 | c4 c4 c4 c4 | f2. d4 | bes,2 c2 | f1 |\n  f2 f4 f4 | f2. f4 | c4 c4 c4 c4 | f2. d4 | bes,2 c2 | f1 |\n  c2 c4 c4 | c2 c2 | a4 g4 f4 c4 | f2. a4 | bes2 a2 | g2. f4 | bes,4 bes,4 c4 c4 | f1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}