{"slug": "schm-cke-dich", "name": "SCHM\u00dcCKE DICH", "meter_label": "L.M.D.", "meter": {"pattern": [8, 8, 8, 8], "doubled": true, "refrain": false, "alleluia": false, "irregular": false}, "composer": "johann-cruger", "composer_date": "1649", "canonical_key": {"tonic": "d", "mode": "major"}, "preferred_harmonization": "schm-cke-dich-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "SCHM\u00dcCKE DICH, the chorale melody by Johann Cr\u00fcger (1649) for Johann Franck's communion hymn \"Schm\u00fccke dich, o liebe Seele.\" A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major; a free-meter rhythmic chorale in A-A-B bar form with barlines at the phrase cadences). The phrase-seven raised leading tones (D-sharp in soprano, alto and tenor) and the borrowed bass C-natural, together with the G-sharps in phrases five and six, are each printed with their accidentals in the source. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schm\u00fccke Dich\" (Johann Cr\u00fcger, 1649); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "schm-cke-dich-cyberhymnal", "tune": "schm-cke-dich", "music_file": "schm-cke-dich-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [8, 17, 25, 34, 42, 50, 58], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": [8, 17, 25, 34, 42, 50, 58], "refrain": null, "source_line": "SCHM\u00dcCKE DICH, Johann Cr\u00fcger, 1649. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SCHM\u00dcCKE DICH (chorale melody by Johann Cr\u00fcger, 1649); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, free-meter rhythmic chorale, A-A-B bar form). The soprano and bass were read note-for-note and every printed accidental confirmed: the phrase-seven raised leading tones (D-sharp) and the borrowed bass C-natural, and the G-sharps in phrases five and six. Melismatic \u2014 66 soprano notes for 64 syllables \u2014 with two melisma continuations (a slurred descending eighth-note pair, F-sharp to E, on the fourth syllable of phrases two and four) held with an underscore mark in every stanza. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schm\u00fccke Dich\" (Johann Cr\u00fcger, 1649); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SCHM\u00dcCKE DICH (L.M.D.) \u2014 chorale by Johann Cr\u00fcger (1649) for Johann Franck's\n%% communion hymn \"Schm\u00fccke dich, o liebe Seele,\" here paired with Catherine\n%% Winkworth's translation \"Deck Thyself, My Soul, with Gladness\" (1863). Encoded\n%% from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the four-voice render verified against the Cyber Hymnal\n%% engraving \u2014 soprano and bass read note-for-note, every printed accidental\n%% confirmed (the phrase-7 D-sharp leading tones in soprano/alto/tenor, the borrowed\n%% bass C-natural, and the G-sharps in phrases 5-6).\n%% A FREE-METER rhythmic chorale (no time signature in the source; A-A-B bar form)\n%% \u2014 barlines fall at the 7 internal phrase cadences. MELISMATIC (66 soprano notes\n%% for 64 syllables); the 2 melisma continuations are held with '_' every stanza\n%% (verse_variable_melisma) at the 4th syllable of phrases 2 and 4, each a slurred\n%% fis'-e' eighth-note pair.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\cadenzaOn }\n\nsoprano = {\n  fis'2 e'2 d'4 e'4 fis'4 a'4 g'2 fis'2 |\n  a'2 fis'2 g'4 fis'8( e'8) d'4 fis'4 e'2 d'2 |\n  fis'2 e'2 d'4 e'4 fis'4 a'4 g'2 fis'2 |\n  a'2 fis'2 g'4 fis'8( e'8) d'4 fis'4 e'2 d'2 |\n  a'2 b'4 d''2 d''4 cis''4 a'4 b'2 a'2 |\n  a'2 b'4 d''2 d''4 cis''4 a'4 b'2 a'2 |\n  e'2 fis'2 g'4 g'4 fis'4 e'4 dis'2 e'2 |\n  fis'2 a'2 g'4 fis'4 e'4 d'4 e'2 d'1\n}\nalto = {\n  d'2 cis'2 b4 cis'4 d'4 cis'4 d'2 d'2 |\n  d'2 d'2 d'4 cis'8 e'8 b4 d'4 d'4 cis'4 d'2 |\n  d'2 cis'2 b4 cis'4 d'4 cis'4 d'2 d'2 |\n  d'2 d'2 d'4 cis'8 e'8 b4 d'4 d'4 cis'4 d'2 |\n  d'2 d'4 fis'2 e'4 e'4 e'4 fis'4 e'4 cis'2 |\n  d'2 d'4 fis'2 e'4 e'4 e'4 fis'4 e'4 cis'2 |\n  cis'2 dis'2 e'4 b4 b4 g4 b2 b2 |\n  d'2 d'2 d'4 d'4 cis'4 d'4 d'4 cis'4 a1\n}\ntenor = {\n  a2 a2 fis4 g4 a4 fis4 b2 a2 |\n  fis2 a2 b4 a8 g8 fis4 a4 a2 fis2 |\n  a2 a2 fis4 g4 a4 fis4 b2 a2 |\n  fis2 a2 b4 a8 g8 fis4 a4 a2 fis2 |\n  fis2 g4 a2 gis4 a4 a4 a4 gis4 a2 |\n  fis2 g4 a2 gis4 a4 a4 a4 gis4 a2 |\n  a2 a2 b4 e4 dis4 e4 fis2 g2 |\n  a2 a2 b4 a4 a4 fis4 a2 fis1\n}\nbass = {\n  d2 a,2 b,4 e4 d4 fis,4 g,2 d2 |\n  d2 d2 g,4 a,8 g8 b,4 fis,4 a,2 d2 |\n  d2 a,2 b,4 e4 d4 fis,4 g,2 d2 |\n  d2 d2 g,4 a,8 g8 b,4 fis,4 a,2 d2 |\n  d2 g4 d2 b,4 a,4 cis4 d4 e4 a,2 |\n  d2 g4 d2 b,4 a,4 cis4 d4 e4 a,2 |\n  a,2 fis,2 e,4 g,4 b,4 c4 b,2 e2 |\n  d2 fis,2 g,4 d4 a,4 b,4 a,2 d1\n}\n"}, "harmonizations": [{"slug": "schm-cke-dich-cyberhymnal", "tune": "schm-cke-dich", "music_file": "schm-cke-dich-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [8, 17, 25, 34, 42, 50, 58], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": [8, 17, 25, 34, 42, 50, 58], "refrain": null, "source_line": "SCHM\u00dcCKE DICH, Johann Cr\u00fcger, 1649. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SCHM\u00dcCKE DICH (chorale melody by Johann Cr\u00fcger, 1649); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, free-meter rhythmic chorale, A-A-B bar form). The soprano and bass were read note-for-note and every printed accidental confirmed: the phrase-seven raised leading tones (D-sharp) and the borrowed bass C-natural, and the G-sharps in phrases five and six. Melismatic \u2014 66 soprano notes for 64 syllables \u2014 with two melisma continuations (a slurred descending eighth-note pair, F-sharp to E, on the fourth syllable of phrases two and four) held with an underscore mark in every stanza. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schm\u00fccke Dich\" (Johann Cr\u00fcger, 1649); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SCHM\u00dcCKE DICH (L.M.D.) \u2014 chorale by Johann Cr\u00fcger (1649) for Johann Franck's\n%% communion hymn \"Schm\u00fccke dich, o liebe Seele,\" here paired with Catherine\n%% Winkworth's translation \"Deck Thyself, My Soul, with Gladness\" (1863). Encoded\n%% from The Cyber Hymnal (public domain): the SATB MIDI was converted with\n%% tools/mid2ly.py and the four-voice render verified against the Cyber Hymnal\n%% engraving \u2014 soprano and bass read note-for-note, every printed accidental\n%% confirmed (the phrase-7 D-sharp leading tones in soprano/alto/tenor, the borrowed\n%% bass C-natural, and the G-sharps in phrases 5-6).\n%% A FREE-METER rhythmic chorale (no time signature in the source; A-A-B bar form)\n%% \u2014 barlines fall at the 7 internal phrase cadences. MELISMATIC (66 soprano notes\n%% for 64 syllables); the 2 melisma continuations are held with '_' every stanza\n%% (verse_variable_melisma) at the 4th syllable of phrases 2 and 4, each a slurred\n%% fis'-e' eighth-note pair.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\cadenzaOn }\n\nsoprano = {\n  fis'2 e'2 d'4 e'4 fis'4 a'4 g'2 fis'2 |\n  a'2 fis'2 g'4 fis'8( e'8) d'4 fis'4 e'2 d'2 |\n  fis'2 e'2 d'4 e'4 fis'4 a'4 g'2 fis'2 |\n  a'2 fis'2 g'4 fis'8( e'8) d'4 fis'4 e'2 d'2 |\n  a'2 b'4 d''2 d''4 cis''4 a'4 b'2 a'2 |\n  a'2 b'4 d''2 d''4 cis''4 a'4 b'2 a'2 |\n  e'2 fis'2 g'4 g'4 fis'4 e'4 dis'2 e'2 |\n  fis'2 a'2 g'4 fis'4 e'4 d'4 e'2 d'1\n}\nalto = {\n  d'2 cis'2 b4 cis'4 d'4 cis'4 d'2 d'2 |\n  d'2 d'2 d'4 cis'8 e'8 b4 d'4 d'4 cis'4 d'2 |\n  d'2 cis'2 b4 cis'4 d'4 cis'4 d'2 d'2 |\n  d'2 d'2 d'4 cis'8 e'8 b4 d'4 d'4 cis'4 d'2 |\n  d'2 d'4 fis'2 e'4 e'4 e'4 fis'4 e'4 cis'2 |\n  d'2 d'4 fis'2 e'4 e'4 e'4 fis'4 e'4 cis'2 |\n  cis'2 dis'2 e'4 b4 b4 g4 b2 b2 |\n  d'2 d'2 d'4 d'4 cis'4 d'4 d'4 cis'4 a1\n}\ntenor = {\n  a2 a2 fis4 g4 a4 fis4 b2 a2 |\n  fis2 a2 b4 a8 g8 fis4 a4 a2 fis2 |\n  a2 a2 fis4 g4 a4 fis4 b2 a2 |\n  fis2 a2 b4 a8 g8 fis4 a4 a2 fis2 |\n  fis2 g4 a2 gis4 a4 a4 a4 gis4 a2 |\n  fis2 g4 a2 gis4 a4 a4 a4 gis4 a2 |\n  a2 a2 b4 e4 dis4 e4 fis2 g2 |\n  a2 a2 b4 a4 a4 fis4 a2 fis1\n}\nbass = {\n  d2 a,2 b,4 e4 d4 fis,4 g,2 d2 |\n  d2 d2 g,4 a,8 g8 b,4 fis,4 a,2 d2 |\n  d2 a,2 b,4 e4 d4 fis,4 g,2 d2 |\n  d2 d2 g,4 a,8 g8 b,4 fis,4 a,2 d2 |\n  d2 g4 d2 b,4 a,4 cis4 d4 e4 a,2 |\n  d2 g4 d2 b,4 a,4 cis4 d4 e4 a,2 |\n  a,2 fis,2 e,4 g,4 b,4 c4 b,2 e2 |\n  d2 fis,2 g,4 d4 a,4 b,4 a,2 d1\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}