{"slug": "schumann", "name": "SCHUMANN", "meter_label": "S.M.", "meter": {"pattern": [6, 6, 8, 6], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer_source": "Mason & Webb's Cantica Laudis, 1850", "canonical_key": {"tonic": "as", "mode": "major"}, "preferred_harmonization": "schumann-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "SCHUMANN (S.M.), from Mason & Webb's Cantica Laudis (Boston, 1850); the tune name refers to the melody, not to Robert Schumann. A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (A-flat major, 4/4 with a one-beat pickup; the final dotted half completes the anacrusis). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schumann\" (Mason & Webb's Cantica Laudis, 1850); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "schumann-cyberhymnal", "tune": "schumann", "music_file": "schumann-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "as", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [6, 13, 21], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "SCHUMANN, Mason & Webb's Cantica Laudis, 1850. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SCHUMANN (Mason & Webb's Cantica Laudis, 1850); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (A-flat major, 4/4 with a one-beat pickup; the final dotted half completes the anacrusis). Three non-scale inner/bass notes are printed with flats and carried with the matching enharmonic spelling: bass G-flat (bar 2, the seventh of A-flat-7 resolving to D-flat), tenor C-flat (bar 3, the diminished seventh of D-diminished-7 resolving to E-flat), and alto G-flat (bar 6); the bass D-natural (bar 3) is printed with a natural. MELISMATIC (27 soprano notes for 26 S.M. syllables); the one melisma continuation is held with '_' every stanza (verse_variable_melisma) at soprano note 13 \u2014 a slurred half+quarter figure carrying line 2's final syllable, read from the engraving. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schumann\" (Mason & Webb's Cantica Laudis, 1850); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SCHUMANN (S.M.) \u2014 four SATB voice streams, canonical key A-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Schumann\", Mason & Webb's Cantica\n%% Laudis, 1850) with tools/mid2ly.py and verified against the Cyber Hymnal\n%% engraving. A-flat major, 4/4 with a one-beat pickup; the final dotted half\n%% completes the anacrusis. MELISMATIC (27 soprano notes for 26 S.M. syllables):\n%% the one melisma is the slurred as'2( g'4) in bar 4 \u2014 line 2's last syllable\n%% held over two notes (the setting marks the continuation with '_' each stanza,\n%% verse_variable_melisma). Three non-scale notes are printed with flats and\n%% carried with the matching spelling: bass g-flat (ges, bar 2 \u2014 the b7 of\n%% Ab7->Db), tenor c-flat (ces', bar 3 \u2014 the dim7 of D dim7->Eb), alto g-flat\n%% (ges', bar 6); the bass d-natural (bar 3) is printed with a natural.\n\\version \"2.24.0\"\n\nglobal  = { \\key as \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  es'4 | as'4 es'4 f'4 g'4 | as'2. as'4 | des''4 c''4 bes'4 as'4 | as'2( g'4) g'4 | as'4 es'4 f'4 g'4 | as'4 bes'4 c''4 es''4 | des''4 bes'4 as'4 g'4 | as'2.\n}\nalto = {\n  c'4 | c'4 es'4 es'4 des'4 | c'2. c'4 | des'4 es'4 f'4 f'4 | es'2. es'4 | es'4 es'4 es'4 des'4 | c'4 es'4 es'4 ges'4 | f'4 f'4 es'4 des'4 | c'2.\n}\ntenor = {\n  as4 | as4 as4 as4 es4 | es2. as4 | as4 as4 des'4 ces'4 | bes2. bes4 | c'4 as4 as4 bes4 | as4 g4 as4 as4 | bes4 des'4 c'4 bes4 | as2.\n}\nbass = {\n  as,4 | as,4 c4 des4 bes,4 | as,2. ges4 | f4 es4 des4 d4 | es2. es4 | as,4 c4 des4 bes,4 | f4 es4 as4 c4 | des4 des4 es4 es4 | as,2.\n}\n"}, "harmonizations": [{"slug": "schumann-cyberhymnal", "tune": "schumann", "music_file": "schumann-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "as", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [6, 13, 21], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "SCHUMANN, Mason & Webb's Cantica Laudis, 1850. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SCHUMANN (Mason & Webb's Cantica Laudis, 1850); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (A-flat major, 4/4 with a one-beat pickup; the final dotted half completes the anacrusis). Three non-scale inner/bass notes are printed with flats and carried with the matching enharmonic spelling: bass G-flat (bar 2, the seventh of A-flat-7 resolving to D-flat), tenor C-flat (bar 3, the diminished seventh of D-diminished-7 resolving to E-flat), and alto G-flat (bar 6); the bass D-natural (bar 3) is printed with a natural. MELISMATIC (27 soprano notes for 26 S.M. syllables); the one melisma continuation is held with '_' every stanza (verse_variable_melisma) at soprano note 13 \u2014 a slurred half+quarter figure carrying line 2's final syllable, read from the engraving. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Schumann\" (Mason & Webb's Cantica Laudis, 1850); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SCHUMANN (S.M.) \u2014 four SATB voice streams, canonical key A-flat major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Schumann\", Mason & Webb's Cantica\n%% Laudis, 1850) with tools/mid2ly.py and verified against the Cyber Hymnal\n%% engraving. A-flat major, 4/4 with a one-beat pickup; the final dotted half\n%% completes the anacrusis. MELISMATIC (27 soprano notes for 26 S.M. syllables):\n%% the one melisma is the slurred as'2( g'4) in bar 4 \u2014 line 2's last syllable\n%% held over two notes (the setting marks the continuation with '_' each stanza,\n%% verse_variable_melisma). Three non-scale notes are printed with flats and\n%% carried with the matching spelling: bass g-flat (ges, bar 2 \u2014 the b7 of\n%% Ab7->Db), tenor c-flat (ces', bar 3 \u2014 the dim7 of D dim7->Eb), alto g-flat\n%% (ges', bar 6); the bass d-natural (bar 3) is printed with a natural.\n\\version \"2.24.0\"\n\nglobal  = { \\key as \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  es'4 | as'4 es'4 f'4 g'4 | as'2. as'4 | des''4 c''4 bes'4 as'4 | as'2( g'4) g'4 | as'4 es'4 f'4 g'4 | as'4 bes'4 c''4 es''4 | des''4 bes'4 as'4 g'4 | as'2.\n}\nalto = {\n  c'4 | c'4 es'4 es'4 des'4 | c'2. c'4 | des'4 es'4 f'4 f'4 | es'2. es'4 | es'4 es'4 es'4 des'4 | c'4 es'4 es'4 ges'4 | f'4 f'4 es'4 des'4 | c'2.\n}\ntenor = {\n  as4 | as4 as4 as4 es4 | es2. as4 | as4 as4 des'4 ces'4 | bes2. bes4 | c'4 as4 as4 bes4 | as4 g4 as4 as4 | bes4 des'4 c'4 bes4 | as2.\n}\nbass = {\n  as,4 | as,4 c4 des4 bes,4 | as,2. ges4 | f4 es4 des4 d4 | es2. es4 | as,4 c4 des4 bes,4 | f4 es4 as4 c4 | des4 des4 es4 es4 | as,2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}