{"slug": "song-13", "name": "SONG 13", "meter_label": "7.7.7.7", "meter": {"pattern": [7, 7, 7, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "orlando-gibbons", "composer_date": "1623", "canonical_key": {"tonic": "d", "mode": "major"}, "preferred_harmonization": "song-13-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "SONG 13, composed by Orlando Gibbons (1583-1625) for George Wither's \"The Hymnes and Songs of the Church\" (1623). A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, two-sharp signature, free rhythm with only a quarter=115 tempo mark; the tune cadences on a D-major chord; the tenor's raised G-sharp at the second cadence and the phrase-three C-natural (flat seventh) are printed accidentals, carried as spelled). A melismatic 7.7.7.7 tune \u2014 35 soprano notes for 28 syllables, the little eighth/sixteenth runs held as one syllable. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Song 13 (Gibbons)\" (Orlando Gibbons, 1623); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "song-13-cyberhymnal", "tune": "song-13", "music_file": "song-13-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [8, 16, 25], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": [8, 16, 25], "refrain": null, "source_line": "SONG 13 (Gibbons), Orlando Gibbons, 1623. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SONG 13 (Orlando Gibbons, 1583-1625, from George Wither's \"The Hymnes and Songs of the Church,\" 1623); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, free rhythm). A free-meter, melismatic tune; barlines fall at the four phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Song 13 (Gibbons)\" (Orlando Gibbons, 1623); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SONG 13 (Gibbons) (7.7.7.7) \u2014 Orlando Gibbons, from George Wither's \"The\n%% Hymnes and Songs of the Church\" (1623). Four SATB voice streams, canonical\n%% key D major. Encoded from The Cyber Hymnal SATB MIDI with tools/mid2ly.py and\n%% verified against the Cyber Hymnal engraving: two-sharp key signature, the\n%% piece cadences on a D-major chord; the tenor's raised g'->gis at the second\n%% phrase-cadence and the alto/bass C-natural (flat seventh) in phrase three are\n%% printed accidentals, carried as spelled.\n%% A FREE-METER tune (no time signature \u2014 only a quarter=115 tempo mark); the\n%% barlines fall at the four phrase cadences (phrase_barlines 8,16,25 + final).\n%% MELISMATIC: 35 soprano notes for 28 syllables (7.7.7.7). The 7 melisma\n%% continuations are held with '_' every stanza (verse_variable_melisma) \u2014 the\n%% eighth/sixteenth runs slurred in the soprano at notes 6-7, 14-15, 21-22,\n%% 23-24, 27-28 and 30-31-32.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\cadenzaOn }\n\nsoprano = {\n  fis'2 g'4 a'4 b'4 e'4 cis'8( e'8) fis'2. | a'2 b'4 cis''4 d''4 b'4 b'8( d'8) a'2. | fis'2 g'4 a'4 b'4 g'8( b8) fis'8( d'8) e'2. | a'2 g'8( fis'8) e'4 d'8( e'16 fis'16) e'4 e'4 d'2.\n}\nalto = {\n  d'2 d'4 cis'4 d'4 d'4 cis'8 e'8 d'2. | d'2 d'4 cis'4 fis'4 e'4 b'8 d'8 cis'2. | d'2 d'4 cis'4 b4 c'8 b8 a8 d'8 cis'2. | d'2 d'8 fis'8 cis'4 d'8 e'16 fis'16 d'4 cis'4 d'2.\n}\ntenor = {\n  a2 d4 e4 g8 fis8 e4 a4 a2. | fis2 gis4 a4 a4 a4 gis4 a2. | a2 d8 e8 fis4 g4 e4 fis8 g8 a2. | a2 b4 e4 a4 a4 a,8 g8 fis2.\n}\nbass = {\n  d2 b,4 a,4 g,8 fis8 a,4 a,4 d2. | d2 b,4 a,4 d4 e4 e4 a,2. | d2 b,8 e8 a,4 g,4 c4 d8 g8 a,2. | fis,2 g,4 a,4 fis,4 a,4 a,8 g8 d2.\n}\n"}, "harmonizations": [{"slug": "song-13-cyberhymnal", "tune": "song-13", "music_file": "song-13-cyberhymnal.ly", "harmonizer": null, "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "free", "pickup": null, "system_breaks": [8, 16, 25], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "phrase_barlines": [8, 16, 25], "refrain": null, "source_line": "SONG 13 (Gibbons), Orlando Gibbons, 1623. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune SONG 13 (Orlando Gibbons, 1583-1625, from George Wither's \"The Hymnes and Songs of the Church,\" 1623); a public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, free rhythm). A free-meter, melismatic tune; barlines fall at the four phrase cadences. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Song 13 (Gibbons)\" (Orlando Gibbons, 1623); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% SONG 13 (Gibbons) (7.7.7.7) \u2014 Orlando Gibbons, from George Wither's \"The\n%% Hymnes and Songs of the Church\" (1623). Four SATB voice streams, canonical\n%% key D major. Encoded from The Cyber Hymnal SATB MIDI with tools/mid2ly.py and\n%% verified against the Cyber Hymnal engraving: two-sharp key signature, the\n%% piece cadences on a D-major chord; the tenor's raised g'->gis at the second\n%% phrase-cadence and the alto/bass C-natural (flat seventh) in phrase three are\n%% printed accidentals, carried as spelled.\n%% A FREE-METER tune (no time signature \u2014 only a quarter=115 tempo mark); the\n%% barlines fall at the four phrase cadences (phrase_barlines 8,16,25 + final).\n%% MELISMATIC: 35 soprano notes for 28 syllables (7.7.7.7). The 7 melisma\n%% continuations are held with '_' every stanza (verse_variable_melisma) \u2014 the\n%% eighth/sixteenth runs slurred in the soprano at notes 6-7, 14-15, 21-22,\n%% 23-24, 27-28 and 30-31-32.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\cadenzaOn }\n\nsoprano = {\n  fis'2 g'4 a'4 b'4 e'4 cis'8( e'8) fis'2. | a'2 b'4 cis''4 d''4 b'4 b'8( d'8) a'2. | fis'2 g'4 a'4 b'4 g'8( b8) fis'8( d'8) e'2. | a'2 g'8( fis'8) e'4 d'8( e'16 fis'16) e'4 e'4 d'2.\n}\nalto = {\n  d'2 d'4 cis'4 d'4 d'4 cis'8 e'8 d'2. | d'2 d'4 cis'4 fis'4 e'4 b'8 d'8 cis'2. | d'2 d'4 cis'4 b4 c'8 b8 a8 d'8 cis'2. | d'2 d'8 fis'8 cis'4 d'8 e'16 fis'16 d'4 cis'4 d'2.\n}\ntenor = {\n  a2 d4 e4 g8 fis8 e4 a4 a2. | fis2 gis4 a4 a4 a4 gis4 a2. | a2 d8 e8 fis4 g4 e4 fis8 g8 a2. | a2 b4 e4 a4 a4 a,8 g8 fis2.\n}\nbass = {\n  d2 b,4 a,4 g,8 fis8 a,4 a,4 d2. | d2 b,4 a,4 d4 e4 e4 a,2. | d2 b,8 e8 a,4 g,4 c4 d8 g8 a,2. | fis,2 g,4 a,4 fis,4 a,4 a,8 g8 d2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}