{"slug": "stuttgart", "name": "STUTTGART", "meter_label": "8.7.8.7", "meter": {"pattern": [8, 7, 8, 7], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "christian-friedrich-witt", "composer_date": "1715", "arranger": "henry-j-gauntlett", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "stuttgart-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "STUTTGART (8.7.8.7), from Psalmodia Sacra, oder Andaechtige und Schoene Gesaenge (Gotha, 1715), edited by Christian Friedrich Witt (c. 1660-1716), to whom the tune is conventionally attributed (Hymnary.org tune authority stuttgart_witt: \"Composer (attributed to): Christian Friedrich Witt (1715)\"; published in 491 hymnals). The form in common use is Henry J. Gauntlett's (1805-1876) adaptation, and The Cyber Hymnal credits its edition \"Christian F. Witt, Psalmodia Sacra (Gotha, Germany: 1715). Adapted by Henry J. Gauntlett (1805-1876)\". Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (G major, 4/4, no pickup, half-note finals; fully syllabic, 30 soprano notes for 30 syllables; the soprano matches Hymnary's authority incipit 55112 23155 64253 exactly). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Stuttgart\" (Christian F. Witt, Psalmodia Sacra, 1715; adapted by Henry J. Gauntlett); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "stuttgart_witt", "total_instances": 491}}, "harmonization": {"slug": "stuttgart-cyberhymnal", "tune": "stuttgart", "music_file": "stuttgart-cyberhymnal.ly", "harmonizer": "henry-j-gauntlett", "arrangement_type": "arrangement", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [8, 15, 23], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "STUTTGART, from Christian F. Witt's Psalmodia Sacra, Gotha, 1715; adapted by Henry J. Gauntlett. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune STUTTGART (8.7.8.7), from Psalmodia Sacra (Gotha, 1715), attributed to its editor Christian Friedrich Witt (c. 1660-1716); the four-part setting is the common-use adaptation The Cyber Hymnal credits to Henry J. Gauntlett (1805-1876). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (G major, 4/4, no pickup, half-note finals; chromatic bass d-sharp in bar 5 and c-sharp with the following c-natural in bar 6 match the engraved accidentals; the mid2ly passing-tone duplication artifact at bar 7 beat 4 and bar 8 beat 1 was corrected against the engraving, which prints the eighth pair b,-c in the bass only and a-b in the tenor only). The tune (1715), the adaptation (Gauntlett d. 1876), and the encoding source are all pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Stuttgart\" (Christian F. Witt, Psalmodia Sacra, 1715; adapted by Henry J. Gauntlett); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "stuttgart_witt", "total_instances": 491}}, "music_ly": "%% STUTTGART (8.7.8.7) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Stuttgart\", Christian Friedrich\n%% Witt, Psalmodia Sacra, Gotha, 1715; adapted by Henry J. Gauntlett) with\n%% tools/mid2ly.py and verified note-for-note against the Cyber Hymnal\n%% engraving. G major, 4/4, no pickup, half-note finals. Fully syllabic in the\n%% soprano: 30 quarter/half notes for 30 syllables, no melisma slurs. The\n%% mid2ly passing-tone duplication artifact was corrected against the\n%% engraving: bar 7 beat 4 has the eighth pair b,8 c8 in the BASS only (tenor\n%% holds a quarter b), and bar 8 beat 1 has the eighth pair a8 b8 in the TENOR\n%% only (bass has a quarter d). The engraving prints those inner-voice pairs\n%% with slurs; house style drops inner-voice slurs (slurs mark soprano\n%% melismas only). Chromatic bass tones dis (bar 5) and cis (bar 6) match the\n%% engraved sharps; the engraved natural before the bar-6 beat-4 bass c is\n%% carried as plain c.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 }\n\nsoprano = {\n  d'4 d'4 g'4 g'4 | a'4 a'4 b'4 g'4 |\n  d''4 d''4 e''4 c''4 | a'4 d''4 b'2 |\n  b'4 b'4 a'4 b'4 | g'4 a'4 g'4 fis'4 |\n  g'4 e'4 d'4 g'4 | g'4 fis'4 g'2\n}\nalto = {\n  d'4 d'4 b4 b4 | e'4 d'4 d'4 d'4 |\n  d'4 g'4 g'4 g'4 | g'4 fis'4 g'2 |\n  g'4 g'4 fis'4 fis'4 | b4 e'4 d'4 d'4 |\n  d'4 c'4 b4 d'4 | d'4 d'4 d'2\n}\ntenor = {\n  b4 a4 g4 g4 | g4 fis4 g4 b4 |\n  g4 b4 c'4 e'4 | d'4 d'4 d'2 |\n  e'4 b4 c'4 b4 | b4 a4 a4 a4 |\n  g4 g4 d'4 b4 | a8 b8 c'4 b2\n}\nbass = {\n  g4 fis4 e4 d4 | c4 d4 g4 g,4 |\n  b,4 g,4 c4 a,4 | d4 d4 g2 |\n  e4 e4 e4 dis4 | e4 cis4 d4 c4 |\n  b,4 c4 g,4 b,8 c8 | d4 d4 g,2\n}\n"}, "harmonizations": [{"slug": "stuttgart-cyberhymnal", "tune": "stuttgart", "music_file": "stuttgart-cyberhymnal.ly", "harmonizer": "henry-j-gauntlett", "arrangement_type": "arrangement", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": null, "system_breaks": [8, 15, 23], "final_barline": "|.", "amen": false, "verse_variable_melisma": false, "refrain": null, "source_line": "STUTTGART, from Christian F. Witt's Psalmodia Sacra, Gotha, 1715; adapted by Henry J. Gauntlett. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune STUTTGART (8.7.8.7), from Psalmodia Sacra (Gotha, 1715), attributed to its editor Christian Friedrich Witt (c. 1660-1716); the four-part setting is the common-use adaptation The Cyber Hymnal credits to Henry J. Gauntlett (1805-1876). Encoded from the Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified note-for-note against the Cyber Hymnal engraving (G major, 4/4, no pickup, half-note finals; chromatic bass d-sharp in bar 5 and c-sharp with the following c-natural in bar 6 match the engraved accidentals; the mid2ly passing-tone duplication artifact at bar 7 beat 4 and bar 8 beat 1 was corrected against the engraving, which prints the eighth pair b,-c in the bass only and a-b in the tenor only). The tune (1715), the adaptation (Gauntlett d. 1876), and the encoding source are all pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Stuttgart\" (Christian F. Witt, Psalmodia Sacra, 1715; adapted by Henry J. Gauntlett); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication", "hymnary_ids": {"tune_auth": "stuttgart_witt", "total_instances": 491}}, "music_ly": "%% STUTTGART (8.7.8.7) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Encoded from The Cyber Hymnal SATB MIDI (\"Stuttgart\", Christian Friedrich\n%% Witt, Psalmodia Sacra, Gotha, 1715; adapted by Henry J. Gauntlett) with\n%% tools/mid2ly.py and verified note-for-note against the Cyber Hymnal\n%% engraving. G major, 4/4, no pickup, half-note finals. Fully syllabic in the\n%% soprano: 30 quarter/half notes for 30 syllables, no melisma slurs. The\n%% mid2ly passing-tone duplication artifact was corrected against the\n%% engraving: bar 7 beat 4 has the eighth pair b,8 c8 in the BASS only (tenor\n%% holds a quarter b), and bar 8 beat 1 has the eighth pair a8 b8 in the TENOR\n%% only (bass has a quarter d). The engraving prints those inner-voice pairs\n%% with slurs; house style drops inner-voice slurs (slurs mark soprano\n%% melismas only). Chromatic bass tones dis (bar 5) and cis (bar 6) match the\n%% engraved sharps; the engraved natural before the bar-6 beat-4 bass c is\n%% carried as plain c.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 }\n\nsoprano = {\n  d'4 d'4 g'4 g'4 | a'4 a'4 b'4 g'4 |\n  d''4 d''4 e''4 c''4 | a'4 d''4 b'2 |\n  b'4 b'4 a'4 b'4 | g'4 a'4 g'4 fis'4 |\n  g'4 e'4 d'4 g'4 | g'4 fis'4 g'2\n}\nalto = {\n  d'4 d'4 b4 b4 | e'4 d'4 d'4 d'4 |\n  d'4 g'4 g'4 g'4 | g'4 fis'4 g'2 |\n  g'4 g'4 fis'4 fis'4 | b4 e'4 d'4 d'4 |\n  d'4 c'4 b4 d'4 | d'4 d'4 d'2\n}\ntenor = {\n  b4 a4 g4 g4 | g4 fis4 g4 b4 |\n  g4 b4 c'4 e'4 | d'4 d'4 d'2 |\n  e'4 b4 c'4 b4 | b4 a4 a4 a4 |\n  g4 g4 d'4 b4 | a8 b8 c'4 b2\n}\nbass = {\n  g4 fis4 e4 d4 | c4 d4 g4 g,4 |\n  b,4 g,4 c4 a,4 | d4 d4 g2 |\n  e4 e4 e4 dis4 | e4 cis4 d4 c4 |\n  b,4 c4 g,4 b,8 c8 | d4 d4 g,2\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}