{"slug": "was-gott-tut", "name": "WAS GOTT TUT", "alt_name": "WAS GOTT TUT, DAS IST WOHLGETAN", "meter_label": "8.7.8.7.4.4.8.8", "meter": {"pattern": [8, 7, 8, 7, 4, 4, 8, 8], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "severus-gastorius", "composer_date": "1681", "canonical_key": {"tonic": "g", "mode": "major"}, "preferred_harmonization": "was-gott-tut-bwv144", "provenance": {"layer": "tune", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "WAS GOTT TUT (8.7.8.7.4.4.8.8), the proper tune for Samuel Rodigast's \"Was Gott tut, das ist wohlgetan\"; melody by Severus Gastorius (1646\u20131682), cantor at Jena, published in the Ausserlesenes Weimarisches Gesangbuch (1681). Carried here in J. S. Bach's four-part chorales BWV 144/3 (= Riemenschneider No. 65, whose embedded German underlay confirms the identity) and BWV 99/6 (the closing chorale of Bach's cantata of the same name), both printed in the public-domain Bach editions (Breitkopf Choralges\u00e4nge collection, 1784\u201387; Bach-Gesellschaft complete works, 1851\u201399). Encoded from the music21-corpus MusicXML (MuseData-derived) via tools/mxl2ly.py. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 Bach-chorale corpus MusicXML (MuseData-derived Breitkopf encodings), bwv144.3 + bwv99.6, converted with tools/mxl2ly.py", "hymnary_ids": {"tune_auth": "was_gott_tut_gastorius", "total_instances": 170}}, "harmonization": {"slug": "was-gott-tut-bwv144", "tune": "was-gott-tut", "music_file": "was-gott-tut-bwv144.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [8, 24, 40], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "WAS GOTT TUT, Severus Gastorius, 1681; harmonization J. S. Bach (BWV 144/3). Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune WAS GOTT TUT (Severus Gastorius, 1681); four-part harmonization by J. S. Bach (d. 1750) \u2014 the chorale BWV 144/3 from the cantata \"Nimm, was dein ist, und gehe hin\" (1724), = Riemenschneider No. 65 of the Breitkopf Choralges\u00e4nge collection (1784\u201387), also in the Bach-Gesellschaft complete edition (1851\u201399); both editions public domain. Identity confirmed by the encoding's embedded German lyric (\"Was Gott thut, das ist wohlgethan...\"). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 Bach-chorale corpus MusicXML bwv144.3 (MuseData-derived Breitkopf encoding), converted with tools/mxl2ly.py; Stollen repeat written out", "encoding_license": "PD (MuseData/music21 open encoding of public-domain editions)"}, "music_ly": "%% WAS GOTT TUT (8.7.8.7.4.4.8.8) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Melody by Severus Gastorius (1681) for Rodigast's \"Was Gott tut, das ist\n%% wohlgetan\"; this four-part setting is J. S. Bach's chorale BWV 144/3\n%% (= Riemenschneider No. 65, \"Nimm, was dein ist, und gehe hin\", 1724).\n%% Converted from the music21-corpus MusicXML (MuseData-derived Breitkopf-371\n%% encoding) with tools/mxl2ly.py; the source's Stollen repeat is written out.\n%% 4/4 with a quarter-note pickup (\\partial 4); 56 soprano notes; fermatas\n%% (phrase ends) at soprano ordinals 8, 16, 24, 32, 36, 40, 48, 56.\n%% MELISMATIC: the source's embedded German underlay puts the Stollen melisma\n%% on the c''8-d''8 eighth pair (soprano notes 13-14 and 29-30, \"sein _ Wil-le\");\n%% the English 8.7.8.7.4.4.8.8 text (54 syllables on 56 notes) holds exactly\n%% those two spots with '_' every stanza (verse_variable_melisma). The German\n%% 7.7 close (melismas at 46, 54) is NOT slurred: the English lines 7-8 are\n%% 8-syllable and syllabic.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'4 a'4 b'4 e''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'4 c''8( d''8) |\n  a'2 g'4 d'4 |\n  g'4 a'4 b'4 e''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'4 c''8( d''8) |\n  a'2 g'4 d''4 |\n  e''4 e''4 a'4 a'4 |\n  d''4 d''4 g'4 b'4 |\n  a'4 g'4 fis'4 g'8 fis'8 |\n  e'2 d'4 d''4 |\n  c''4 b'4 a'4 b'8 c''8 |\n  a'2 g'4\n}\n\nalto = {\n  b8 c'8 |\n  d'4 d'4 d'4 e'8 fis'8 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 g'8 a'8 b'8 a'8 g'4 |\n  g'4 fis'4 d'4 b8 c'8 |\n  d'4 d'4 d'4 e'8 fis'8 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 g'8 a'8 b'8 a'8 g'4 |\n  g'4 fis'4 d'4 g'4 |\n  g'4 g'4 fis'4 fis'8 g'8 |\n  a'8 g'8 fis'4 e'4 e'4 |\n  e'4 d'8 cis'8 d'4 d'4 |\n  d'4 cis'4 d'4 g'8 fis'8 |\n  e'4 d'8 e'8 fis'4 g'4 |\n  g'4 fis'4 d'4\n}\n\ntenor = {\n  g8 a8 |\n  b4 a4 g4 g8 a8 |\n  b4 a8 d'8 d'4 c'8 b8 |\n  a4 e'4 d'4 e'4 |\n  e'4 d'8 c'8 b4 g8 a8 |\n  b4 a4 g4 g8 a8 |\n  b4 a8 d'8 d'4 c'8 b8 |\n  a4 e'4 d'4 e'4 |\n  e'4 d'8 c'8 b4 b4 |\n  c'8 b8 a4 d'4 d'4 |\n  a4 b4 b4 g4 |\n  a4 a4 a4 g8 a8 |\n  b4 a8 g8 fis4 g4 |\n  g8 a8 b8 c'8 d'4 d'4 |\n  d'8 c'16 b16 c'8 a8 b4\n}\n\nbass = {\n  g,4 |\n  g4 fis4 g4 c4 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g8 fis8 e8 d8 |\n  c4 d4 g,4 g,4 |\n  g4 fis4 g4 c4 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g8 fis8 e8 d8 |\n  c4 d4 g,4 g4 |\n  c4 cis4 d4 d8 e8 |\n  fis4 b,4 e4 e8 d8 |\n  cis8 b,8 a,4 d8 cis8 b,8 a,8 |\n  g,4 a,4 d4 b,4 |\n  e8 fis8 g4 d8 c8 b,8 g,8 |\n  d2 g,4\n}\n"}, "harmonizations": [{"slug": "was-gott-tut-bwv144", "tune": "was-gott-tut", "music_file": "was-gott-tut-bwv144.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [8, 24, 40], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "WAS GOTT TUT, Severus Gastorius, 1681; harmonization J. S. Bach (BWV 144/3). Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune WAS GOTT TUT (Severus Gastorius, 1681); four-part harmonization by J. S. Bach (d. 1750) \u2014 the chorale BWV 144/3 from the cantata \"Nimm, was dein ist, und gehe hin\" (1724), = Riemenschneider No. 65 of the Breitkopf Choralges\u00e4nge collection (1784\u201387), also in the Bach-Gesellschaft complete edition (1851\u201399); both editions public domain. Identity confirmed by the encoding's embedded German lyric (\"Was Gott thut, das ist wohlgethan...\"). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 Bach-chorale corpus MusicXML bwv144.3 (MuseData-derived Breitkopf encoding), converted with tools/mxl2ly.py; Stollen repeat written out", "encoding_license": "PD (MuseData/music21 open encoding of public-domain editions)"}, "music_ly": "%% WAS GOTT TUT (8.7.8.7.4.4.8.8) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Melody by Severus Gastorius (1681) for Rodigast's \"Was Gott tut, das ist\n%% wohlgetan\"; this four-part setting is J. S. Bach's chorale BWV 144/3\n%% (= Riemenschneider No. 65, \"Nimm, was dein ist, und gehe hin\", 1724).\n%% Converted from the music21-corpus MusicXML (MuseData-derived Breitkopf-371\n%% encoding) with tools/mxl2ly.py; the source's Stollen repeat is written out.\n%% 4/4 with a quarter-note pickup (\\partial 4); 56 soprano notes; fermatas\n%% (phrase ends) at soprano ordinals 8, 16, 24, 32, 36, 40, 48, 56.\n%% MELISMATIC: the source's embedded German underlay puts the Stollen melisma\n%% on the c''8-d''8 eighth pair (soprano notes 13-14 and 29-30, \"sein _ Wil-le\");\n%% the English 8.7.8.7.4.4.8.8 text (54 syllables on 56 notes) holds exactly\n%% those two spots with '_' every stanza (verse_variable_melisma). The German\n%% 7.7 close (melismas at 46, 54) is NOT slurred: the English lines 7-8 are\n%% 8-syllable and syllabic.\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'4 a'4 b'4 e''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'4 c''8( d''8) |\n  a'2 g'4 d'4 |\n  g'4 a'4 b'4 e''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'4 c''8( d''8) |\n  a'2 g'4 d''4 |\n  e''4 e''4 a'4 a'4 |\n  d''4 d''4 g'4 b'4 |\n  a'4 g'4 fis'4 g'8 fis'8 |\n  e'2 d'4 d''4 |\n  c''4 b'4 a'4 b'8 c''8 |\n  a'2 g'4\n}\n\nalto = {\n  b8 c'8 |\n  d'4 d'4 d'4 e'8 fis'8 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 g'8 a'8 b'8 a'8 g'4 |\n  g'4 fis'4 d'4 b8 c'8 |\n  d'4 d'4 d'4 e'8 fis'8 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 g'8 a'8 b'8 a'8 g'4 |\n  g'4 fis'4 d'4 g'4 |\n  g'4 g'4 fis'4 fis'8 g'8 |\n  a'8 g'8 fis'4 e'4 e'4 |\n  e'4 d'8 cis'8 d'4 d'4 |\n  d'4 cis'4 d'4 g'8 fis'8 |\n  e'4 d'8 e'8 fis'4 g'4 |\n  g'4 fis'4 d'4\n}\n\ntenor = {\n  g8 a8 |\n  b4 a4 g4 g8 a8 |\n  b4 a8 d'8 d'4 c'8 b8 |\n  a4 e'4 d'4 e'4 |\n  e'4 d'8 c'8 b4 g8 a8 |\n  b4 a4 g4 g8 a8 |\n  b4 a8 d'8 d'4 c'8 b8 |\n  a4 e'4 d'4 e'4 |\n  e'4 d'8 c'8 b4 b4 |\n  c'8 b8 a4 d'4 d'4 |\n  a4 b4 b4 g4 |\n  a4 a4 a4 g8 a8 |\n  b4 a8 g8 fis4 g4 |\n  g8 a8 b8 c'8 d'4 d'4 |\n  d'8 c'16 b16 c'8 a8 b4\n}\n\nbass = {\n  g,4 |\n  g4 fis4 g4 c4 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g8 fis8 e8 d8 |\n  c4 d4 g,4 g,4 |\n  g4 fis4 g4 c4 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g8 fis8 e8 d8 |\n  c4 d4 g,4 g4 |\n  c4 cis4 d4 d8 e8 |\n  fis4 b,4 e4 e8 d8 |\n  cis8 b,8 a,4 d8 cis8 b,8 a,8 |\n  g,4 a,4 d4 b,4 |\n  e8 fis8 g4 d8 c8 b,8 g,8 |\n  d2 g,4\n}\n", "preferred": true}, {"slug": "was-gott-tut-bwv99", "tune": "was-gott-tut", "music_file": "was-gott-tut-bwv99.ly", "harmonizer": "johann-sebastian-bach", "arrangement_type": "harmonization", "canonical_key": {"tonic": "g", "mode": "major"}, "time": "4/4", "pickup": "4", "system_breaks": [8, 24, 40], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "WAS GOTT TUT, Severus Gastorius, 1681; harmonization J. S. Bach (BWV 99/6). Public domain.", "provenance": {"layer": "harmonization", "source": "bach-chorales-1784", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune WAS GOTT TUT (Severus Gastorius, 1681); four-part harmonization by J. S. Bach (d. 1750) \u2014 the closing chorale BWV 99/6 of the cantata \"Was Gott tut, das ist wohlgetan\" (1724), printed in the public-domain Bach editions (Breitkopf Choralges\u00e4nge collection, 1784\u201387; Bach-Gesellschaft complete works, 1851\u201399). An INDEPENDENT Bach harmonization of the same chorale as was-gott-tut-bwv144, imported for harmonization-selection variety; tune identity verified note-for-note against bwv144.3's soprano (45/56 ordinals identical; the rest are Bach's cadential-ornament placement \u2014 see the batch NOTES.txt). All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "music21 Bach-chorale corpus MusicXML bwv99.6 (MuseData-derived Breitkopf encoding, no embedded lyric \u2014 identity verified by soprano comparison), converted with tools/mxl2ly.py", "encoding_license": "PD (MuseData/music21 open encoding of public-domain editions)"}, "music_ly": "%% WAS GOTT TUT (8.7.8.7.4.4.8.8) \u2014 four SATB voice streams, canonical key G major.\n%% Corpus harmonization source for the HymnBookGenerator close-score engine.\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% Melody by Severus Gastorius (1681) for Rodigast's \"Was Gott tut, das ist\n%% wohlgetan\"; this four-part setting is J. S. Bach's chorale BWV 99/6 (closing\n%% chorale of the cantata \"Was Gott tut, das ist wohlgetan\", 1724) \u2014 an\n%% INDEPENDENT Bach harmonization of the same tune as was-gott-tut-bwv144,\n%% imported for harmonization-selection variety. Converted from the\n%% music21-corpus MusicXML (MuseData-derived Breitkopf encoding) with\n%% tools/mxl2ly.py; the source writes the Stollen repeat out in full.\n%% 4/4 with a quarter-note pickup (\\partial 4); 56 soprano notes; fermatas\n%% (phrase ends) at soprano ordinals 8, 16, 24, 32, 36, 40, 48, 56 \u2014 the same\n%% phrase shape as bwv144. Soprano identical to bwv144 at 45/56 ordinals; the\n%% diffs are Bach's ornament placement (see NOTES.txt): here the Stollen\n%% pre-cadence eighth pair falls at notes 12-13/28-29 (b'8-a'8), so the\n%% English melisma is slurred THERE, one note earlier than in bwv144.\n%% MELISMATIC: 54 English syllables on 56 notes; '_' at soprano notes 13 and\n%% 29 every stanza (verse_variable_melisma).\n\\version \"2.24.0\"\n\nglobal  = { \\key g \\major \\time 4/4 \\partial 4 }\n\nsoprano = {\n  d'4 |\n  g'4 a'4 b'4 c''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'8( a'8) b'4 |\n  a'2 g'4 d'4 |\n  g'4 a'4 b'4 c''4 |\n  d''4. c''8 b'4 e''4 |\n  d''4 c''4 b'8( a'8) b'4 |\n  a'2 g'4 d''4 |\n  e''4 e''4 a'4 a'4 |\n  d''4 d''4 g'4 b'4 |\n  a'4 g'4 fis'8 e'8 fis'4 |\n  e'2 d'4 d''4 |\n  c''4 b'4 a'4 b'8 c''8 |\n  a'2 g'4\n}\n\nalto = {\n  b8 c'8 |\n  d'4 d'4 g'4 g'4 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 e'4 d'4 g'4 |\n  g'4 fis'4 d'4 b8 c'8 |\n  d'4 d'4 g'4 g'4 |\n  g'4 fis'4 g'4 g'4 |\n  fis'4 e'4 d'4 g'4 |\n  g'4 fis'4 d'4 g'4 |\n  g'4 a'8 g'8 fis'4 fis'4 |\n  fis'4 fis'4 e'4 e'4 |\n  e'4 e'4 e'4 d'4 |\n  d'4 cis'4 a4 fis'4 |\n  g'8 a'8 d'8 e'8 fis'4 g'4 |\n  g'8 fis'16 e'16 fis'4 d'4\n}\n\ntenor = {\n  g8 a8 |\n  b4 a4 e'4 e'4 |\n  d'8 c'16 b16 a8 d'8 d'4 c'8 b8 |\n  a4 g8 a8 b8 c'8 d'4 |\n  d'8 c'16 b16 c'8 a8 b4 g8 a8 |\n  b4 a4 e'4 e'4 |\n  d'8 c'16 b16 a8 d'8 d'4 c'8 b8 |\n  a4 g8 a8 b8 c'8 d'4 |\n  d'8 c'16 b16 c'8 a8 b4 b4 |\n  c'8 d'8 e'4 d'4 cis'4 |\n  cis'8 ais8 b4 b4 g4 |\n  a8 b8 cis'4 a4 b4 |\n  b4 a8 g8 fis4 b4 |\n  b8 a8 b8 c'8 d'4 d'4 |\n  d'8 a16 b16 c'4 b4\n}\n\nbass = {\n  g,4 |\n  g4 fis4 e4 d8 c8 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g4 b,8 c8 |\n  d2 g,4 g,4 |\n  g4 fis4 e4 d8 c8 |\n  b,8 c8 d4 g,4 c4 |\n  d4 e8 fis8 g4 b,8 c8 |\n  d2 g,4 g4 |\n  c4 cis4 d4 fis4 |\n  b,8 cis8 d8 b,8 e4 e8 d8 |\n  cis4 b,8 a,8 d8 cis8 b,8 a,8 |\n  g,4 a,4 d4 b,4 |\n  e8 fis8 g4 d8 c8 b,8 g,8 |\n  d2 g,4\n}\n", "preferred": false}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}