{"slug": "woodworth", "name": "WOODWORTH", "meter_label": "L.M.", "meter": {"pattern": [8, 8, 8, 8], "doubled": false, "refrain": false, "alleluia": false, "irregular": false}, "composer": "william-batchelder-bradbury", "composer_date": "1849", "canonical_key": {"tonic": "d", "mode": "major"}, "preferred_harmonization": "woodworth-cyberhymnal", "provenance": {"layer": "tune", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "WOODWORTH (L.M.), composed by William Batchelder Bradbury (1816-1868), 1849 - the tune for Charlotte Elliott's \"Just as I am, without one plea.\" A public-domain four-part setting encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py and verified against the Cyber Hymnal engraving (D major, 3/4, with a two-eighth-note pickup; soprano and bass read note-for-note, all pitches diatonic). Melismatic - 40 soprano notes carry 32 L.M. syllables. All components pre-1931.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Woodworth\" (William B. Bradbury, 1849); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "harmonization": {"slug": "woodworth-cyberhymnal", "tune": "woodworth", "music_file": "woodworth-cyberhymnal.ly", "harmonizer": "william-batchelder-bradbury", "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [11, 20, 32], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "WOODWORTH, William B. Bradbury, 1849. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting WOODWORTH, William Batchelder Bradbury (1816-1868), 1849 - US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (D major, 3/4; soprano and bass read note-for-note and every pitch is diatonic). A melismatic L.M. setting (40 soprano notes for 32 syllables); the eight melisma continuations are padded with '_' each stanza.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Woodworth\" (William B. Bradbury); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% WOODWORTH (L.M.) - William Batchelder Bradbury, 1849. A four-part SATB hymn\n%% tune (written for Charlotte Elliott's \"Just as I am, without one plea\"),\n%% canonical key D major, 3/4 with a two-eighth-note pickup. Encoded from The\n%% Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified against the Cyber\n%% Hymnal engraving (soprano and bass read note-for-note; every pitch diatonic).\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% MELISMATIC (40 soprano notes for 32 L.M. syllables). The 8 melisma groups are\n%% slurred in the soprano only and their continuations are padded with '_' every\n%% stanza (verse_variable_melisma): the \"Just\"/\"And\" pickups (notes 1-2, 21-22),\n%% two dotted-note figures per opening line (5-6, 8-9, 25-26), the phrase-2 cadence\n%% (19-20), and the three-note descending cadence on the rhyme word \"Thee\"\n%% (30-31-32). The engraving's slur on the final phrase (\"of God I\", ~notes 35-37)\n%% is a legato mark, not a melisma - the L.M. count forces that line syllabic, so\n%% it is deliberately left unslurred here.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  d'8( e'8) fis'2 fis'4 a'4.( g'8) fis'4 e'4.( fis'8) g'4 fis'2 a'4 a'4 e'4 fis'4 g'2 b'4 b'2 a'4( fis'2) d'8( e'8) fis'2 fis'4 a'4.( g'8) fis'4 b'2 b'4 d''4.( cis''8 b'4) a'2 a'4 a'4. g'8 fis'4 e'2. a'2. fis'2.\n}\nalto = {\n  d'8 e'8 d'2 d'4 fis'4. e'8 d'4 cis'4. d'8 e'4 d'2 fis'4 a'4 e'4 d'4 e'2 g'4 g'2 fis'4 d'2 d'8 e'8 d'2 d'4 fis'4. e'8 d'4 g'2 g'4 g'4. cis''8 g'4 fis'2 fis'4 fis'4. e'8 d'4 cis'2. cis'2. d'2.\n}\ntenor = {\n  fis8 g8 a2 a4 a2 a4 a2 a4 a2 d'4 cis'2 a4 a2 cis'4 d'2 d'4 a2 fis8 g8 a2 a4 a4. e8 d'4 d'2 d'4 b4. cis'8 d'4 d'2 d'4 a2 a4 a2. a2. a2.\n}\nbass = {\n  d8 g8 d2 d4 d2 d4 a,2 a,4 d2 d4 a2 a4 a2 a,4 d2 d4 d2 d8 g8 d2 d4 d4. e8 fis4 g2 g4 g4. cis'8 g4 d2 d4 d2 d4 a2. a,2. d2.\n}\n"}, "harmonizations": [{"slug": "woodworth-cyberhymnal", "tune": "woodworth", "music_file": "woodworth-cyberhymnal.ly", "harmonizer": "william-batchelder-bradbury", "arrangement_type": "harmonization", "canonical_key": {"tonic": "d", "mode": "major"}, "time": "3/4", "pickup": "4", "system_breaks": [11, 20, 32], "final_barline": "|.", "amen": false, "verse_variable_melisma": true, "refrain": null, "source_line": "WOODWORTH, William B. Bradbury, 1849. Public domain.", "provenance": {"layer": "harmonization", "source": "cyberhymnal", "source_kind": "open_encoding", "pd_basis": "pub_pre_1931", "pd_evidence": "Tune and four-part setting WOODWORTH, William Batchelder Bradbury (1816-1868), 1849 - US public domain by pre-1931 publication. Encoded from The Cyber Hymnal SATB MIDI via tools/mid2ly.py; the four-voice render was verified against the Cyber Hymnal engraving (D major, 3/4; soprano and bass read note-for-note and every pitch is diatonic). A melismatic L.M. setting (40 soprano notes for 32 syllables); the eight melisma continuations are padded with '_' each stanza.", "pd_jurisdictions": {"US": true}, "encoding_origin": "The Cyber Hymnal, \"Woodworth\" (William B. Bradbury); SATB MIDI + engraving, converted with tools/mid2ly.py", "encoding_license": "PD-dedication"}, "music_ly": "%% WOODWORTH (L.M.) - William Batchelder Bradbury, 1849. A four-part SATB hymn\n%% tune (written for Charlotte Elliott's \"Just as I am, without one plea\"),\n%% canonical key D major, 3/4 with a two-eighth-note pickup. Encoded from The\n%% Cyber Hymnal SATB MIDI with tools/mid2ly.py and verified against the Cyber\n%% Hymnal engraving (soprano and bass read note-for-note; every pitch diatonic).\n%% RULES (CI-enforced): exactly the variables soprano/alto/tenor/bass/global;\n%% absolute octaves; each voice rhythmically complete; NO chords <>, NO <<>>,\n%% NO \\secondShift/\\unisonWholeShift/tightSpacing, NO \\break, NO \\bar, NO lyrics.\n%%\n%% MELISMATIC (40 soprano notes for 32 L.M. syllables). The 8 melisma groups are\n%% slurred in the soprano only and their continuations are padded with '_' every\n%% stanza (verse_variable_melisma): the \"Just\"/\"And\" pickups (notes 1-2, 21-22),\n%% two dotted-note figures per opening line (5-6, 8-9, 25-26), the phrase-2 cadence\n%% (19-20), and the three-note descending cadence on the rhyme word \"Thee\"\n%% (30-31-32). The engraving's slur on the final phrase (\"of God I\", ~notes 35-37)\n%% is a legato mark, not a melisma - the L.M. count forces that line syllabic, so\n%% it is deliberately left unslurred here.\n\\version \"2.24.0\"\n\nglobal  = { \\key d \\major \\time 3/4 \\partial 4 }\n\nsoprano = {\n  d'8( e'8) fis'2 fis'4 a'4.( g'8) fis'4 e'4.( fis'8) g'4 fis'2 a'4 a'4 e'4 fis'4 g'2 b'4 b'2 a'4( fis'2) d'8( e'8) fis'2 fis'4 a'4.( g'8) fis'4 b'2 b'4 d''4.( cis''8 b'4) a'2 a'4 a'4. g'8 fis'4 e'2. a'2. fis'2.\n}\nalto = {\n  d'8 e'8 d'2 d'4 fis'4. e'8 d'4 cis'4. d'8 e'4 d'2 fis'4 a'4 e'4 d'4 e'2 g'4 g'2 fis'4 d'2 d'8 e'8 d'2 d'4 fis'4. e'8 d'4 g'2 g'4 g'4. cis''8 g'4 fis'2 fis'4 fis'4. e'8 d'4 cis'2. cis'2. d'2.\n}\ntenor = {\n  fis8 g8 a2 a4 a2 a4 a2 a4 a2 d'4 cis'2 a4 a2 cis'4 d'2 d'4 a2 fis8 g8 a2 a4 a4. e8 d'4 d'2 d'4 b4. cis'8 d'4 d'2 d'4 a2 a4 a2. a2. a2.\n}\nbass = {\n  d8 g8 d2 d4 d2 d4 a,2 a,4 d2 d4 a2 a4 a2 a,4 d2 d4 d2 d8 g8 d2 d4 d4. e8 fis4 g2 g4 g4. cis'8 g4 d2 d4 d2 d4 a2. a,2. d2.\n}\n", "preferred": true}], "license": "The hymn texts and tunes are in the public domain; per-layer provenance is recorded on each record."}